Hello!
You have a very good start going, and I very much like your use of the brush pen. One thing that will help you a lot is to start constructing your figures more. You seem to have a good knack for visually seeing something and copying it down by contour. To solidify this linework you could start thinking about it more as form instead of line. Like you could draw the armature of the pose, the general blocky shapes of the limbs to get the spacing right-- and then going back over and deepen the lines that you want and start to draw in the specific feature. If you're using brush pens like you are, that black line over red guy is a perfect example of this.
Like the red line could be your 3d construction of the forms of the body, and the black line your final 2d line drawing over it.
Regardless, very good work so far!
This is great! I think you are defintely moving in the right direction at the moment.
Your 2d construction of the figure is quite good, so I'd suggest going onto making your basic shapes 3d. This would mean drawing your shapes all the way through, and trying to start looking for the planes of the body. I'd still keep things fairly simple, yet look for where the body turns to shadow, that break that will start to give you form.
Also be sure not to get too ahead of yourself with shadow, maybe limit yourself to a few values. Using 3 would give you one for shadow, halftone, and the highlight-- this would be a great place to start. Eventually you can use 4, with an extra between shadow and halftone to start getting that rounding or turning over of shading.
Let me know if you have any questions! And good job on tackling that drapery in the 10 minute study!
Hello!
One thing that might help your figure drawing is to just try and figure out how the masses of the body are interacting before adding detail. For example, when presented with the figure look at how the chest is in relation to the pelvis; is it twisted on top of it, are the shoulders pointing a different direction than the hips, is there an arch or any bend in the waist between these masses. Once you you have the center of the body you could try placing the head on top (using simple shapes for all this, boxes, spheres) and then go into the arms/legs.
Getting this framework or armature will help speed up any attempt to make the figure look naturalistic.
In the future once you have this understanding you can start breaking up the figure more, adding big muscle groups etc.
This is mainly for long pose though! The looseness in your short poses are great and keep that up as practicing gesture will make you more confident in laying down detail quickly. Just make sure to think of the figure in 3d and its masses!
