Polyvios Animations的論壇貼

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  • #27203
    Well, well, well, Arko, I must admit that those are very lighter touches to all of any and every pose you've put out on Google Drive file. That's a very sweller job on your looser and lightest line art.

    If I would and should be able to nitpick each and every image there, it could be that, as lively and animated those gestures of the poses, but I really need to see even more of the strongest lines of action and rhythm in them. Would you please work the most boldest and most free-est with these lines, with 5 minutes of 30 second pose warm-ups, using the images from this link here, if you could bookmark, add to reading list, next, to download onto your hard drive?: Don Martin Lines of Rhythm

    FYI: Don Martin was probably one of the funniest cartoonists that USA's Mad Magazine ever had. He was insanely gifted in his funniest drawings, the greatest clarity of posing and staging.

    The reason why you could and should do this idea of improvement is as a result, your lines of action and rhythm not only longest and largest, but the most cartooniest as possible.

    I also want you to keep that in mind that you really need to be positive about your body poses being a bunch of distorted scribbles, however, you'd be able to turn out a bunch of loosest and most expressive with an illuminating freedom of motion and emotion.

    Good luck, keep up the good work, and I hope you've found these completely and totally useful and beneficial to you.
    #27152
    I've looked through the entire posts of your current gallery of quick figural sketches, and they say to me that you're definitely on the right direction, in terms of the solidity and weight of the drawn poses.

    I think you're really know what you're doing in terms of the weight and balance in the drawing, or design. Also, I really, really feel like that one of the wireframe poses in your link there, is a little bit too forced there. Would you like to speed up and free up your feelings in the quick sketches, to exaggerate the weight, with 154 minutes of 30 second quick poses, all with out custom timer, or with the custom class here? (154 x 60/30/7 days, 9240/30/7, 308/7=44 scribble attitudes a day)

    Although the arguement it as a result, your weight will have the most lightest of touches, and to make it more spontaneous, alive, and lively, yet humorous.

    For more info, please check this video out.

    https://youtu.be/7L0AunTyz7I



    Good luck, thanks for posting, and have fun with it.
    #27149
    Nice job on your clean-up animal drawings, Charlix, very good on making them very solid, slow and careful.

    Yet there's one smaller issue or problem. Most of the drawings I see, from the canines to your birds are a bit to stiffer and bland to my sensibilities. Would you please like to loosen up your clean-ups with 151 minutes of 30 second quick sketches of your clean-up scribbles of your animals to help you push their guts even more? (151 x 60/30/6 days, 9060/30/6, 302/6=roughly 50 doodles a day)

    Oh, and while you're at it, would you like to check out this link here, they can help you?? Maintaining Guts 1 and some extra two links.

    Maintaining Guts Part 2 Maintaining Guts Part 3 (all from John K. Stuff (johnkstuff.blogspot.com)

    The reasons why you could do this bit of advice is because of two things: First of all, it's to aid and assist you on making your drawings less stiff, and more fluider, and liveliier. And second, to get you more in-depth on retaining the rough and gutsy intergity in the rough concept sketch to your finished product.

    Cheers, good luck, and my hat's off to you.
    #27135
    Kybao, great work on your display of promise and potential of those nudes here. Well, if I could suggest a critique, it would be that some of the lines are a bit too itchy-scratchy to my tastes. Would you suggest yourself an interactive drawing tutorial here on this website? Here's a link:Tutorial

    The reason why you could do this is because, the first one would and could be able to help and allow you to draw stronger C-curves for your lines of action, especially your 5-30 second quick studies.

    Take care, and get healthy and safe.
    #27125
    Great job on your 30 1 minute poses, Stefan. Way to go!!

    Again, I'm not feeling enough freedom and confidence in the lines of action and their flow. Would you please be more broader and wider, with 60 more 29 second sketches of all figure studies? (all horizontal and/or vertical)

    The reason why you would do this idea is because of two reasons:

    1) To get into the perception of edges, the right-side of the brain, all in quick sketches

    2) To help you have some fun with the lines of rhythm of the spines and limbs.



    For some more inspiration, please check out and download this image here:

    https://i.pinimg.com/564x/6c/49/eb/6c49eb002995d5df7cef1e1ef9b63b1c.jpg

    It's of another Wilhelm Busch, before Wilhelm M. Busch, that former Disney animator, Andreas Deja, posts or posted nonstop.



