Polyvios Animations的论坛贴

Hello Josefe, the great message, I don't think you're doing anything wrong with that drawing. I can tell you've been following the tutorial very dillgently, but I can totally see your lines moving in a great direction.

But the bad message is, that the poses are still too stiff to me yet. How would you like to try the interactive drawing tutorial here?

The reason why you could and would go for this again is because your understanding of the basic fundamentals will be done less stiff but more dynamic, expressive and flowing.

And if you wanna have more inspiration, please look into some tutorials on Proko's website and YouTube channel, free of charge. The premium videos come with some prices, but the free ones are all entry level for all students.

My hat's off to you.

Hello, Sunk9ller, and welcome to Line of Action. I'm Polyvios Animations, and how are you doing? Great job on your lines of action and rhythm and anatomy in construction of the OCs. I just totally love the amount of effort and incentive in your drawn designs. Keep up the great works. But, I'm still self-aware that the anatomy is still too stiff on your fluidity of the poses and bones and muscles. How would you like to please draw more underhandedly but more from your non-dominant hand, but with our interactive drawing tutorial here on our here on our site?

As a result, if you please could loosen up your hands and shoulders, then you could and would be able to get loose and light shapes and lines in your contructed anatomy. You're not here to make a pretty drawing, you're here to draw to make the paper and canvas go away. Kindly look into the Walt Stanchfield book Vol. 1 here, too.

Good luck from us to you. Merry Christmas.

Hello, and welcome, Euphony618. How do you do?

Say, your lightest touch in your force lines are mostly spot on. I definitely think you're showing off some promise. I feel that the gestures are still too rigidest in their emotions yet. How would you like to loosen up but draw largest with your lines by doing 22 minutes of 2 minute pose sketches? (11 poses)

Because, your robobean anatomy will be executed at the most expressive but furthermore, the extremely emotional in terms of your thoughts but with your feelings. For most inspiration, kindly look into a bunch of free videos, on Proko.com. Although, the premium lessons cannot come for free, but cost money. Let's hope what I have, rubbed off on you totally.

Greater job on drawing the quicker poses, but not stopping the timer. I love the motion and flow. I think your skills are definitely building up fairly quickly, but I feel that the lines of action in your poses are not too looser enough yet. Why don't you please liven them up with 6 minutes of 30 second poses? (12 poses)

As a result, your lines of action can and will become lesser than stiff, but more vital, energetic, but spontaneous in your expressions. For most info on learning how to distill your traits of the poses, kindly refer to any drawing from Scott McCloud's Understanding Comics.

My hats off to you.

Welcome aboard, Swampat, and welcome to our website. I'm Polyvios, Polyvios Animations. How do you do. Say, I think that you're very astute in terms of the technicality of the forces over the forms, spaces, and shapes of the figures. I feel that these lines are too timid to me yet. Would you like to please learn some highly new habits with our interactive drawing tutorial here, and some of this there, too.

You can and will be able to be completely clear about your artistic goals and aims, but your gesture drawing basics will become more loose but more honed with more grinding. I am not too sure about the grind part, but I think it practicing more quantitatively.

Good luck from me to you.

Hey everybody, I just found a new online drawing tool called the Proko Timer. I love using this thing, but I hope you can and will all enjoy this. Check it out.

Hmmmmm, well I see that you have paused your photos in your drawing session, as Herbert put it. I know why you've taken too long in your poses with 90 minutes over your 30 minute class.Generally, Idon'tknow, I think your shapes and spaces have potential, but much understandably, your forces and lines and gestalts say that you're too afraid of gesture drawing, meaning these are very stiff poses. How would you like to please self-control from pausing your 30 second to 1 minute poses, so that you can focus your superpowers on your loose quality of the lines.

Not to mention, as you could know, lines equal forces, but you could pay more attention to your balance of straights against curves, and therefore, you're not here to finish up museum pieces, but you're still here to build up your skills.

The two reasons why are as a result:

1) To make your lines of action less stiff, but much dynamic, energetic, and fluid.

2) Be more attentive to your gestures in the flows of the figures, fanarts, and more.

For most details, here is an exclusive but inclusive link to the Proko timer.

It's a brand new drawing tool that just came out, but I'm here to spread the word tonight.

Good luck and thank you.

I agree with what Kim says, Idon'tknow, from what I understand, you don't have to draw the wheelchair in the pose, if you have to just skip it, but you can draw a wheelchair, if you really want to, couldn't you? But don't take my word for it, some lines of action come in all straights and curves, if you really catch my drift.

Please make sure you've found these of what we said of greater use to you, and thanks.

