Polyvios Animations的论坛贴

Way to go on your lines of action and rhythm of your poses, but I think that you're getting there the mostest, but I feel that these all seem or look too stilted to me extremely. Would you love to go ahead with 7 more minutes of 29 second poses? (420/29≈14 quick warmups)

As a result of those warmups, then your lines of action,balance, and rhythm will be quickly sketched out the most dynamicaly, energetically, but fluidly. If you're really, REALLY curious about gesture drawing for art, cartooning, and animation, kindly look into the the PDF of the Vilppu Drawing Manual here.

I hope you've found most of these things and more the most helpful, supportive, and totally useful.

Good morning, Stiven, and nicest job on your range of gestures and action of your lines of your figures. I think that these poses are positively, absolutely on the rightest track, but I feel that these are all feeling even most expressive to me.

Your only one link is working fine, but the last one seems to have a 404 page error page. Please fix it up, so that we can see it all clearly. As a result, you won't be able to have another 404 error, like last time.

I really and totally feel that these poses seem a bit too much rigidest to me. Why don't you please loosen up your range of lines of action and rhythm with our interactive drawing tutorial?

The reason why you could and should loosen up your hands by taking our drawing tutorial is because, you can, shall, and will be able to free up your gesture drawing fundamentals by starting with the quickest warmups, then ending with the slowest but longer drawings done in 2-5 minutes as a way to sculpt out the shapes in the figures. If you're the most curious about gesture drawing for animation and cartooning and art in general, please look into the free PDFs of the Walt Stanchfield books here, and HERE!

Good luck to you from me.

Easy, Fai.


In other words, crudely sketch out the gesture, then you can carve out the volumetric drawing. See? Let's hope this encourages you the most.

I'm SOOOO on board with that.

Greatest but most spectacular job on your displays of constuctions over forces of the figures, but these poses all seem a bit farthest too rigidest to me in the best of times, but flowing in the not-too-best of times. Would you like to try out our interactive drawing tutorial here?

The reason why is because, it can and will be able to brush up on your drawing fundamentals in gestures and poses, and in the fluidest of poses.

Good luck from me to you.

Good morning.

Say, nicest job on your shows of initiative, but this link is too damaged. Why don't you please fix it up yourself, so that we can see your work?

The reason why is because, we really don't know your work unless the link is working properly. For most info, please look up some help on Google or DuckDuckGo for searching pages.

Hope these have helped you out extremely well.

Good evening, and welcome to Line of Action.

Greatest works on your lines of action and your looser fluidity, more vitality, and all the energy you've applied to your poses. But, these line economies still are the least appealing to me. How would you care to try out our interactive drawing tutorial here on this website? All with 8 lines per drawn pose??

As a result, your line economy and efficiency will strengthen quite quickly, yet your lines of rhythm and action will be quickly drawn but the least stiffest and the most dynamic, vitalest, yet energetic. For most info, please look into the PDFs of the Walt Stanchfield rrrrright here.

My hat's off to you, and hope they've helped you.

Hello again, Emi K P.

Again, greatest job on your range of gestures and constructions of your figure poses. I really think that you need a particular goal, but I feel that you need to loosen up and lighten up your lines of action and rhythm with 5 minutes of 30 second pose sketches?

The reason is because if your goal next up is to make my gestures and poses less stiff and even more fluider, flowing, but liveliest, then go for it. Yet, to help make your lines of action and balance farthest least stiffest and most dynamic, energetic, and fluidest but plasticky.

My hat's off from me to you.

Good evening and welcome, Emi K.

I really think you've done the greatest work on your figures' range of gestures and poses. I feel that these drawings need the most elasticity and putty-like quality in the poses. Would you care to go ahead with our interactive drawing tutorial RIGHT HERE?

As a result of that tutorial, there shall be two things:

1) To help you refresh yourself in the basics of gesture drawing in general, even if this is all figures.

