![](https://lineofaction.s3.us-west-2.amazonaws.com/34920/conversions/art-234392-1645655694-extralarge.jpg?X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIAIZE2523KZPI73CMQ%2F20240907%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240907T233131Z&X-Amz-SignedHeaders=host&X-Amz-Expires=1800&X-Amz-Signature=dbe9792e7fbfe2d296facdddae9788d4849dbd5fbd84df4067b0a0dba4670301)
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© 2022 CartoonistahnDone as part of a practice session with poses of 2 minutes in length.
My current goal is: Better understand human anatomy, so I can render imagined poses
Polyvios Animations
Good morning to you, Cartoonistahn, I'm Polyvios again. I'm doing finer, but in a hurry, how are you? Greater job on your showcase of your range of gestures and forces over forms and details. Keep going, you're doing a very sweller job.
I'm totally feeling like that your muscular tension could benefit some more and more of that fast economy of your lines of rhythm and tempo in your lyrical quality of the edges and spaces. Kindly work more livelier with 2 hours 30 minutes of 22 second rough pose doodles, from memory. (9000 seconds/22 seconds=estimated 409 scribbly doodles from your stream of conscious.) The reason why is because of two explanations: First of all, to get you thinking less of your forms and preconeptions, and more and mostly into the action and acting of the scenes and stories. And lastly, to more quickly get you tapped into your right side of the brain. For further information, kindly look into this link here,and this, too.
Good luck, and my hat's off to you and your current and future goals.
Great job overall, I would recommend trying to work in some more muscular tension, you've got a geat overall look, but maybe consider whihc muscles are pushing, pulling, and relaxed in any given pose, to get a more fluid, vibrant look