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Hello, Evils Master, and welcome to our drawing tool, and how are you doing tonight? Great job on your first ever attempt to drawing your elk, but I'm still not getting enough of that holistic quality of that elk yet. How would you like to loosen up your hands of 6 minutes of 2 minute mammal sketches, all flipped horizontally? As a result, your perceptions of mammals and elks will become less stiffer and the most dynamic, fluid and flowing than ever, and the make your perceptions look or seem a lot more easier. For most details, please look into the Betty Edwards books, Drawing on the Right Side of the Brain, and Drawing on the Artist Within, they can help you out on the psycholigical aspects on perceptual learning in art and design. Good luck to you.

Nice work on rendering the gesture style of your scenic backgrounds, but I'm not getting enough of the looser, more flowing style of the perspective. How would you like to do 30 minutes of 5 minute scenes, using your non-dominant hand? The reason why is because you could first start out your environments with your lines of action and rhythm, while you go for more dynamic shots.

For more details, look into Vanishing Point book on perspective.

Good luck to you and your progress.

@Khj2005413 You're welcome.

Nicest works on your mannequinization, Kh, but I'm not getting enough organic shapes and forms. How would you please kindly love to push your largest shapes and forms with 30 minutes of 2 minute studies or warm-ups? As a result, your poses will become the least mathematical and the most fluid and flowing of the lines or shapes or forms. My hat's off to you.

Good morning, Pink, and welcome to Line of Action. I'm Polyvios, and how do you do?
Say, what kind of sketches are you working on today? We would love to see them, so that you can, shall, and will use your sketches to document your artistic progress.

But, when it comes to some sketching tips for your hands, in order to quickly sketch your hands in 30 seconds, I'd love to suggest beginning with a line of action, like you would with any drawing or sketch or picture. The explanation is as a result, your attitudes, forces, and/or movement will become even more clear and definable to your audience. For more curiosity, please check out our link here.

Let's hope this little suggestion had helped you out even more.

• Polyvios Animations edited this post on February 20, 2023 4:53pm. Reason: Reason and clarification for positive critique

Nicest job on our gestures done quickly, Khj2005413, those are mighty terrific indeed! Please keep on pushing your gestures far in your next session. I think it's perfectly normal, as King1 says, to have all your lines not as precisely flowing as we want them to, so there's no need to be down on yourself. Practice makes progress, but progress makes myelin, but myelin makes perfect.

When it comes to constructive critisim, here's where they stand. I'm not getting enough of those loose and light gestural lines. Would you please free up your brains and hands with 10 minutes of 29 second quick sketches with our custom timer? As a result, your lines, as I've implied will become the most exact in their loose and light touch to your figures' forces. For more info and details, please look into a Mattesi book on Figure drawing and some Youtube videos online. Let's hope they have been helpful, encouraging, and educational.

Good eveniung, Khj, and great job on showing off your range of gesture, in addition, your intuition of the forms and spaces and relationships. Please don't let your frustrations get you down. Please be patient with yourself so much.

However, I'm not getting enough of those caricatures of those poses and gestures and energies of those drawn poses. How would you like to do 5 minutes of 30 second quick warm-up sketches? The reason is because is of two things: First of all, to make your mark making much more expressive and exaggerated, and second of all, to get more accustomed to the motion of things in life, rather than their overall appearance.

Here's a quote form Walt Disney.

A good many of the men misinterpret the idea of studying the actual motion-they think it is our purpose to exactly duplicate these things--this misconception should be cleared up once and for all. I definitely feel that we cannot do fantastic things based on the real unless we first know the real.

The Art of Walt Disney

But, the real meaning is, we cannot pay any of our attention of the actual anatomical detail unless we first and foremost push or maintain the broad gesture of anything.

Please do take this bit of a request with a grain of salt.

Good morning,Rotiobakar, and welcome to your first time in Line of Action. How do you do? Upon looking at this figure pose, I'd say that your very-first attempt is postively and absolutely on the right track. Greater job on your first attempt, so please keep on pushing yourself smarter but harder.

