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  • #26288

    Vcuubed, that's a very good job you've got on these sketches you've got there. So, if I was to give you some improvement here and there, it would be to focus on the silhouete and the lines of action and rhythm, in some 90 second poses, pretty please? The reasons why are because, a) you'll get a much better idea on the overall gestures and poses. and b) you would be able to push the poses far beyond their usual limits in their forces and forms.

    Hope it's been completely, definitely, and absolutely usable.

    P.S. Go for 10 10-second hands and feet. They help, too.

    #26283

    That is very good job on your first tries, yotastrejos. If I was to give you something to improve, then it would be this image below:

    Nice drawing you've got in this pose, and a really great idea, too. I feel a little bit of stiffness in the body. Why don't you push that pose even more here? The reason is because, you will make you attitiude more stronger and ambitious in your landmarks.

    Furthermore, your landmarks are getting in there. But why don't you just free them up, in a 4 minute (240 second) figure? The reason why you should and could do this idea is because, your life poses will become even more looser and appealing to do so.

    Hope it's been completely and absolutely operative.

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    #26266

    Nice work on the first 2 minute sketch, artsyrm, that's very greater.-Actually, you've done lots and lots of figure sketches, greater job too!!

    If I was to give you something to improve on, then I would please make the gesture the stongest on that first 2 minute sketch, done in 60 seconds. The reason why is because, it'll make you lines more and more economical, while at the same time, your drawing will be less and less stiffer, and more and more dynamic, energetic and fluider. For more information, look up the Ben Caldwell books, Action! Cartooning, and Fantasy Cartooning. So, they'll help you improve the skill you could use for your storyboards and designs.

    Hope it's been completely and absolutely accommodating.

    Cheers.

    P.S. Practice makes possible. And possible makes perfect.

    #26250

    Nice job on your post, Siwead, that's very good. According to what I've seen there, then you're on the right start. If I was critiquing constructively, then you shouldn't erase your lines too much, in you next drawing, in 180 seconds. And do you know why?? As a result, your forces and edges will become even more boldest in strokes.

    Hope it's been totally beneficial, cheers.

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    #26224

    Hey, Janetheodd, check this out!!!!

    Like it?

    #26223

    Thank you, Jane, yet, have you checked out my sketchbook yet?

    #26222

    Thank you again.

    #26220

    Thank you, Kim.

    #26218

    I totally admire your first start, Keyframer 09. That's a really good start!

    If I could help you with this sketch, then really practice on your important, simple forms, and importantly, your general proportions and angles.

    I completely have two reasons: First of all, to help you loosen up and tighten your forces; and second, to define and sculpt out your body relationships with the head, hand, and foot relationships.

    Hope it's been absolutely and totally profitable. Take greater care,

    Polyvios Animations

    P.S. Have a really, really, really nicer time.

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    #26214

    Hi everybody, how's it going? My name is Polyvios.

    I am happy to have invited myself into your group this evening.

    The reason why I really wanted to learn how to draw my scenes is because, I really wanted to work on concept sketches for animated features, shorts, and series. Second, is because I'm completely still learning how to draw my environments really most fastest.

    Alright, that's it from me.

    Looking forward to showin' me whatcha got!

    #26190

    Nice job on your post, Yarileaf, very promising and full of potential in your 30 second gestures, yet, I've got one small suggestion: Would you please like to go for the general facial proportions and angles (facial relationships, and the perception around them), in 29 seconds, in one calligraphic stroke, pretty please?

    And you wanna know why???? Because, you get a more expressive and cartoony signature style of rendering facial relationships.

    Hope you've found it completely and definitely invaluable.

    Polyvios Animations.

    Ps. take care!!!

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    #26183

    Nice post, but I just don't see the two images you posted (or tried to post). Please try that post again, and remember, and don't forget to make the images more visible. Thanks.

    #26164

    Wow! Nicer job on your face drawings, KatieOfConrad. Very slicker, smoother, and has a very nicer appeal to it.

    If I were to give you an honest and sincere opinion on your facial expression 2 minute drawings,here is this image below:

    I'd looked at all of those sketches, and it states that you're on a totally right path (I believe), why don't you loosen up your recognizability of your sketches in 119 seconds per scribble. It can get so, you'll even get into cartooning and caricatures in those facial expression designs. The reason is because, your recognizability of those facial feature sketches will become more solidest, fluidest, and most energetic.

    Hope it's been even more important.

    Cheers!

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    #26156

    Hi NoahT. I've been looking at your life sketches lately. And it states that there's some marked improvement with each new sketch.

    Take for example, I've looked at some line of action poses, it's clear that you're on the right track. Very solid, very fluid, but the liveliness is really getting there. You could have made those poses with the LOA more fluider and vital-er. Why don't you go at those gestures again, in a 30 second drawing. Why? Because your line of action will become the most longest, fluidest, vital-est, and energetic-est.

    Hope that it's been most friendly.

    Polyvios Animations

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    #26138

    Awesome job on your studies, Endolphinz, very great promise.

    Here is my latest link to a latest gesture drawing tutorial from Proko. Here:

    The reason why you'll need to watch that tutorial is because, it will help you on your latest studies in gesture drawing vs contour drawing. Hope it's been favorable to you and your progress.

    Polyvios Animations

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