Hello again, Idell, welcome back. Say, you've done a greater job on your solider structuring of your heads, faces, and of course, expressions. I completely think that your head structures are getting a step in the right direction, but I feel that the lines and shapes could totally still need more boldness and confidence. Would you please try out 6 more minutes of 2 minute faces and expressions, without merely tracing the Loomis template? (3 face sketches)

The reason why you could exercise your hands in drawing is because it could and should allow you to completely and totally loosen and warm yourself up, in order to have a more punchier quality to your faces, like a cartoon face design.

For further inspiration, look at this new video down below:

https://youtu.be/YEcJTZiTqlk?si=wR-QRwt2WMM9zTp9



It's about artist, Eliza Ivanova, and she learned how to draw straight ahead from drawn animators.

Thank you for your valuable time and cooperation.

Hello, Idon'tknow, and welcome to Line of Action, my name is Polyvios, Polyvios Animations, and how are you doing today?

What errand brings you here? You know, generally, I think your figures look or seem pretty solid to me, but I really feel that these poses all seem too stiff to me, but they could use some loosening up with just a little bit of practice. How would you like to please try out our interactive drawing tutorial here?

The reason behind this little interactive drawing tutorial of ours is because of something that can't be done without any self-aware practice through time: The basics of drawing and gesture drawing in general. For instance, you could and should need to focus your attention on drawing movements through the looseness of your lines.

And if you're still completely stuck, please be sure to pick up a copy of Daniel Coyle’s The Little Book of Talent, available on book and Kindle.

Let's hope you'll find these things practical and concrete to your journeys.

Hello Idell, and welcome to Line of Action, I'm Polyvios, and how are you?

You know, you're still doing the finest job on your understanding or control of gestures, biggest shapes, but with solidest forms with the Loomis method of head structures. Greatest going, but the lines and gestures could use the most pushing work. Why don't you please loosen up your dominant hand and shoulder with 3 minutes of 1 minute face poses? (3 sketches, using the underhand position)

The reason why is because, if you want your first-ever goal to be making most flowing over stiffest drawings, then you're hereby validated to do so.✍️✍️✍️✍️



Before we close, here is some mighty useful tidbits of inspiration to help you out on your very first goal, I'd recommend the 2 PDFs of the Drawn to Life Series By Walt Stanchfield right here.

Thanks.

Hello and good evening, Fai, and welcome to Line of Action, I'm Polyvios, Polyvios Animations, and how are you doing tonight? Greatest job on your range of gesture and clarity of muscles of the uppermost part of the torso. But when it comes to your problem with the insertion point, the shoulder masses all seem too stiffest to me yet. Would you like to please go ahead with 6 minutes of 2 minute shoulder blade studies, all drawn underhanded, and all drawn with your dominant arm?

The reason why you could do this is because, your shoulder blades will be sketched the least stiffest, but the most dynamic, energetic, but fluidest but flowing. For most info, please look into the Burne Hogarth Dyanmic Anatomy and Life Drawing books on Amazon.

My hat's off, and thanks.

You know, Plot, to be honest, I think you're doing a great job on your first try, but I feel that your flow of your figures and their arms seem too stiff on the line side. Why don't you commence on our interactive drawing tutorial of figures, so that you can and shall get acquainted and reacquainted with the very ideas of gesture drawing, here on our website?



The explanation behind this link is so that you can and shall and will begin with a link, then you can sculpt out the construction, and later, carve out the details. That way, your structures will become less wooden, but more flowing and fluid in their organicness.

My hat's off to you!

You know, @Egusi Soup, I don't know what to say about drawing with your left hand other than to help you with two things: First of all, to loosen up your drawing lines and shapes, and second, to help you get mostly in synchronization with drawing from the right side of the brain.

Let's hope these have answered your question, though I'm not much of an expert on drawing with the left non-dominant hand.

Hello, Egusi Soup, welcome to Line of Action. I'm Polyvios, how are you doing tonight? Great work on your quickest gesture drawings for 30 seconds. But greatest works on your solidest constructions and lines of action from 60 seconds(1 minute)-10 minutes. Please push yourself as farthest as you can go.

Yet, in the meantime, these lines of rhythm and action are not their fullest in their freedom yet. Why don't you do 31 minutes of 29 second poses, all using our custom class mode, using your underhanded position, and all using your left hand? (31x60=1860/29≈64 roughest stick figure sketches)

The reason why you could do this request is because, if your first goal is to draw your lines of rhythm the least stilted, but the most boldest, powerful, and biggest in their freedom of action in drawn things. For most information, look into the 2 Drawn to Life PDFs(Walt Stanchfield, Don Hahn)here, please.

Let's hope they've been helpful, supportive, and yet useful.