Gestures 20 10 22

Bravo, bravo, an extraordinary job on blendining your practices of foreshortening, construction and gesture, but I'm totally still not getting enough of the strongest and loosest blends of the former three. Would you kindly like to draw the loosest and lightest on Photoshop on Huion tablet with 2 hours 30 minutes of 1 minute sketches of poses and expressions on either hand?

As a result, it could and should help you think about your drawings, observations, and the latter, the gestures. But keep in mind of the warning that this idea can and will lead to some of the baddest drawings you'll ever do, but it can help you out on your draftmanship talents (drawing talents).

My hat's off to you, and I hope these have been completely and totally concrete and useful.

I enjoy giving you crits because you very clearly have a vision for your work and you are not afraid to ignore me which is healthy. When you are given more time I can seen controlled lines that describe the form well. On your faster work you tend to fall towards making marks that could distract you from where the forms sit in space. This is especially true with some of your legs. The more acurate your underdrawings are, the less misakes you will make in the final product. I love the volumes of work you put in every day, keep it up!