Mensajes en el foro por Polyvios Animations

You know, Aunt, I like this video. This is the most greatest video you've ever shared with us ever.

The reason why is not just because of the abstractions you've brought up, it's because of a thing called the shapes of the lights and shadows, but they must and can be universally applicable to any and every and some abstraction of the face and the expression. Especially, in the current context of facial recognition technology patterns. Would you like to please practice along to this video you've shared with me?

The reason why is because if you can and will completely loosen yourself up with shadow and light shape patterns, then they must have the most interesting and most expressive quality to them.

My hat's off to you!

You know, I, greatest job on your gesture drawing poses of your figures. I think you're doing the most terrific job on retaining the flow and fluidity in your lines of action and rhythm, but I feel that the sense of speed in your arms and hands are getting to be on the rightest track! I have to ask you a question, and that is, what is your current goal? Would you like to make your goal to be make your drawings the least rigidest but most flowing and liveliest, or improve your understanding of human anatomy in order to best draw imagined poses?

The logic behind you picking out some specific goals for you is because, if you want to progress much greatest and therefore fastest, then you can and will have the strongest and sharpest idea on your improvement or two. So for most details and tips, may I suggest you a video on learning anything?

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This one is from Jake Parker.

Let's just take this with a biggest grain of salt.

Well, IJ99, by elasticity and plasticity, I mean how much change of shapes, lines, spaces, and forms you can and will get by way of something called squash-and-stretch, the two contrasts of vitality and energy, and life, but still retaining the original forces, shapes and forms.

OK? Thanks.

Edited Twice

• Polyvios Animations edited this post on May 4, 2024 6:00pm. Reason: Clarification
• Polyvios Animations edited this post on May 4, 2024 6:24pm. Reason: Add a thanks

Thank you.

Hello and welcome aboard, JO NI. Nicest but boldest but most powerful drawings in your forces in your poses and arms and legs anatomy, plus the torso forms and shapes. I love the strength, conviction, and clarity of the visual storytelling, lines, shapes, spaces, and forms. Very emotionally resonant and appealing indeed. But, I'm not getting enough of the most strongly organic forms yet. Would you care to just go ahead with just 4 10-minute figures, all done from your arms initially, while your wrists can and will be for the details.

The most fastest you draw your figures and more, the least concerned you can be on the most smallest details. The one main reason: to help youself to get to be the best in drawing exercises for animation, art, comics, cartooning and others.

And if you're really curious about most drawing tips and tricks, may I suggest you look into any of the Mattesi Force Drawing books on Amazon and Kindle?

Good luck to you and your first goal.

Hello, IJ99, and welcome to Line of Action. I'm Polyvios Animations and how are you? Say, you're doing the greatest job on preserving your flow, elasticity, and fluidity in your 30 minute class of figure drawings. I love your nudest 10 minute pose. I love your black Maped color pencil for your lines. But I'm not getting enough of the elasticity and plasticity of your human gestures and anatomy yet. How would you like to kindly go ahead with 40 minutes of 10 minute poses, all done from your dominant and non-dominant arms?

The reason why is because, your lines can and will become the most expressive and exaggerated, and furthermore, the most loosest and most lightest in the touches. For most details, please look into any of the Force Drawing Video Livestreams on YouTube, for you to get some inspiration.

Good luck to you and your march of progress.

You know, if I would think of some examples for you, I would suggest and recommend any of the YouTube videos from Tonika and Proko, such as these three:

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And

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Thank you for asking.

Hello again, Idon't, nicest works on your forces and lightest and liveliest lines of action, but I think you're getting better and having lots of fun, but I feel that the exaggeration is still too flattest to me yet. Would you like to please loosen up and lighten up your inner feelings of your models with 4 hours and 5 minutes of 5 minute poses? (49 quick figure sketches)

As a result, your poses, though you're gonna get too many ugliest but rawest energy poses, you're still gonna get the best in your intuitive senses of cartooning and caricature in your figure drawings, but that's excellent, therefore, you're here to not get the most perfect drawings, but the most liveliest exercises. That's the reason why it's the most natural part of the learning process and any process. Yet, for most details, please look into some Tonika Pantoja and Proko videos on YouTube, like these two:

Let's hope they make the most sense concretely.

Hello and welcome to LOA, JO. I'm Polyvios, and I'm going to my lunch now, and how are you?

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You know, I love how much power, boldness, and guts in your quickest sketches of your figure studies. I think you've done the greatest jobs on your lines of action and rhythm, but I feel that these forces over forms are not getting enough expression and expressivity yet. Would you like to loosen but tighten up your forces and forms with 2 10 minute poses?

The reason why is because, your poses' gestures and anatomy can and will get excellent with time and each new sketch, so that you can and will draw storytelling attitudes from imagination. For most details, please look into the Bridgman book on figure sketching.

Good luck and thanks.

You know, Idon'tknow, I think that your simplifications of your figures are, if you're doing more bad drawings than you're used to, then you're getting on the right track, but I feel that the forms are almost getting to be just there. Therefore, the organic shapes, spaces, lines, and forms are still not getting enough of the really tight but solid solidity of them. So would you like to please just go ahead with your very first 3 hour class mode?

As a result, your understanding of human gestures and human figure anatomy can become truly controlled and understood so in order to better render imagined poses. Then loosen up with your next 10 minute pose. Because, your poses in anatomy and forces can and must become less stiff and more fluid, and truly lively.

My hat's off to you.

Hello again, I, nicest work on your strongest and most elegant fluidities on your lines of action and rhythm, but I'm still not getting enough of your exaggerated grace in your curves and straights yet. Would you care to be extremely holistic in your approach to gesture figure drawing, with 46 more minutes of 2 minute poses, all flipped horizontally and vertically, but all done from your non-dominant hand, therefore done from one of our special features in your account.

As a result, your perceptions of contours and gestures can and will improve BILLIONFOLD! So, for even most details.....I don't know if you're not too interested in book recommendations, like the ones on our site, but how about we examine a video recommendation to you, please?

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Thanks for requesting.

Good morning, July99, and welcome to Line of Action. I'm Polyvios Animation, and I'm finest, and how are you? Nicest job on your very first ever post. But I have too much trouble accessing your image of your first drawings. Would you please just repost it on your Imgur or whatever else, so that we can and will see it best?

Well, Idon'tknow, honestly, I don't know how to address your situation more effectively, except you need to just give yourself the most time to take one lesson at a time, one step at a time. As a result, your progress can and will become the most exponentially growing, if you need and want to take my advice. So, the smartest thing to do, is to please pick up a copy of The Little Book of Talent,by Daniel Coyle. Because, it's got a whole lot of tips for you to help you develop and create your own talents while in your own talent hotbeds. Let's hope what I've told made most perfect sense to you.

How about you try making a video of your own drawing process of gesturing faces and expressions yourself?

How do you do, K1ng. You know I love how greatest your job on your looseness of lines of action of your figures and your lightest of touches. Therefore, they are not drawn lightest and loosest enough yet. How would you like to please go for making your goals the most specific for yourself?

The arguement is because, for example, "being great at gesture drawing of figures" is too vaguest, but the specific one could and must and would be, "make my figures' poses be the most boldest but powerful in terms of lines of action and rhythm, in order to draw them from my imagination."

So for most inspiration, kindly look into one of these YouTube videos:

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My hat's off to you and your incredible learning curves.