Forumberichten van Polyvios Animations

Marvelous and phenominal job on your figure's lines, spaces and proportions and angles, slvsh.

My biggest problem with them is though they're really perfect, but the exaggeration is not that too excellent to me. Would you please loose, lighten and liven up your relationships, perception of spaces and lines with 10 minutes of 5 minute poses, in the time limits section of figure studies???

As a result, your edges, spaces and relationships will be the most caricatured, exaggerated and satirized, and the least stiffest and undertured. If you're the most curious about the perceptions in drawing, please check out these links to Betty's Kindle of Drawing From the Artist Within. And, A Kindle of Dr. Edwards' Drawing on the Right Side of the Brain, 4th Edition. This links can and shall help you out on your goals and aims.

Good luck to you and your learning curve.

Great work on your very first post of the figure drawings, Sabinlord!!

My biggest critique is that though those figure sketches are general fluidy and flowy, but most specifically, those lines are far too rigid, stiffest, itchiest, scratchiest and choppiest. Would you please try and do this in class drawing tutorial here on this website?

The reason is totally because, first you start with the quickest warm-ups, then you get to slow down the most with these longer studies, and finally, the longest one is the 5 minute study. And most importantly, it can get you the most aquainted and comfortable with quick sketching with the most practice and patience.
For more tips on how to refine and polish your developing talents and skills, be sure to look them up on DuckDuckGo, Google, or get yourself an Audible of Coyle's Book, The Little Book of Talent.

Cheers, good luck to your goal, and I hope you've found these realistic, attainable, more achievable, and most helpful, encouraging and informative.

Windylamay, I am so enjoying your first and current attempts of your practice for 2 months, of figure practice. Great job on our perpection of edges and gestures. Great job on your perception of positive and negative spaces. And more importantly, the greatest job on your perception of the relationships.

If I was to point out one issue or regret about your quick sketches generally, though your 30 second and 60 second (1 minute) poses are the greatest, but I feel that you're using too many excessive lines, as a result of the stiffest drawings in the ruffest stages. Would you please loosen up your hands with another 30 minute class mode of figure studies, all flipped normal, horizontal and/or vertical? (all found in our class mode section)

As a result, you'd be able to tap into drawing the figures from the right side of your brain, from your heart. And, to make your drawings the least stiffest and the most dynamic, energetic, vital and fluidest. If you're really, completely and totally curious about that drawing, please check out this link here.

Hope this link helps.

Well, sietu, I completely and really admire your current efforts of the croquis. Great work on your organic forms and gestures, greater job on every one of them.

So, in order to help you ease yourself into the shading, atelier-Charles-Bargue-style, you must and oughta loosen up your lines, cause your poses are not getting enough of the freedom of graphic lines. Would you please do that with 9 minutes of 4 minutes and 30 second warm-ups? (2)
As a result, your subjects and studies will be able to achieve absolute and energetic drawn likenesses. So, take this quote with a grain of salt, but this is worth it for us. Cheers to you, and I hope this helps you out.

Nice job on your figure sketching practice, Sietu. Nice to hear you having fun with that process. My one small issue is that though the gestural confidence of the hands and feet are really getting there, but they are way, way too scribbler and itchiest. Would you please loosen up your gestural hands with 10 minutes of 30 second hand and foot practice drawings? (20 of them) As a result, your hands and feet will become the most clearest and cleanest in terms of the lines. (despite some of the vague graphic shapes in them)
Pardon my little Star Wars quote, but it seems quite useful to use students and pros of art, cartooning, animation and all things related. This thing is worth it.

Hope this quote influences and inspires you.

Thanks for the repairs.

P.S. I hope you'll make the time for this problem, Kim and Sanne.

Hey, Line of Action, I've got a problem. Today, when I was done typing my description, of my image that I've done that day, it started uploading, but it really crashed, and not even uploading. Please, fix it!

And also, I'd like to thank you for the website and some newest photos.

Polyvios Animations.

Hey, Line of Action, I've got a problem. Today, when I was done typing my description, of my image that I've done that day, it started uploading, but it really crashed, and not even uploading. Please, fix it!

And also, I'd like to thank you for the website and some newest photos.







Polyvios Animations.

Woah! Those are the greatest display of promise and potential I've seen today. Great job on your gestures, edges and spaces of the figures you've quickly sketched. And, I feel that you've sent out that link just right-I think you did.

