Good job on your very-first stick figure attitudes, Cadrawsy. Nice use of motion and movement. I feel you care too much about the details, because you can't have the details without the forms, and the forces, first and foremost. Would you please warm-up (or loosen up) your hand with your first ever 30 minute class mode of the figure drawings, all in the drapes.
The reason is, as a result, as long as you work out your time limits, backwards, then you'll be able to master your gesture figures more loosely and effectively in your storytelling drawings. For more details, be sure to look into this video down here:
Take this with a grain of salt, and I hope this is totally and positively useful and helpful.
Hey, ViciousPony, I must really admire your job of the gesture and line quality of your figure drawings. Way to go on your jobs.
Say, if you're really new around here, then I'd suggest that, if you really, completely haven't already, those figures of the gestures and constructions are not organic enough. Why don't you please free up your light touches and loose lines with Line of Action's interactive drawing tutorial?
The reason is because, first of all, it starts with some really quick warm-ups. Second of all, it ends with the sustained poses of the figures. And that's the way it goes.
ReaDelila, great job on our gesture drawings of your children, showing a range of expresion and movement in your stick poses. Great job. Great job. But they don't look or seem like real children. Would you like to loosen up your cross-dominant/dominant hands with 5 minutes of 30 second quick poses of kids?
The reason is, as long as you loosen up your own hand with that thing, then your poses and attitudes will become the least stiffest, and the most fluider and liveliest in your tykes.
Good luck to you and your progress and quest for excellence.
DragoNano, way to go on learning the gesture lines on your figures and expressive faces. Great job on your first-ever attempts!
Well, after flipping, rotating and graying those drawings you've posted on your link, I feel that there are some errors. 1) You're right on your drawings' rigidity. You need enough practice and patience for yourself. After all, this process is a marathon, a real marathon. And 2), you have a kinda bad habit on drawing your faces in terms of the tooth details, when you should've worked out the forces, first and foremost. Would you please loosen up your kissing-the-paper-skills with your dominant (cross-dominant) hands with 30 minutes of 30 second figure pose warm-ups, plus 30 more minutes of 30-second faces and expression warm-up drawings.
The two reasons is because: First of all, to help you focus on your large and longer lines on your traditional pencils on papers. And second, to aid and assist on your liveliness and expression of your pictures of drawings. For even further details, I'd like to recommend you 3 book titles: Volumes 1 and 2 of the Walt Stanchfield Series, and Action! Cartooning by Ben Caldwell. Check them out on Amazon, if you totally can.
Well, Pastabrother, I feel like that all of your faces and animal paintings have a lot of potential for each. I love the colors, the tones, and more importantly, the relationships! Way to go. Bravo!! Keep up the great work!
If I could suggest you my criticism, I'd say that most all of your animals and all of your faces look or seem a bit far too itchier and far too rigid, personally. Would you like to get you a cheap notebook with your pens and loosen up your shoulders with 10 minutes of 5m animals, and 10 minutes of 5m facial expressions? The explanation is, so that you would be the least precious with the products and more and more into the process behind them.
https://youtu.be/pzVQX9CK9EM This is the video that will help you grow as not just as an artist and an illustrator, but as a common person.
My hat's off to you and your journey. Looking forward to your first sketchbook posts in the future.
Well, Pastabrother, I feel like that all of your faces and animal paintings have a lot of potential for each. I love the colors, the tones, and more importantly, the relationships! Way to go. Bravo!! Keep up the great work!
If I could suggest you my criticism, I'd say that most all of your animals and all of your faces look or seem a bit far too itchier and far too rigid, personally. Would you like to get you a cheap notebook with your pens and loosen up your shoulders with 10 minutes of 5m animals, and 10 minutes of 5m facial expressions? The explanation is, so that you would be the least precious with the products and more and more into the process behind them.
https://youtu.be/pzVQX9CK9EM This is the video that will help you grow as not just as an artist and an illustrator, but as a common person.
My hat's off to you and your journey. Looking forward to your first sketchbook posts in the future.
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Polyvios Animations
edited this post on November 11, 2021 12:38am.
Reason: Link appear readable
Marvelously animated stick attitudes, testolerssi. Very great looseness and crudity in the thumbnail attittudes. Nice job on showing a range of expression and movement.
