Before you do so, (Place colour in the image.) I would suggest that you put more information on the chest of the lower figure and on the wrists to upper arms of the upper figure doing the chest compressions. We need to feel the indent of the skin of the first figure and the push of the second figure.
If you have a cool friend or two, have them react to what is going on. This way you watch and can pick which mussels to emphasise your story better.
Your choice of media and colour pallet will also affect how the story is being told. Have you made any decisions?
Before you do so, (Place colour in the image.) I would suggest that you put more information on the chest of the lower figure and on the wrists to upper arms of the upper figure doing the chest compressions. We need to feel the indent of the skin of the first figure and the push of the second figure.
If you have a cool friend or two, have them react to what is going on. This way you watch and can pick which mussels to emphasise your story better.
Your choice of media and colour pallet will also affect how the story is being told. Have you made any decisions?
All the best,
JCML Fine Art