Mensajes en el foro por Polyvios Animations

I'm completely on board.

Say, I've got a great idea. What if you pick a concrete goal for yourself, so that you wouldn't always be going on that wilder goose chase for improvement.See?

Thanks, but what are you trying to say clearly?

Good day, Idon'tknow. You know, I think you're doing the greatest of jobs on your most grace and flow and dynamics in your figures. Please keep up the greatest jobs, but I'm not getting enough exaggerations of your c's and s's. How would you care to go for 16 minutes of 30 second poses, using your shoulders, dominant and non-dominant?(32 scribbles)

The reason why you could and would go ahead with this constructive critique is because your lines of action and balance and rhythm can and will become the most forceful in delivery and execution. For most influences, please look into Drawn to Life by Walt Stanchfield, in 2 Volumes.

Good luck from me to you.

Idon'tknow, I just wanna say, greatest work on your edges and shapes on your "shapes and forms". I love the spontaneity in your lines and spaces, but I'm not getting enough of your freedom of motion and movement. How would you like to please get the liveliest quality in your basic forms and still lifes with 6 mins of 29 second poses of still life?

The reason why is because, your basic shapes and forms wiil get to be the most loosened up for you, to get the most loosest but therefore expressive quality to them.

My hat's off to you.

Hello, Eyenaku. I love the elegance and power in your female poses in terms of flow and lines of action in the poses. But, I'm not too satisfied with the hairest lines yet. Why don't you please be the most boldest but carefullest in your edges with our interactive drawing tutorial here on our website?

The reason is because, you'll get to be the most in synch with your drawing on the right side of the brain, and therefore making your figures the least stilted but the most gutsiest, vital and energetic. For most details, please look into the Andrew Loomis book for drawing references, Fun With A Pencil.

Good luck from all of us.

You've done the greatest and powerful job on capturing the most totally appealing poses. Love the weight, solidity, and energy in them. But I'm still not too pleased with the most excessive scribbliest stiffness in the poses, which is perfectly OK, since you're just practicing. How would you like to please go ahead with 16 minutes of 30 second poses to completely loosen yourself up? (32 pose sketches)

The reason why you could and would loosen yourself up is because your lines will become the least stiffest and the most actiony, vitalest, and energetic. If you're still curious about gesture drawing, please look into the most gesture drawing from Pinterest, YouTube tutorials, the Shamus Culhane animation book for that particular exercise.

My hat's off to you.

Hello, Cafeaulait, and how are you doing tonight? Honestly, I don't know how to answer that question, because I may not be the right person to answer your question, because I'm still figuring out the hardest way on how to draw my stuff from imagination. Please look into some studies by the great and late Kim Jung Gi for his brush and ink sketches of the fisheyed compositions.

Good luck from me to you.

Good evening, Root. You know, greater job on your gesutres and spaces, and forms, and anatomy of bones and muscles, and relationships of the human figures. But, to answer to your issues or problems of the human figure that you've done for longer. So would you like to kindly retain your gesture by pushing them in the final stages, so that you would and could go for 48 minutes of 2 minute poses? (24 sketches)

The reason why is consequently by going for the 2 minutes combined with drawing only from your shoulders, so that you can and will go for more boldness and power. For more details, please look into a copy of Drawn to Life Vols. 1 & 2 on Archive.org or Amazon.com.

Let's hope you'll find these totally useful.

Well, Blehh, I really think you're showing some greater sense of promise, but I feel that your gestures are completely and totally getting somewhere in your figure drawings. Hence they are way too stiffer in terms of the more basic ⭕️. How would you like to please kindly loosen yourself up even more with 10 minutes of 30 second warmups?

Hence by warming yourself up completely with those 30 second attitudes, you can, shall, and will achieve absolute exaggerations in your storytelling drawings. So, if you're still curious about more gesture sketching, then I'd recommend you look into the Shamus Culhane book in PDF form here. And the truer takeaway from this tip is to not even try to think about making slicker sketches in shorter times, but to record your minimum of edges in your attitudes and other related things as possible.

Good luck from me.

Hey, Kim, how are you doing today? First of all, I'd like to say, I'm sorry for today. And second of all, for the idea coming up, how's about adding the 1-4 second drawing time limits to our custom timer tool to all of our drawing tools. I think it's a great idea, if you are exclusively into the lines of action of anything and everything. So what do you think? Do you agree or disagree with my idea?? Good night.

Greater job on your solidity and forces of your figure done under that time limit. I think that you're totally getting the gesture drawing thing right away, but I feel that the flow and plasticity of your poses still needs more exaggeration. (specifically the bones) How would you kindly go for our interactive drawing tutorial here on our site, so that you can completely loosen yourself up, if you haven't already?

The reason why you can go for this tutorial is because, your exaggerations and emotions will become more distilled in your vitality and a sense of energy. So if you're really thirstier for more gesture drawing influences, I would suggest you look into the 2 books from the Walt Stanchfield series on Amazon.com or a free PDF on Archive.org.

Let's all hope they'll work for you.

Good evening, ecryptiid. Welcome back to Line of Action. How are you? Say, I think you're doing a finer job on your range of speed and accuracy of lines, spaces, relationships, and gestalts of your figure studes. I love the economy of lines. But I don't love the rigidity of the forces. Would you like to please loosen up your exaggerations of relationships with our interactive drawing tutorial here on our website?

The reason why is because, your gestures will be even more exaggerated into their rawer spirit. It can and will get more better with more consistent practice, if you just try and do it. For most details, please look into the Shamus Culhane book on gesture drawing here.

Good luck from us to you.

Welcome back, Josefe!



Well, great job on your range of clarity and real simplicity of poses.

I have some true advice for you. I'm not getting enough of the dynamic exaggeration and foreshortening in your poses. How would you like to please just go ahead with our interactive drawing tutorial here on this site?

The reason is because, you can and will make your expressions really and definitely holistic, in addition, it will lead to drawing completely solid gesture drawings. They all don't have to be totally perfect. For most details, please pick up an Audible of The Artist's Way by Julia Cameron.(which I've absolutely started yet)

My hats off to you.

Welcome back, frobby. Say, I don't know if I can explain these things to you, but I'll try anyway. I think that you really want to make some true progress into your drawing skills, and anything and everything you can and will set your mind to. And I feel that haven't I suggested to you the Proko Timer?

Let's hope this helps.