Good afternoon to you, SarBearStare, and excellent work on your line confidence on your face and expression above. However, I'm not getting enough of the forceful distortion of the facial relationships (proportions and angles), in addition to the edges and perception of spaces. How would you please like to free up your 10 minute faces with a starting lighter gesture sketch as you feel at top speed? As a result, gesture drawing lends itself best to a distorted likeness of the people and the person.
So, in a concluding paragraph, here's a link to this YouTube video below.
It's on British visual illustrator, H.M. Bateman, and in my opinion, he was one of the funniest cartoonists of our time. I have a theory, that I think that he started out stiff and blander, and I feel that his drawings got more and more crazier and peculiar with each new comic sketch. And for more info, look into this link here.
Good afternoon to you, SarBearStare, and excellent work on your line confidence on your face and expression above. However, I'm not getting enough of the forceful distortion of the facial relationships (proportions and angles), in addition to the edges and perception of spaces. How would you please like to free up your 10 minute faces with a starting lighter gesture sketch as you feel at top speed? As a result, gesture drawing lends itself best to a distorted likeness of the people and the person.
So, in a concluding paragraph, here's a link to this YouTube video below.
It's on British visual illustrator, H.M. Bateman, and in my opinion, he was one of the funniest cartoonists of our time. I have a theory, that I think that he started out stiff and blander, and I feel that his drawings got more and more crazier and peculiar with each new comic sketch. And for more info, look into this link here.
Good luck to you and your great progress.