2) To help you start off with the fastest in lines of rhythm and action, but end the most with the slowest yet carefulest 5 minute pose.

If you're completely, utterly, therefore totally curious about the most figure drawing practice, look into the website, Quickposes for extra practice in gesture drawing.

Good luck to you.

Hello and welcome aboard, Nick Laze, and how are you doing? I'm Polyvios, Polyvios Animations, and again, how are you??

Nicest job on your range of movement and organic shape drawings of your nudest figure drawings. I think that your goal is completely spot on, but I feel that these flowing lines need even more flow. Why don't you please try out our 30 minute class mode of the nuder figure drawings?

As a result, if your goal is to clearly push your gestures even much more to make them least stiff, and the most dynamic, energetic-er, and fluidest. For most info, please look into a copy of the Sheppard Anatomy book available on our Recommended Books list.

My hat's off to you.

Good afternoon, Kermittz, welcome aboard, I'm Polyvios, Polyvios Animations; how are you?

Greater works on your range of twists and turns, but squash and stretch on your torsos, pelvises, and ribcages. I think they have tons enough potential, but I feel that these need a more stronger solidity, but fluidity, therefore liveliness of attitudes. How would you love to try out our interactive drawing tutorial, right here?

As a result of trying out our tutorial, you can, shall, and will be able to learn how to make use of the drawing fundamentals, so that you can and will become a stronger draftsman/artist. Not to mention, to help make your solid forms less rigider, and more than dynamic, flowing, and fluider. If you're curious about gesture drawing, kindly look into the Nicolaides book on drawing exercises, including blind contours. You don't always have to follow his plans too literally, you can be free-er to warm up to the schedules. My hat's off to you and your current and future goals, to give the pelvises and ribcages real squash and stretch. Good luck.

Good morning, Sadjersh, and welcome aboard to our website. I'm Polyvios, Polyvios Animations and how do you do this morning?

Congratulations! You've now recently made your first ever topic on your web account.

So, I think your movements of your stick figures in gesture form are anything but static, but I surely feel that your motions are loaded with tons of organic life and vitality, but there's definitely not enough of energy in the poses. Why don't you please try out our interactive tutorial here, but it only does figure studies, even if you did them already right now?

As a result, then your ability or talent to understanding the basics of rendering of figure studies will increase hundred-fold, but if you work with your shoulder and/or your elbow, while saving the wrists for your details, then your strokes will become more broad and long. Good luck to you.

Good morning, Drab Green Rabbit, and welcome to our website! I'm Polyvios Animations. How are you doing this morning?



Say, I love how greatest a job you're doing on these quickest poses. I think that your edges and spaces are positively but absolutely on the rightest tracks. I feel that your relationships(proportions and angles) all look or seem a bit farthest too blandest but stiffest, so you needn't be concerned about your longest studies too soon. What you need is to please try out our drawing tutorial, therefore we can provide that for you on behalf of our site. Why don't you care to try it out for yourself?



The logical explanation behind this is because if you need and/or want to pay most attention to the motions and guts over aesthetics of your figures and whatever, then your proportions and others will become most easiest to you, if you just be most concerned about your sketches mostly holistically like never before. For most info on the basics of gesture drawing, check out this:



My hat's out to you, and hope they've been educational but informative.

Welcome abaord, Noku.

Say, you're doing a mighty swell job on your fluid poses and gestures, but these forms and relationships and spaces, in my mind all seem a bit too rushed, because you seem a bit too impatient with yourself and your poses. How would you like to please do your first ever 1 hour class mode, therefore, on the longer drawings, please measure out the head lenghts with your pen and fingers?

As a result, your understanding of relationships will become more masterful with each new attention paid to each proportion and angle of your figure bodies.

Good luck to you.

P.S. Please pick up a copy of Andrew Loomis' Figure Drawing for All It's Worth as a free PDF here!

Whoever marked my reply as discouraging, then let me say, excuse me.