Well, Naima, I mostly think that your loosest but liveliest lines are getting the most appeal and visual fun, therefore I feel that these shapes should be heightened the most of everything about that drawing. Why don't you please push your lines of action and rhythm, all of them, with 37 minutes of 27 second warm-up poses? (37x60=2220/27≈82 scribbliest warm-ups; all flipped horizontally)
The thesis behind that critique are these two:
a) To help you see the gestures most all the time.
b) To help make your poses all the least stiffest, but the most dynamic, spontaneous, yet alive yet motivated from within.
For most all info, look into a gesture drawing tutorial or two right there on youtube here on this one video down below.
Well, Naima, I mostly think that your loosest but liveliest lines are getting the most appeal and visual fun, therefore I feel that these shapes should be heightened the most of everything about that drawing. Why don't you please push your lines of action and rhythm, all of them, with 37 minutes of 27 second warm-up poses? (37x60=2220/27≈82 scribbliest warm-ups; all flipped horizontally)
The thesis behind that critique are these two:
a) To help you see the gestures most all the time.
b) To help make your poses all the least stiffest, but the most dynamic, spontaneous, yet alive yet motivated from within.
For most all info, look into a gesture drawing tutorial or two right there on youtube here on this one video down below.
https://www.youtube.com/live/6LHn3gXmbjQ?feature=share
Good luck to you and your really marvelous marches of progress.