Messages du forum par Polyvios Animations

You know, JO NI, if I have a critique or nitpick I'd like to give you, it's these.

I love the sense of flow, and I love the fluidity, but I also love the negative shapes, relationships and limited tones of the figures. Therefore, I'm not getting enough of your caricatured volumes, masses, and anatomies yet. Would you like to please loosen up your arms and shoulders with 10 minute studies of figures and anatomy parts in any human artistic anatomy book, as featured in our recommended books list?

The reason is because your figure poses, bones, and muscles can, shall, must, and will become the least rigidest and least stilted and the most graceful, elegant, and fluidest. For most information, please look into some of the anatomy books on our list, such as the Sarah Simblet book, Anatomy for the Artist.

Thank you, and let's hope you've found these things the most encouraging.

Hello and good evening Jamie. Say, what are your current drawings and goals tonight?

Hello once again, Stvalentine14, and good evening to you. Well, after looking at your video once tonight here in Salem, MA, and I say that you're making the most fantastic march of progress I've ever seen from anyone and someone like you. I assume that you're still making your marches of progress, but I feel that the line confidence and silhouettes and negative spaces are all becoming most perfectly perceptible. And the relationships, are most likely flowing out of you like no other. Yet, there's still not enough of your lines of action and the most liveliest lines of rhythm in your edges yet. Would you please just go ahead with your first 1 hour class mode of figures for next 7 days, all done from your arms, and all done with pencils and pens?

The reason why is because, if your current goal is to make your drawings more fluid and liveliest instead of rigidest. For most detials, please look into a copy of Ben Caldwell's Action Cartooning and Bridgman's Figure Drawing.

Let's hope they've worked out for you most excellently.

Good morning, Pastabrother, nicest job on your range of flow, fluidity, and constructions and tones of your heads and figures. I think you're getting to be on the rightest of tracks, but I feel that the animals, figures, and faces and expressions are not getting enough of that simplest and most cartoon-like quality in your angles and proportions of them. Would you care to please go ahead with 1 hour, 55 minutes of 5 minute poses of figures, faces, expresssions, animals and more cartoons? Thank you.

The reason why is because, your edges, spaces, and relationships can and will become the most wildest, loosest, and liveliest in drawn appeal and fun to look at. So for most details and tricks and tips, kindle examine look into the Ivan Brunetti book on Cartooning on Amazon here.

I hope you can and will find this completely and totally practical and useful.

You know, Stvalentine, I think that you can and will do you, but I really think your line confidence and quality and consistency in your figure drawings in this link. I feel that you can and will work with ink for your quick sketches, but I really feel that your graphite and graphite pencil drawings can and will be useful for the longest drawings, so how would you like to kindly go ahead with a video on how to sharpen your pencils for extra-long points.

The explanation behind this video is because, though lots of ateliers thoughout history have benefited from this unique approach for pencil sharpening for life drawings, then you can and will benefit this approach. Don't worry. You maybe and might be able to get some paper bags or plastic bags to help you clean yourself up afterwards.

Let's hope you can and shall find this generally concrete.

You know, Aunt, I like this video. This is the most greatest video you've ever shared with us ever.

The reason why is not just because of the abstractions you've brought up, it's because of a thing called the shapes of the lights and shadows, but they must and can be universally applicable to any and every and some abstraction of the face and the expression. Especially, in the current context of facial recognition technology patterns. Would you like to please practice along to this video you've shared with me?

The reason why is because if you can and will completely loosen yourself up with shadow and light shape patterns, then they must have the most interesting and most expressive quality to them.

My hat's off to you!

You know, I, greatest job on your gesture drawing poses of your figures. I think you're doing the most terrific job on retaining the flow and fluidity in your lines of action and rhythm, but I feel that the sense of speed in your arms and hands are getting to be on the rightest track! I have to ask you a question, and that is, what is your current goal? Would you like to make your goal to be make your drawings the least rigidest but most flowing and liveliest, or improve your understanding of human anatomy in order to best draw imagined poses?

The logic behind you picking out some specific goals for you is because, if you want to progress much greatest and therefore fastest, then you can and will have the strongest and sharpest idea on your improvement or two. So for most details and tips, may I suggest you a video on learning anything?

?feature=shared
This one is from Jake Parker.