    My hat's off to you, and I hope you'll find these completely and totally practical to your goal.
    1
    #27124
    Great job on your Deltoids, Legacy!

    I have a great idea for a criticism. I love how much range of expression you've got on your deltoid muscles, but I'm not getting enough range of cartooning and caricature of your observations on the deltoid studies. Would you please kindly free up and express yourself even far more, with 60 minutes of 29 second drawings of quick muscles? (3600 seconds/29=124 deltoid scribbles)

    The reasons why:

    1) To help your muscles less stiffer and undertured, and more caricatured and exaggerated and cartoony.

    2) To aid and abet (if you pardon my language) to make your muslces less rigid, and more animated, vital, and energetic.

    Here are some influential images:

    Thor2.jpg

    Jack Kirby (Pre-marvel Period)




    https://pin.it/iAGTxvj


    Deltoid workouts





    https://i.pinimg.com/564x/3e/b4/34/3eb43467768f55266a044ebe821bbaed.jpg

    Link to more muscles here (click above)



    So, good luck to you.
    #27111
    Good job on all of your pages, AuntHerbert. Atta-girl! Way to go!

    Say, if you could suggest you to your own mini-goals, then it would be that the lying pose in drop-dead phenominal, it has one issue, the line-weights are a teensy-weensy bit too rigid. (the weights of them are consistently bold and dimensional) Would you please work with your elbow while you work with your brush, ink, and brush pen? With 2 hours of 30 second quick bodies, all flipped horizontally and/or vertically, and/or grayscale?? And while you're at it, check out this image below:

    handicraft13.jpg



    But, wait. There's more!!! Check out this link here, for your M. Busch sketches and final illustrations for you to bookmark, reading list, and download images from.https://andreasdeja.blogspot.com/2012/08/wilhem-m-busch-1979.html But that's not all, download those images too, for you to grayscale, flip, and/or rotate for your drawing exercises.



    The reason why is because, piggybacking to your 3rd objective: In order to be more disciplined with that, would you please time yourself with the Timer+ app, or the Timer section of your Clock app on your iPhone or iPad Pro, or iPod Touch? Because, it could help you do a lot of bad drawings, and bad scribbles with no pressure, even if you're gonna tear holes into your papers. I hope you've found these advices totally and absolutely useful.
    #27108
    Well, well, Sonnemaker, I must admire your 30 second-1 minute quick sketches, cause they're on the right track in terms of action and acting.

    In the meantime, my critique is that your forms are a bit too wobbly and loose, despite the forces are a bit more bolder and broader, and overplaid. Would you kindly construct out the lines and spaces with 30 minutes of 2 minute quick attitude drawings? (15 of 'em)

    The reason is as a result, you'd be able to improve your understanding of your body constructions and silhouettes, and lines of action. Good luck to you, and I hope you've found these completely and defintely beneficial.
    #27107
    Well, well, well, Htlaps, I must say that your quick drawings and sketches of faces and expressions are on the right track, as facial anatomy goes.

    So, if I could provide you something, like a critique, for instance, that I'm not getting enough holistic animation in those faces and facial expressions. Would you please broaden and widen up your quick sketching with 45 minutes of 30 second sketches of our website's facial features and expressions, and images from this link here?: https://johnkstuff.blogspot.com/2009/07/cartoony-disney.html All flipped horizontally and/or vertically, and all downloaded from this link?? (45 x 60/30, 2700/30=90 quick cartoonies of different faces)

    The testament why you would do this thing is because, though it could be a really great remedy for your same-face, it can support you in completely cutting loose and expressive in your quick animated gestures and slightly cartoonier expressions and emotions. Cheers, and I hope you've found these completely and totally insightful.
    #27097
    N2l, I think you're doing great on your 110 second sketches, and I really feel that you're on the right track in the quick sketches, when it comes to the figure drawings. I must say, in order to critique your work, I totally think your poses are a bit much too stiffer. Would you please loosen up your broad strokes from the head to the toes, with 30 minutes of 90 second quick poses? (1800/90=20 poses)

    The reason why you would and could do this idea is as a result, your spines will become the less the stiffer, and all the dynamic, energetic, and vital gestures in the cartoon figures.

