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Hey, Artisfun,

Why is their nothing on your reply? Please add you topic to your window!

Polyvios.

Hello again, Emi, but once again, greater job on your reptiles to birds. I think they you are all on the right track of all of those but the signature style needs more looser lines of action and rhythm. Would you like to go for 40 minutes of 60 second sketches of those creature sketches?

The reason why you could do this constructive critique is because you can make your signature drawing style of animal forms less stiffer, yet to make them more expressive, appealing, and more like they appear to move. Either way, your style is very unique thus far, but for more info, look into the Ken Hultgren Animal drawing book, link right heeere.

'Hope these have helped you out even more.

Good afternoon, Emi, but nicest job on your range of gestures, your forms, and your perspectives and proportions and angles of your human figures. I love them so much. I think you have boatloads of promise, but I feel that these poses need much more exaggeration and satirical expression. How would you love to go ahead with 7 minutes of 28 second poses, flipped horizontally, all just to completely warm yourself up? (350/28≈13 scribble warmups)

35-28=7 70/28=2 r 14 28 56 84

The reason why you could and would try out this constructive criticism is because you could and should be able to quickly draw your crosshatching less stiff but less stilted, but more dynamic, crazy and spontaneous. Not to mention to make your lines of action more crazy and intense in your storytelling pose drawings. For most info, look into Volume 1 of the Walt Stanchfield book PDF here!

My hat's off to you.

Hello, Toaster.

My invite looks invalid. Please give me a new invite link. Thank you.

Polyvios Animations.

P.S. I'm not sure if I was banned on your server or not, but kindly remove the ban right away. Thank you again.

• Polyvios Animations edited this post on August 2, 2023 3:54pm. Reason: Add a P.S.

Good noon, heliganreigns, and welcome to Line of Action. I'm Polyvios Animations, and how are you doing this noon?

Say, nicer job on your range of forces over forms because you have perfectly captured the range of organic drawing in your construction drawings with as fewest lines as possible. I think you have the strongest potential in drawing the figures, but the anatomy seems a bit too mushiest, but I feel that the forces all seem a bit farthest too stilted. Why don't you please loosen up your gesture life drawing basics with our interactive drawing tutorial?

The reason is because, you can and shall not only the forms, but the ideas and energies behind the poses, but also the silhouettes of the attitudes. For most info, look into the Walt Stanchfield PDF Volume 1 right there.

Please take this with the littlest grain of salt the size of a dust bunny.

Good evening, Emi K P,

Nice job on your range of your motion and action of your pose drawings all from memory. I think your gestures and anatomy are spot on, but I feel that these lines of action, rhythms and gestures still need more exaggeration of your bone and muscle anatomies. How would you care to go ahead with 6 minutes of 29 second drawings of poses, bones, and muscles?

The reason is because, by studying the human anatomy and poses, then your drawings will be sketched more believably, but less stilted and more dynamic, energetic, and fluider. For more info on studying the human anatomy, Kindly look into the Frank Netter anatomy book (which I haven't studied enough yet), the Joseph Sheppard Human Anatomy book, and Anatomy for the Artist by Sarah Simblet, for the latter features not just bones and muscles, but also the application in the most famous finest arts of the figure drawings and paintings.

My hat's off to you, but please take these with the small grain of salt the size of a bread crumb.

Good morning to you, Annelle, and welcome aboard, but I'm Polyvios, but how are you?

Say, nice work on your range of expressions, spaces of the face, and facial relationships (proportions and angle). I think your drawings are pretty slicker but rawest but I feel that these expressions still need to be pushed a little bit more, particularly your tilted face, and your shouting expression. How would you like to go ahead on pushing your action of your expressions with 5 minutes of 30 second face drawings, all drawn from your shoulder with a 8b pencil?

As a result, your sketches of expressions will be drawn less stiff, and more lighter, dynamic, and vital. For more info, please look into the Ben Caldwell book, Action! Cartooning in PDF form, here?

Good luck from me and all of us.

Way to go on your lines of action and rhythm of your poses, but I think that you're getting there the mostest, but I feel that these all seem or look too stilted to me extremely. Would you love to go ahead with 7 more minutes of 29 second poses? (420/29≈14 quick warmups)

As a result of those warmups, then your lines of action,balance, and rhythm will be quickly sketched out the most dynamicaly, energetically, but fluidly. If you're really, REALLY curious about gesture drawing for art, cartooning, and animation, kindly look into the the PDF of the Vilppu Drawing Manual here.

I hope you've found most of these things and more the most helpful, supportive, and totally useful.

Good morning, Stiven, and nicest job on your range of gestures and action of your lines of your figures. I think that these poses are positively, absolutely on the rightest track, but I feel that these are all feeling even most expressive to me.

Your only one link is working fine, but the last one seems to have a 404 page error page. Please fix it up, so that we can see it all clearly. As a result, you won't be able to have another 404 error, like last time.

I really and totally feel that these poses seem a bit too much rigidest to me. Why don't you please loosen up your range of lines of action and rhythm with our interactive drawing tutorial?

The reason why you could and should loosen up your hands by taking our drawing tutorial is because, you can, shall, and will be able to free up your gesture drawing fundamentals by starting with the quickest warmups, then ending with the slowest but longer drawings done in 2-5 minutes as a way to sculpt out the shapes in the figures. If you're the most curious about gesture drawing for animation and cartooning and art in general, please look into the free PDFs of the Walt Stanchfield books here, and HERE!

Good luck to you from me.

Easy, Fai.

''Feelings first, anatomy second.

Disney Animator, Eric Goldberg.

In other words, crudely sketch out the gesture, then you can carve out the volumetric drawing. See? Let's hope this encourages you the most.

I'm SOOOO on board with that.

Greatest but most spectacular job on your displays of constuctions over forces of the figures, but these poses all seem a bit farthest too rigidest to me in the best of times, but flowing in the not-too-best of times. Would you like to try out our interactive drawing tutorial here?

The reason why is because, it can and will be able to brush up on your drawing fundamentals in gestures and poses, and in the fluidest of poses.

Good luck from me to you.

Good morning.

Say, nicest job on your shows of initiative, but this link is too damaged. Why don't you please fix it up yourself, so that we can see your work?

The reason why is because, we really don't know your work unless the link is working properly. For most info, please look up some help on Google or DuckDuckGo for searching pages.

Hope these have helped you out extremely well.

Good evening, and welcome to Line of Action.

Greatest works on your lines of action and your looser fluidity, more vitality, and all the energy you've applied to your poses. But, these line economies still are the least appealing to me. How would you care to try out our interactive drawing tutorial here on this website? All with 8 lines per drawn pose??

As a result, your line economy and efficiency will strengthen quite quickly, yet your lines of rhythm and action will be quickly drawn but the least stiffest and the most dynamic, vitalest, yet energetic. For most info, please look into the PDFs of the Walt Stanchfield rrrrright here.

My hat's off to you, and hope they've helped you.

Hello again, Emi K P.

Again, greatest job on your range of gestures and constructions of your figure poses. I really think that you need a particular goal, but I feel that you need to loosen up and lighten up your lines of action and rhythm with 5 minutes of 30 second pose sketches?

The reason is because if your goal next up is to make my gestures and poses less stiff and even more fluider, flowing, but liveliest, then go for it. Yet, to help make your lines of action and balance farthest least stiffest and most dynamic, energetic, and fluidest but plasticky.

My hat's off from me to you.