Messages du forum par Polyvios Animations

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  • #30735

    Well, Blehh, I really think you're showing some greater sense of promise, but I feel that your gestures are completely and totally getting somewhere in your figure drawings. Hence they are way too stiffer in terms of the more basic ⭕️. How would you like to please kindly loosen yourself up even more with 10 minutes of 30 second warmups?

    Hence by warming yourself up completely with those 30 second attitudes, you can, shall, and will achieve absolute exaggerations in your storytelling drawings. So, if you're still curious about more gesture sketching, then I'd recommend you look into the Shamus Culhane book in PDF form here. And the truer takeaway from this tip is to not even try to think about making slicker sketches in shorter times, but to record your minimum of edges in your attitudes and other related things as possible.

    Good luck from me.

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    #30729

    Hey, Kim, how are you doing today? First of all, I'd like to say, I'm sorry for today. And second of all, for the idea coming up, how's about adding the 1-4 second drawing time limits to our custom timer tool to all of our drawing tools. I think it's a great idea, if you are exclusively into the lines of action of anything and everything. So what do you think? Do you agree or disagree with my idea?? Good night.

    #30728

    Greater job on your solidity and forces of your figure done under that time limit. I think that you're totally getting the gesture drawing thing right away, but I feel that the flow and plasticity of your poses still needs more exaggeration. (specifically the bones) How would you kindly go for our interactive drawing tutorial here on our site, so that you can completely loosen yourself up, if you haven't already?

    The reason why you can go for this tutorial is because, your exaggerations and emotions will become more distilled in your vitality and a sense of energy. So if you're really thirstier for more gesture drawing influences, I would suggest you look into the 2 books from the Walt Stanchfield series on Amazon.com or a free PDF on Archive.org.

    Let's all hope they'll work for you.

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    #30724

    Good evening, ecryptiid. Welcome back to Line of Action. How are you? Say, I think you're doing a finer job on your range of speed and accuracy of lines, spaces, relationships, and gestalts of your figure studes. I love the economy of lines. But I don't love the rigidity of the forces. Would you like to please loosen up your exaggerations of relationships with our interactive drawing tutorial here on our website?

    The reason why is because, your gestures will be even more exaggerated into their rawer spirit. It can and will get more better with more consistent practice, if you just try and do it. For most details, please look into the Shamus Culhane book on gesture drawing here.

    Good luck from us to you.

    #30721

    Welcome back, Josefe!

    Well, great job on your range of clarity and real simplicity of poses.

    I have some true advice for you. I'm not getting enough of the dynamic exaggeration and foreshortening in your poses. How would you like to please just go ahead with our interactive drawing tutorial here on this site?

    The reason is because, you can and will make your expressions really and definitely holistic, in addition, it will lead to drawing completely solid gesture drawings. They all don't have to be totally perfect. For most details, please pick up an Audible of The Artist's Way by Julia Cameron.(which I've absolutely started yet)

    My hats off to you.

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    #30720

    Welcome back, frobby. Say, I don't know if I can explain these things to you, but I'll try anyway. I think that you really want to make some true progress into your drawing skills, and anything and everything you can and will set your mind to. And I feel that haven't I suggested to you the Proko Timer?

    Let's hope this helps.

    #30710

    Welcome back, Heirloomtomato, and welcome back. Say, I love how much movement, flow, and fluidity and forms you've put into your hands, feet, and figures. Great job on all of those. Please keep up the great work.

    What I love about your figures, truly, is how much motion and organic drawing in your gestures, spaces, and relationships. They have a lot of spunk, as well as some panache. Greater job on your flow and fluidness in your lines. But however, these look too rigid to me. how would you like to go ahead with drawing while standing up while drawing on a 12x18 or 18x24 pad of newsprint or other paper, with 46 minutes of 2 minute poses, using your underhand, with your non-dominant hand?

    But wait, there's more, what I absolutely adore about your hands and feet is totally how much flexibility and elasticity of your looser lines you've drawn into your hands and other appendages. Rock on! Still, they still seem too rigider to me. Would you like to go ahead with 3 minutes of 1 minute hand poses?