Let's just take this with a biggest grain of salt.

Well, IJ99, by elasticity and plasticity, I mean how much change of shapes, lines, spaces, and forms you can and will get by way of something called squash-and-stretch, the two contrasts of vitality and energy, and life, but still retaining the original forces, shapes and forms.

OK? Thanks.

Edited Twice

• Polyvios Animations edited this post on May 4, 2024 6:00pm. Reason: Clarification
• Polyvios Animations edited this post on May 4, 2024 6:24pm. Reason: Add a thanks

Thank you.

Hello and welcome aboard, JO NI. Nicest but boldest but most powerful drawings in your forces in your poses and arms and legs anatomy, plus the torso forms and shapes. I love the strength, conviction, and clarity of the visual storytelling, lines, shapes, spaces, and forms. Very emotionally resonant and appealing indeed. But, I'm not getting enough of the most strongly organic forms yet. Would you care to just go ahead with just 4 10-minute figures, all done from your arms initially, while your wrists can and will be for the details.

The most fastest you draw your figures and more, the least concerned you can be on the most smallest details. The one main reason: to help youself to get to be the best in drawing exercises for animation, art, comics, cartooning and others.

And if you're really curious about most drawing tips and tricks, may I suggest you look into any of the Mattesi Force Drawing books on Amazon and Kindle?

Good luck to you and your first goal.

Hello, IJ99, and welcome to Line of Action. I'm Polyvios Animations and how are you? Say, you're doing the greatest job on preserving your flow, elasticity, and fluidity in your 30 minute class of figure drawings. I love your nudest 10 minute pose. I love your black Maped color pencil for your lines. But I'm not getting enough of the elasticity and plasticity of your human gestures and anatomy yet. How would you like to kindly go ahead with 40 minutes of 10 minute poses, all done from your dominant and non-dominant arms?

The reason why is because, your lines can and will become the most expressive and exaggerated, and furthermore, the most loosest and most lightest in the touches. For most details, please look into any of the Force Drawing Video Livestreams on YouTube, for you to get some inspiration.

Good luck to you and your march of progress.

You know, if I would think of some examples for you, I would suggest and recommend any of the YouTube videos from Tonika and Proko, such as these three:

?feature=shared

?feature=shared

And

?feature=shared

Thank you for asking.

Hello again, Idon't, nicest works on your forces and lightest and liveliest lines of action, but I think you're getting better and having lots of fun, but I feel that the exaggeration is still too flattest to me yet. Would you like to please loosen up and lighten up your inner feelings of your models with 4 hours and 5 minutes of 5 minute poses? (49 quick figure sketches)

As a result, your poses, though you're gonna get too many ugliest but rawest energy poses, you're still gonna get the best in your intuitive senses of cartooning and caricature in your figure drawings, but that's excellent, therefore, you're here to not get the most perfect drawings, but the most liveliest exercises. That's the reason why it's the most natural part of the learning process and any process. Yet, for most details, please look into some Tonika Pantoja and Proko videos on YouTube, like these two:

Let's hope they make the most sense concretely.

Hello and welcome to LOA, JO. I'm Polyvios, and I'm going to my lunch now, and how are you?

...

You know, I love how much power, boldness, and guts in your quickest sketches of your figure studies. I think you've done the greatest jobs on your lines of action and rhythm, but I feel that these forces over forms are not getting enough expression and expressivity yet. Would you like to loosen but tighten up your forces and forms with 2 10 minute poses?

The reason why is because, your poses' gestures and anatomy can and will get excellent with time and each new sketch, so that you can and will draw storytelling attitudes from imagination. For most details, please look into the Bridgman book on figure sketching.

Good luck and thanks.

You know, Idon'tknow, I think that your simplifications of your figures are, if you're doing more bad drawings than you're used to, then you're getting on the right track, but I feel that the forms are almost getting to be just there. Therefore, the organic shapes, spaces, lines, and forms are still not getting enough of the really tight but solid solidity of them. So would you like to please just go ahead with your very first 3 hour class mode?

As a result, your understanding of human gestures and human figure anatomy can become truly controlled and understood so in order to better render imagined poses. Then loosen up with your next 10 minute pose. Because, your poses in anatomy and forces can and must become less stiff and more fluid, and truly lively.

My hat's off to you.