Good morning, Jaybobdoodles, and welcome back to Line of Action. How are you doing today? Nice job on your range of looseness of the lines of composition and staging and posing of the architecture. Very great job, but they all seem too rigid and stilted to me. How would you like to solidify but lighten up your forces, forms, spaces, and shapes of buildings and landscapes and scenic drawings with one 10 minute sketch of a scene or environment?
As a result, if you loosen up your forces, forms, and shapes, then your perspectives and proportions of the buildings will become less stilted and self-conscious and much dynamic, fluid, flowing, and lively, like the Golden Books by Mary Blair. But wait, there's more, if you want some more influences and inspirations, please look into this link here. It's on the hierarchy of forms and details, which I believe is important for gesture drawing in scenes, environments, and everything.
Please take this with a little grain of salt, so let's hope it's helpful.
As a result, if you loosen up your forces, forms, and shapes, then your perspectives and proportions of the buildings will become less stilted and self-conscious and much dynamic, fluid, flowing, and lively, like the Golden Books by Mary Blair. But wait, there's more, if you want some more influences and inspirations, please look into this link here. It's on the hierarchy of forms and details, which I believe is important for gesture drawing in scenes, environments, and everything.
Please take this with a little grain of salt, so let's hope it's helpful.