Once again, Naima, I still think you're doing a more than great work on capturing the force and flow of your fluider pose above, but I feel that though your relationships are consistently accurate to how you see the model, yet the flow and fluidity could use even more exaggeration and satirization to it. Would you kindly warm yourself up with 91 more minutes of 11 second warm-up poses, all done underhanded with your dominant and non-dominant hands?(In other words, ambidextrously)
If you love to loosen up your lighter lines of action, then your myelin sheaths shall and can salute you, if you are willing to let yourself, as you are ready and willing to make a badder drawing or two. What it actually means, you can be able to draw things with even far more than broader strokes to communicate visually in your storytelling. For most info on gesture drawing, look into Nicolaides' The Natural Way to Draw. My hat's off to you, and kindly take this little advice with a smaller grain of salt.
Once again, Naima, I still think you're doing a more than great work on capturing the force and flow of your fluider pose above, but I feel that though your relationships are consistently accurate to how you see the model, yet the flow and fluidity could use even more exaggeration and satirization to it. Would you kindly warm yourself up with 91 more minutes of 11 second warm-up poses, all done underhanded with your dominant and non-dominant hands?(In other words, ambidextrously)
If you love to loosen up your lighter lines of action, then your myelin sheaths shall and can salute you, if you are willing to let yourself, as you are ready and willing to make a badder drawing or two. What it actually means, you can be able to draw things with even far more than broader strokes to communicate visually in your storytelling. For most info on gesture drawing, look into Nicolaides' The Natural Way to Draw. My hat's off to you, and kindly take this little advice with a smaller grain of salt.