But where's the forms and spaces and relationships? Would you like to go on board with our interactive drawing tutorial, so that you'd be able to catch up on your drawing fundamentals? Thanks for your post, Testolerssi.
Quote:
Practice makes myelin, and myelin makes perfect.
-Daniel Coyle.
Pick up a copy of The Little Book of Talent on Amazon or your imported book store near you.
Welp, eteng, I really gotta say that you're really showing yourself on the right track and setting up for success. The two great things that I like about your drawings so much is how much elegance and charm in your figures and your character design doodle. I am SO in love with your gesturalness and anatomical realism in your hand drawings. Great job at all of these three genres of drawing.
So, to say that you're practically new at your drawings of figure drawings, I'd say that some of the figure drawing landmarks, specifically the legs and butts are very fluid and solid, and subtly lively, yet I'm not getting enough of the boldness, the power, and the audacity in the sketches. Would you please free up your hands with an in-website online drawing tutorial here?
The reason why you should do this tutorial is because, your forms and forces will become the least rigidiy and the most expressiveness in the line weights, gestures and fluidity, and energy.
Good luck to you and your journey, and happy scribbling.
So, eevee, I see where you're going with these sketches of the bodies. I really love how quick and nearly recognizable your quick torsos are so much.
And as for your torso problems,- they're gonna sound a bit too long, so please bear with me
-The ribcage section of that is a bit too stretched out to me, cause you really did pay attention to the relationships of the torso, as connected to the rest of the body.
The arguement behind this is the question: Anatomy, how indepth can you study it?- Well, my suggestion is that you can and shall be able to do the quick roughs that have a sense of give and life to them, especially when it comes to the elaborate studies of nudes/non-nudes.
Cheers, and I hope this helps you out even the most.
So, icantdrawyet, please don't be so hard on yourself, I think your first gesture drawings are on the right track. Great use of gesture and emotion, indeed.
If I was to point out one issue, it could be that most all of your 2 minute attitude drawings are a bit too hardest, itchy lines and all. Would you like to go for 30 minute custom session of 1 minute pose sketches to warm up your dominant and non-dominant hands? (30 attitude pictures) (Warning: This may be overwhelm you, but I feel that you can do it)
The reason why you can and shall do this is as a result, your line quality will improve fairly quickly with time and attention, not to mention the pairing of forces and forms.
Quote:
Feelings first, anatomy second
-Eric Goldberg, Disney Hand-Drawn Animator
Hope this has been positively and absolutely encouraging and helpful.
Nicest tries on your first ever gesture drawing Imgur post, itzhoyt. Very, very, very, very, VERY great job showing a range of movement on the bolder to even the subtle poses.
So, two answer your questions, I'd suggest: 1) Start off with a interactive drawing tutorial here on our site. 2) For the new beginners, I'd recommend the 30 minute class mode. And number 3, Go for the inherent gestures in the anything in life, including the moving and emotional poses.
Three reasons: 1) To get you best acquainted with the fundamentals of quick sketches. 2) To get you the best taste of the drawing classes.(even if you don't get into the live classes very often. 3) To be the most honest in your drawing execises and quick sketching skills.
Good luck, and I hope this totally appliest to you and your new, first goal.
Gorgeous work on your 30 minute class mode, Jon_draws1242. Great work on your forces and forms, and your details, as good looking as they were, you're getting there. Don't be too rough on yourself, you're getting a little bit better every day, if only you'd do it or try doing the job. Great use of perspective, weight, construction and motion in your forms and forces and details.
My tinier, smaller suggestion is that I love your 5 and 10 minute studies, but I'm not so certain on how your forms and details move and emote to the forces. Would you pleace like to loosen up your wrist, elbow and shoulder with a 10 minute pose, followed by a 5 minute attitude drawing?
The reason why you could and should do this tiniest, smallest suggestion is because, your forms and details will be able to shed away some of the rigidity, and push for all of the dynamism, fluidity, liveliness and energy and gutsiness.
Just so you'd know:
Quote:
Practice makes myelin, and myelin makes perfect.
-Daniel Coyle.
For more inspiration, be sure to look at this video:
&list=PLaPC8V_k6CYWKudWE9RQHaleXpUBAG0Q4&index=12
Please don't let it overwhelm you, for this may and might be totally influential.
Polyvios Animations
edited this post on November 11, 2021 12:38am.
