Messages du forum par Polyvios Animations

Hello and welcome to LOA, JO. I'm Polyvios, and I'm going to my lunch now, and how are you?

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You know, I love how much power, boldness, and guts in your quickest sketches of your figure studies. I think you've done the greatest jobs on your lines of action and rhythm, but I feel that these forces over forms are not getting enough expression and expressivity yet. Would you like to loosen but tighten up your forces and forms with 2 10 minute poses?

The reason why is because, your poses' gestures and anatomy can and will get excellent with time and each new sketch, so that you can and will draw storytelling attitudes from imagination. For most details, please look into the Bridgman book on figure sketching.

Good luck and thanks.

You know, Idon'tknow, I think that your simplifications of your figures are, if you're doing more bad drawings than you're used to, then you're getting on the right track, but I feel that the forms are almost getting to be just there. Therefore, the organic shapes, spaces, lines, and forms are still not getting enough of the really tight but solid solidity of them. So would you like to please just go ahead with your very first 3 hour class mode?

As a result, your understanding of human gestures and human figure anatomy can become truly controlled and understood so in order to better render imagined poses. Then loosen up with your next 10 minute pose. Because, your poses in anatomy and forces can and must become less stiff and more fluid, and truly lively.

My hat's off to you.

Hello again, I, nicest work on your strongest and most elegant fluidities on your lines of action and rhythm, but I'm still not getting enough of your exaggerated grace in your curves and straights yet. Would you care to be extremely holistic in your approach to gesture figure drawing, with 46 more minutes of 2 minute poses, all flipped horizontally and vertically, but all done from your non-dominant hand, therefore done from one of our special features in your account.

As a result, your perceptions of contours and gestures can and will improve BILLIONFOLD! So, for even most details.....I don't know if you're not too interested in book recommendations, like the ones on our site, but how about we examine a video recommendation to you, please?

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Thanks for requesting.

Good morning, July99, and welcome to Line of Action. I'm Polyvios Animation, and I'm finest, and how are you? Nicest job on your very first ever post. But I have too much trouble accessing your image of your first drawings. Would you please just repost it on your Imgur or whatever else, so that we can and will see it best?

Well, Idon'tknow, honestly, I don't know how to address your situation more effectively, except you need to just give yourself the most time to take one lesson at a time, one step at a time. As a result, your progress can and will become the most exponentially growing, if you need and want to take my advice. So, the smartest thing to do, is to please pick up a copy of The Little Book of Talent,by Daniel Coyle. Because, it's got a whole lot of tips for you to help you develop and create your own talents while in your own talent hotbeds. Let's hope what I've told made most perfect sense to you.

How about you try making a video of your own drawing process of gesturing faces and expressions yourself?

How do you do, K1ng. You know I love how greatest your job on your looseness of lines of action of your figures and your lightest of touches. Therefore, they are not drawn lightest and loosest enough yet. How would you like to please go for making your goals the most specific for yourself?

The arguement is because, for example, "being great at gesture drawing of figures" is too vaguest, but the specific one could and must and would be, "make my figures' poses be the most boldest but powerful in terms of lines of action and rhythm, in order to draw them from my imagination."

So for most inspiration, kindly look into one of these YouTube videos:

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My hat's off to you and your incredible learning curves.

Hello again Idon'tknow. Nicest work on your figures' analytical but most fully instinctual relationships, otherwise known as proportions and angles. Please keep up the most greatest work, but the relationships and negative spaces have way too much rigidity in the poses as the gesture has been way too watered down. Would you like to proceed to free up your gestures and angles with yet another 1 hour class mode, using only your non-dominant shoulder?

The reason why? You can and will most gradually speed up your drawing muscle memories of figures and more.

To Quote Daniel C.:

Think Like A Gardener, Work Like A Carpenter.

Take A Nap.

And Adopt A Blue-Collar Mentality.

Let's hope they can and will influence you for the best.