However, your first ever pose seems a bit too rigider and stiffer in terms of the lines and lines of action above. How would you like to solidify and loosen up your lines and edges of action and rhythm and tempo with your first ever 2 minute pose, while being much more than nicer to yourself, except you can and shall enjoy yourself and the process. The two reasons why is because of two reasons: First, to be lesser than concerned about purer perfectionism, but being more concerned about the rawer vitality and energy in your drawn lines or shapes; And second, to have fun and more fun, and even more fun with the journey to be the greater master of sketch art in your own way. Thanks for listening, but I'm sorry if I'd waffled on a bit far too much.

If you're curious about more about loosening your organic shapes and geometric shapes, as applied to gesture drawing, look at these two videos below:

Please take those two vids with a much, much more smaller grain of salt. Hope these have been extremely and absolutely useful, helpful and encouraging.

Well, I have an iPad Pro with Adobe Fresco and Procreate, along with a Huion Kamvas and Adobe Photoshop 2023. I think and feel that they COULD help me out. How about all of you?

Good morning, Allenjchiang, welcome to Line of Action. I'm Polyvios Animations, and what is your current specific goal?

Please send me a DM of your recent work.

Good evening, Strawberrydrea, and welcome aboard to our site. I'm Polyvios Animations, and how do you do tonight? Say, I think you're off to the greater than greater start on your difficult odd angled poses, in terms of your 5-10 minutes of poses, in terms of movement, appeal, and dynamic balance with some simpler, more geometric forms, indeed. Please will you kindly keep up your greater efforts. However, I really, really, REALLY need to see more than pushed lines of action and rhythm of your poses form worm's eye to bird's eye. Please loosen up your graphic shapes, or lines, spaces or forms with a 2 minute pose, then the 60 second pose, and next the 30 second poses, to emphasize the more simpler flow and direction and angles of the clearer poses.

The explanation behind this littler thing is because though you can do the simpler poses for more dynamic uses of gesture sketches, so can your extreme angled poses and attitudes. For more of what I mean, kindly check out this link right here. It's from John K.'s older blog, and it has all you need to know generally about practicing anything.

Good luck to your march of progress and learning curves, and good night.

Good morning again, Chloe87, and welcome aboard again, I don't know if I have time to look thru every one of your drawings and sketches, but I'm gonna focus on one of them or two, so here are my comments on your 2 genre studies and exercises. Great job on your facial expressions because of how much solidity and forces and gestures there are on all of them. I also think that you're doing a greater job on you hand and foot sketches, so that they have the potential to get your lines of action and rhythm on any and every appendage you got.

My biggest criticism is that the faces, hands and feet could use a bit more vitality and energy in your lines or shapes in terms of caricature and exaggeration. How would love to go with 30 minutes of 2 minute faces, and your first 30 minute class mode of feet and hands? The biggest explanation is as a result, your human anatomy, poses, expressions, and gestures of all these things will become the least stiffest and most dynamic. For most details, please look into the Walt Stanchfield books, 2 of em.

Good luck to your learning curve.

Good evening again Thephilistine, but however I'm not thinking that you're failing too much, especially in your lines of action and rhythm in your figures and poses, so other than that, I feel that you're on the rightest track indeed.

However, in order to make your gesture drawings the strongest in their looseness and liveliness. How would you like to time yourself with 90 more minutes of 30 second scribble figures, with a Timer app on your iPhone or whatever? The reason why is because if you do the timer app on your smartphone, then they can make you practices more than your addictive games, thus making your lines of action and rhythm the most totally and extremely liveliest and energetic.

Hope this suggestion had helped you too much for you. Good luck.

OK, OK, Khj, here are the benefits of drawing in 30 second intervals, but there are plenty more along the way:

Here they are!

-work in the most extremes

-loosest lines

-lightest lines and touches

-largest drawings

-longest contours (outlines)

-liveliest attitudes

-strongest lines of action

-strongest lines of rhythm

-stronger lines of tempo

-strong lines of balance

Thanks for reading my benefits for you. Hope they have completely and totally benefited you the most.

I think that's a pretty swell idea, and I feel that it could and would be useful for the longer drawings.