Polyvios Animations的论坛贴

Hello again, Pastabrother. Greatest job on your climbing forces and line qualities on your poses, as you have done. However, I'm still not getting enough of the most organic qualities in terms of your organic lines, shapes, spaces, and of course, forms. Why don't you please just go ahead with 6 more minutes of 30 second sketches, all drawn out from your underhanded postion with both hands?

The reason is as a result, your poses and line control can and will become the most loosest and mostly attractive. And for really most sketching tips and hints, kindly look into the Cartooning book by Ivan B.

Good luck to you.

Hello and good day, Spicierleaf.

Nicer job on your finer display and greater show of your flow and fluidity and elasticity of lines of action and rhythm. Way to go, but I'm still not too satisfied with your linear boldness yet. Why don't you please just try out our interactive drawing tutorial now?

As a result, your line confidence and consistency can and will improve quite exponentialy with time and repetition. For more tricks, please check out that video that Aunt posted above.

My hat's off to you.

Hello, Vn. Nicest job on your sense of organic flow in your organic lines and shapes. Your drawings rock! Yet, I'm not getting enough of that comedically lightest touch in your lines yet. How would you like to please just do 5 minutes of 30 second poses, all drawn from your non-dominant hand?

As a result, your lines will become completely loosest. COMPLETELY!! For most details, please try out watching and drawing along to some gesture drawing tutorials by Proko and more.

Thanks.

Hello, KittyTheLamb, and welcome aboard. I'm Polyvios Animations, and how are you?

Nicest job posting of the image. However. The link is still dead. Would you like to just please repost your studies on Imgur? So that we can get the most best idea of your artistic and creative progress??

Hello, Swampat. Welcome to our site!

You know, when it comes to exaggeration in gesture drawings, I think you're completely on the right track, but I still feel that the exaggeration in the poses and in the gestures still need more real straights against curves. How would you like to just please free up your shoulders and elbows with our Learn To Draw interactive drawing tutorial of figure studies here?

And as for your lines, they could and would be a real celebration of them, as you could and would just go for any cheap but affordable brush pen as Aunt Herbert suggested, then I suggest you just go for it.

The reasons why is because of two things: First, to help you self-teach on your line economies of figures and such. And second, to help you satirize and draw out the humor and feeling of your figure bodies as clearly and sharply, if not cleanly.

And furthermore, if you're really curious about more line economy practice and exercises, may I please recommend you Cartooning by Ivan Brunetti on Amazon right here, as a book?

Let's hope they work. Thanks.

Good morning, Ash, and welcome aboard. I'm Polyvios Animations and how are you doing today?

Say, you're doing the greatest job on recording the flow and movement and motions of your figure drawings, which is what I think would help you get into college, but I can and will tell that your works screams of enthusiam, power, and passion to make it into drawn animation, generally and specifically. However, I'm still not getting enough of the most insanest gestures and plasticity of the lines, shapes, and forms. Would you like to please kindly go for 5 minutes of 30 second figure studies.

As a result, your flow, fluidity and plasticity of the figures can and will become better billionfold with the most time. Here's some advice for you.

If you're really serious about applying for animation college, if that is your dream goal, just put in what you think is your great work.

And for most info, please look into a YouTube on how certain portfolios are accepted and/or rejected:

Let's hope you can and will find these completely and totally nicest, helpful, informative, and encouraging.

Thanks, Marshallyouna.

I've already looked at your links about a couple of months ago, but I can still get those paint by number kits already in my United States. Thank you.

Good morning, Pastabrother, and welcome to Loa.

Nice job on your Powerpoint drawings of hands and figures. But my beef with them is that the gestures and forces all are too bare. Would you like to please invest in yourself in a Huion Kamvas drawing tablet to draw digitally, or better yet, try drawing analogically with drawing with pens and pencils in notebooks, all thru our interactive drawing tutorials on our site?

The logical arguement behind this thing is because your poses and gestures can and will become less mathematical and more intuitive and human in terms of the blind contours and gesture drawings. For more info, please look into a copy of the Nicolaides book, The Natural Way to Draw, on Amazon.

My hat's off to you.

Hey, Ori. It's me, Polyvios, and I'm an animation, cartooning, and art student. How are you?

Say, aren't you gonna start a Discord just for us?? You, me, and everybody who wants to join??? Please???? Thanks.

Hello, Kluwelyn.

Nicest job on your range of flow and silhouettes and relationships on your figure sketches. Your poses and anatomy is completely and definitely on the strongest of the right tracks. I really like how much fluidiy and angles are being applied to your photo and your figure drawings. Especially when it comes to the heads, ribcages, and pelvises.(Most remarkable sense of simplicity and clarity of them) Yet, I'm getting not enough of your courage and fearlessness, artistically in your gesture sketches. Why don't you please free up your shoulders and hands with our interactive drawing tutorial, if you totally haven't already?

The reason is because, by working from your shoulders and underhand positions, you could and would go for most of the broadest of the most gestural lines, while your wrists will be for the details. If you work only from your wrists, then you can and will get too much hairiest lines. For most details, please look into a copy of Figure Drawing For All It's Worth, by Andrew Loomis, on Amazon.com, for some figure warmups to completely loosen yourself up entirely.

Good luck from me to you.

Hello, Stvalentine14.

You know, I think you're doing the greatest job on your figure poses. I love the sense of motion. I love your natural senses of gestures and spaces, and I love your awareness of your relationships. But, in 0:28, I'm not getting enough of the calligraphic swelling of the silhouette at the lower right hand corner of the page.📃 Would you like to go ahead with our interactive drawing tutorial on our website, please, with your dominant and non-dominant hands?

As a result, your poses can and will become the most dynamic, energetic, fluidest, and the least stiffest and the least rigidest in your silhouettes and negative spaces. For more practice tips and tricks, please look into the Adorkastock sketch app, and more books and sites.

My hat's off to you.

Hmmmm......honestly, the way you define appeal is simply subjective. It's in the way that interests you, especially in art and drawing. See?

It's OK, Idon'tknow. Don't get discouraged if you don't see instant improvements. All you need to do is just be patient and practice everything every day. Is that too much to ask??

I'm with you, Otter. We want it and we need it!

Good morning, tiramisumanP. How are you doing this morning?

Say, I really think you're doing a completely splendid job on your gestures and forces in your shapes and lines and spaces and forms of your figures. Please do keep up the great work, and I need to be more and more concerned about the loosening up on the heads, ribcages, and the pelvises on the gutsy gesture poses, for they are too rigid to me yet.

The reason is because, though it can and will help you relax in your learning curves in your figures and anything and everything.

Practice doesn't make perfect. Practice makes myelin, and myelin makes perfect.

Daniel Coyle

For more practicing tips and tricks, please look into The Little Book of Talent by the author above.

Thank you.