Hey there, I. Nicest work on making your most completely, really, and totally concretest topic on your forum. Please can we see your sketches? So that we can and will see what you're working on presently??

Nice job on your really latest attempt at figure drawing, Idon'tknow, it looks totally believable. It also seems really and totally believable, too. I must completely admire how much force you've retained through some absolutely geometric forms. But, I'm not getting enough of your positively organic forms in your gesture poses, so how would you like to just go ahead with 4 hours 5 minutes of 5 minute poses? All done in pen and ink, and all done with really bold strokes? (49 pose sketches)

The logical explanation behind all of this is as a result, your gestural contours can and will become less than rigid and more expressive, emotional, and freewheeling if you really need to make great rawness in your quick sketches, so for more info, kindly look into this YouTube or two:

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And here's another one.

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These can and will help you let yourself go of your fears of making bad drawings. My hat's off to you and thank you.

What about:

Proko?

Posemaniacs?(though some is in Japanese.)

Thank you.

You know, Idon'tknow, I still think that your figure drawings and quick sketches keep on getting better with even more time. What I like specifically is your sense of confidence and self-confidence of your gestures, edges, silhouettes and negative shapes and negative spaces, and relationships and tones. Don't be too discouraged, but it's not the end of the world, it's what we can expect from someone like you continually improving with greater progress and myelins and muscle memories.

If I had to kindly pick out a nitpick or two, it would be just this. I love your gestures, but I'm still not getting enough of your intuitions in your bigger lines and shapes and organic lines and shapes yet. Would you kindly loosen yourself up more gradually with yet another 30 minute class mode of figure studies?

By going for our 30 minute class mode again, then you can and will make your poses and tones less stiffer, and less rigider, but more dynamic, gutsier, bolder, and more powerful in terms of the tones and values.

If you can see more of the tones that way, then you can and will make them less scribbler, and more crisper and clearer in terms of not just the values of the values, but more into the shapes of them.

Good luck to you and your muscle memory.

On looking at your greatest stuffs, Idon't, my first impression is that your flow is getting along the greatest in terms of silhouettes, negative spaces, and forms. But my second and final impression, your figures' gestures still need the most work in terms of the gestures, straights, curves, and s-curves. What about just speeding up and completely loosening up your non-dominant shoulder with your next 30 minute figure drawing class mode?

The premise is, inevitably it could and would lead to some of the shakiest, wiggliest, and lumpiest gestures(which is most totally natural), therefore, they can and will be constantly improved upon with the most time and care in the world. Yet, for even most details, tips, and tricks on streamlining your figure and gesture drawings, would you like to look at this one video 👇??

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Let's hope they can and will work out for you the very best.😉😉😉

Hey there, Moriya. How are you doing tonight? You know, greater jobs on addressing your own problem that you really want and need to solve for yourself, but with a little help from me and all of us. We all understand that when attempting to draw the fuller figure, you're more easily tempted to draw the stuff out detail by detail, which is what we art, cartooning, and animation students need to keep it constantly in check. So, may I please just suggest and recommend you just go for the broader lines, shapes, and spaces (silhouettes and negatives), prior to your measuring out your relationships (or proportions and angles)?

Yet, the idea of this littler suggestion is because, by roughly mapping out the gesture drawing of the figure, it can and will be quite a more completely useful blueprint for your pose's proportions and angles as you can and will give your gestures even more structure and stability.

Therefore, if you're still completely and totally noncommital, please check out that video above, and another of of these below:

Let's hope they've been completely and absotively-posilutely helpful.

Good morning, Kim, it's me again, just sleeping and how are you?

Say, what we really like to see from our website is more than difficult and awkward poses and attitudes most conducive to pose warmups. Oh, and what about poses based on pilates, physical therapy, occupational therapy, and of course, orthotics attitudes? Because, I've come from pilates, P.T., and more.

What do you say? OK??