Good evening, Gregoryjj, this is Polyvios Animations, how are you tonight? Say, I'm really digging the richness to your gesture lines, your richness in the edges, spaces, relationships (proportions and angles), and your colors and lights. Very playfully risqué caption, I'd say. Great job indeed, way to go.
Nevertheless, if you completely want some completely constructive criticism, then I'm not getting enough of that Fred-Moore-type appeal and expressive looser drawing in the lines of action and construction, and sillo. Would you kindly free up your elbow and shoulder with 1 hour of 1 minute(60 second) attitudes, all flipped vertically? And furthermore, some of the colors of the tones look a bit too colder, please look into this link on how colors affect lights.
The two reasons why you could go for my completely honest and construtive critiques are because: First of all, to make your lines more flowy, elasticy, and totally moving, no pun intended. And second of all, to get into the temperatures and lights of the hues. Hope these helped you very much! ;-)
Polyvios Animations
Nevertheless, if you completely want some completely constructive criticism, then I'm not getting enough of that Fred-Moore-type appeal and expressive looser drawing in the lines of action and construction, and sillo. Would you kindly free up your elbow and shoulder with 1 hour of 1 minute(60 second) attitudes, all flipped vertically? And furthermore, some of the colors of the tones look a bit too colder, please look into this link on how colors affect lights.
The two reasons why you could go for my completely honest and construtive critiques are because: First of all, to make your lines more flowy, elasticy, and totally moving, no pun intended. And second of all, to get into the temperatures and lights of the hues. Hope these helped you very much! ;-)