    Good luck to you, and cheers.
    #27086
    Well, well, well, WEREWOKE, I must do say that your quick sketches; the 30 seconds, especially; are definitely on the right track.



    Well, in the much nearer future, I must advice that your 30 seconds are getting almost enough of forces in the acting, actions, and feelings, but I really need to see more of them. Would you kindly exaggerate your C and S curves in your 150 minutes of 29 second quick drawings of figure studies? (150 x 60/29, 9000/29=310 doodles of figure drawings, all flipped horizontal or vertical)

    The reason why you would and should do this little bitty suggestion is because, to reduce the stiffness in your C- and S-curves, and to really make them more dynamic, energetic, fluid, and lively. So, keep up the good job, and we hope you'll get to do some exceptionality.
    #27083
    Bravo, Htlaps.

    Just for future reference, I love all of your animal pictures, but I'm not getting enough vitality and feeling in the edges. Would you please free up your lines to be just a little bit more cartoony and expressive, with 30 minutes of 44 second sketches, through our custom timer in the Animals drawing tool? (1800 seconds/44=41 pictures)

    The reason why is as a result, like I said, less stiffer mammals, and more dynamic, energetic, and fluid edges and shapes and spaces of them.

    So, good luck, cheers, and farewell.
    #27071
    I really think your detoid studies are getting on the right track, Legacy55, and I feel like you're getting there.

    To answer your question, as far as the moving deltoids go, here is a YouTube video right down here:

    https://youtu.be/tez0Byj_qQU

    Would you please watch and study this video? Oh, furthermore, could you please take screen shots of this one cropped on the video's size, just for reference??

    The arguement is as a result, they are totally useful for your quick sketch studies, for 10 minutes of 30 second quick studies, all flipped horizontally and/or vertically, and/or grayscale, on your computer.

    The other reason why is because, you'd be able to be more faster and confident in your muscle line quality and control, and consistency.

    For some extra credit, should you please be sure to look at this link of Eliot Goldfinger Human Anatomy PDF: https://www.scribd.com/doc/106203113/Eliot-Goldfinger-Human-Anatomy-for-Artists-the-Elements-of-Form



    So, good luck, and I hope you'll find these and you've found those completely and totally useful.
    #27059
    Well, Qbicc, I have to say something about your current work myself. I feel that your proportions are a bit on the stiff side, and think they are getting on the right track. Why don't you please draw out your proportions with loose, light, long, large, and lively lines of action and rhythm, through 147 more minutes of 30 second sketch warm-ups, for 6 days, all flipped vertically, on your drawing tools? (If you can have access) (147 x 60/30/6, 8820/30/6, 294/6=49 a day)

    The reason why you could do this suggestion, is because of two things: First of all, to help you out on your observations, and second to aid you on getting your kissing the surface technique, with your charcoal and newsprint, or related things.

    If you would be able to incorporate these into your current goal, then I'd allowed and encouraged you to go with these. Good luck, and I hope you've found these practical, encouraging, and concrete.
    #27058
    Welcome aboard, Wendigo.

    Say, I must really love the amount of potential your quick drawings have to offer. Nice job on your stylized drawings.

    Well, if I was to suggest you a critique, I must say that though the idea and energy are there, in the Office Space sketch, but the lines and shapes are a bit stiff for my tastes. Why don't you please, take the office space sketch, and practice loosening yourself up with that sketch, plus with 5 minutes of 30 second sketches? (10 practice drawings)

    The reason why you would do this is because, of this video here:

    https://youtu.be/AEJgaSKsXLg?t=35

    This is the video with Chuck Jones, WB Animator, Director, and Designer, on Getting Started. There, he talked about that teacher at Chouinard Art Institute (now Cal Arts) called Francois Murphy. Francois said, "every one of you birds has 100,000 bad drawings in you. The sooner you get rid of 'em, the better it'll be for everybody!"

    Another reason why you could do this is as a result, your cartoon drawings will have less stiffness and more dynamism, vitality, and energy. Not to mention the fact that it's perfectly natural that your sketches will be all the more scribbly, but that's OK, you're just here to help yourself improve, innovate, and most importantly, have fun with it.

    If you're new on this website, (if you haven't already) look at the link to this online drawing tutorial link here: https://line-of-action.com/learn-to-draw



    Good luck to you, and I hope you've found these definitely useful and helpful.