I've got one tiniest, llttlest and small criticism for you, regarding on that half-nude's right arm. I feels a bit just right, but it stll looks like it's a bit too longer in relationship with rest of the body, but otherwise, you have really still got it. Would you please carve out the proportions of the whole body, while retaining the guts and spark of the quickest sketch? (all in 2 5-minute sketches, just to help you out on your goal, of taking your time)

The reasoning is, as long as you just follow through, then you're forms will become the most solidly constructed proportions and angles so far, so great.

Here's this tutorial, but I know it's geared towards drawn animators, but still applicable to artists in general.

https://youtu.be/gT4xju-WWVc

Hope this helps.

Nicest job on your eye expressions and shapes, AuslerDraws. Absolutely stunning.

So, here's a question: How long did it take for you to do those eye drawings exactly?

A nitpick for you, I love the anatomy and structure you've got for those eyes and eye shapes, but there's not enough of the strongest gesture and motion in range. Would you please loosen up your eyes funny with 6 minutes of 2 minute eye studies with this image below? Here's a link.

http://getdrawings.com/image/eye-expressions-drawing-51.jpg

The reason why you could and should do this suggestion is because, the cartoon eyes are a lot more simpler than the more realistic eyes, despite being the most deceptively simple, but they are very, very clear in communication, visually. But if you could break them down in simplest and clearest gestures, then you'd be able to get the point. See??

Good luck.

Say, Smiller, that's the most marvelous display of a portfolio of the figure drawings and sketches. Greatest of jobs so far, so greatest, on your quick sketches and figure rendering.

Well, in general, you're making some greatest progress for the first time from you. So, my issue with what I'm seeing specifically, is that the quick sketches have a bit too much extraneous lines. Would you kindly be a bit more boldest with your gestural lines, a lot more loosest with 30 minutes of 29 second quick sketches of figures? (1800/29=62 quickest scribbly pose warm-ups)

The reasoning why you should do this suggestion is because, to help make your lines the smoothest, slickest, and have the nicest appeal to the lines, and to make your lines of action and rhythm the least stiffest and the most dynamic, lively and spontaneous.

For more inspiration, here's an image for you to download and study.



It's of a Mickey Mouse ruff animation sketch done by Legendary Disney Animator, Fred Moore, for an unfinished cartoon, Pigskin Pluto.

Cheers and I hope these've helped.

In general, greatest job on all your drawing efforts, masterhation. And specifically, greatest job on your figure sketch session. And much specifically, greatest work on your tree frog, portraits, hands and feet.

If I was to give you the most particular goal for you, it would, could and should be that your figure drawings, I not getting enough of the especially loose look and feeling and humor to them, especially the organic forms. Would you please make your goal: To make my organic figure spaces and forms and relationships the least stiff and the most fluidest????

The premise behind this thing is because, it could be able to get you the most practice, filling up your sketchbook that way. Also, devote a dozen more pages to portraits, a dozen more pages for animals, a dozen for the hands and feet, and especially, a dozen more for the figures. And while you're at it, would you please find the times to take a nap, if you can?????

Cheers, and I hope this helps.

Polyvios Animations.



P.S. The napping tip was and is from the Daniel Coyle book, Audible audiobook and Kindle ebook, The Little Book of Talent. Check out this link now please: https://www.amazon.com/Little-Book-Talent-Improving-Skills-ebook/dp/B007JC1RM2

Ihinfuo, I really, really, really, really, really must say that your figural forms are very well-defined and articulated. You've done a very, very, very, very, very, very, very, very great job on those forms.

So, if I was to suggest an improvement, that is, in the case of the shading, that your tones are a bit too monotonous for me. Would you please check out this link here?: https://line-of-action.com/storage/4911/LoA-1536480630.pdf

The sound mind behind this is as a result, your shading performance will fairly and dramatically improve once you download this link on mastering your pencil's tones.

Hope this've helped you out the most.

Krustykrab, what I love about your drawings is that you did a really greatest job on your quickest poses ever. All of your lines in general are the most perfectly readable and perceptable, despite that some of them are too itchiest and scratchiest.

My problem with those lines of action, mood and rhythm, are what I've just said. Would you please loosen and liven up your lines with 4 more minutes of 1 minute blind contours, all drawn without looking at your paper or tablet or display?????????

The reason why is because, you'd be able to warm up most always with the blindest and most reckless with your practices, but your line quality and consistency will be able to be the most fastest and appealing and cartooniest. Here's a quote.
Hope this will help.