    The reason why is because, your poses can and will be quickly sketched out as less stilted but more dynamic, energetic, but fluid. With tons of deliberate practice, you can and shall, and will improve and innovate with each new sketch. And if you're curious about more quick sketching, please look into Drawing from the Artist Within by Betty Edwards, for the ideation part.

    Good luck from me.

    #30695

    Hi, Sandpit, and welcome to LOA. How are you? Nice job on your head references. I love the clear definition of forces, lines, spaces, shapes, as well as forms, and of course, the relationships. I think that it's great that you're positively on the right track, but I feel that these expressions need more loosening up. How would you like to please free up your hands with 30 minutes of 10 minute face poses?

    As a result, your understanding of faces and expressions will soon become less timid but more creatively fearless in execution. For more details, please look into our library of Andrew Loomis books on our Recommended Books list, which are just links now, for you to click.

    Our hats off to you.

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    #30688

    Hello , heliganreigns, and welcome. Say, you're doing the greatest job on your strongest flow, fluidity and total plasticity of your lines of action and rhythm. I think that you've got what it takes, but I completely feel that the expressive lines aren't the most expressive yet. Would you care to please go ahead with 6 minutes of 30 second poses, using any drawing medium you've got?

    The reason why you could still loosen yourself up the most is, so that your poses will become the most fluidest, flowing, and even liveliest and energetic. For most info, kindly look into the PDFs of the Walt Stanchfield series of drawing on Archive.org?

    My hats off to you, and let's hope you've found these helpful but supportive.

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    #30687

    Hello and good morning, Sadjersh, and welcome to Line of Action. I'm Polyvios, and how are you? Say, I think that your flow of the lines most clearly show, but I feel that the lines and shapes are not drawn too forceful enough yet, if not forced. Would you like to please just go ahead with 46 more minutes of 2 minute poses, using only your underhanded position, from your non-dominant hand? (23 sketches)

    The reason why is because, your understanding of gesture drawing ideas(don't want to say rules; just saying ideas) will become the least forced but the most gutsiest, spontaneous and liveliest you've never drawn before. For most details, please look into all practice tips and tricks thru The Little Book of Talent(Daniel Coyle)

    Let's hope they've been positively and absolutely concrete.

    #30678

    Thank you, Kim.

    #30675

    Hello, Kluwelyn, and welcome back. Say, way to go on your harder work on your drawing process of sketching out your figure relationships. I think that you are getting more successful in your figure proportions, angles, spaces, and edges. But, I feel that I'm not getting enough of those flowing and more than fluider quality into your drawing process of figure studies. Why don't you please go ahead with 45 minutes of 5 minute poses (9 drawings), all drawn underhand?

    The reason why you could and would do this suggestion is because, your figure's relationships (proportions and angles), will be more successful in terms of how well you can and will push the guts and liveliness into your attitudes. For most info for exaggeration and expression in poses, please look into the free PDF of the Walt Stanchfield Series Volume 2 here.

    Let's hope you'll take these with a littler grain of salt.

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    #30674

    Hello again, Kim, but I think you did the right thing by having Amazon affiliate link images on your site. But if Amazon doesn't like it, that's the students' loss.

    #30665

    So, as I was saying, Kim, can't you just contact Amazon and try to reason with them not letting you show link images on your site?

    #30663

    Hello and welcome to Line of Action, Kluwelyn. I'm Polyvios, and I'm doing finer, and how are you? Say, I must love how much of an effort you're pouring into your shorter sketches, and how much thought and time and thought you've suddenly applied to your longer drawings of the human figures. However, I've got two small issues: 1) I'm not getting enough of that expression and emotion in your lines of action and rhythm in your shorties. 2) When you've mapped out your relationships and spaces, you've seemed to have watered the spark of life in your attitudes down too much. Would you like to please go ahead with our interactive drawing tutorial here on our site?(If you completely haven't already)

    The reason why you need to use our tutorial is, consequently, your forces, lines, forms, and shapes will and can be constantly improved and innovated. You'll soon get a head start in your warmups at first, and next, go for retaining them in your more sustained sketches. So, my hat's off to you.