Polyvios Animations的論壇貼

Nicest job on all your hands, Majavhv, very well observed and felt.

I absolutely adore all of your quick sketches, especially your 30 and 60 second drawings, but if I was to critique them, it would be that a few of these hand poses are a bit too on the rigid side. Why don't you please loosen up the flow and organicness of those sketches, by going thru 145 minutes of 30 second warm-up hands, all on 18x24 newsprint or related pad, all for 5 days? (145 x 60/30/5, 8700/30/5, 290/5=58 scribble hands a day)

The reason is, as mentioned above, you'd be able to draw loosest, lightest. largest. longest, and liveliest lines of action and rhythm for your hands and feet.

Here is the video below.

https://youtu.be/NvjB0rj6yAc

And here's another, for inspiration:

https://youtu.be/6-U41n1678I





Cheerio, and I hope you've found these generally useful and practical and detailed.

Nice try on your post, bugorama, but I really don't see any of your first ever images here on Line of, why don't you please put up all very clickable and downloadable images of what you're currently working on, please with sugar on it?

The reason why is because, the lot of us would and could be able to see what you're showing and telling.

good luck and cheers.

Majavhv, your quick sketches, 30 secs and 1 min are still amazing. Great work on 'em.

I just wanna say, I really need you to draw more broader and wider strokes in these faces for 60 minutes of 29 second quick sketches of expressions???? (3600 seconds/29 sec=roughly 124 quick studies of facial expressions and features)

The reason why is because, your hands will be able to help you visualize those faces and expressions much better and quickly.

Cheers, Majav!!

Nice work on your quicker 30-90 second poses, that's the way to go.

Again, I feel a little bit of rigidity in some of the LOA (Line of Action) quick gestures. Why don't you please work on giving your lines and forces more than enough freedom of organic lines and shapes, thru 60 minutes of 60 second poses??? (60 drawings)

The reason why is because, it can help you out on not only your drawing quality, but on the overall speed, and inherent output, you know?

If you wanna and need to see more of this, look at that link: https://www.google.com/books/edition/Animation/R3VYtdXCGTMC?hl=en&gbpv=1&bsq=quick%20sketch%20exercise It has an important exercise on one, that's extremely useful to your creativity and artistry.

So I say, good luck, and cheers to you.

Say, these quick sketches, 30 second, are totally striking, starwave. That's very spontaneous. (Even the 1 minute poses)

I've got one idea of improvement: I love how much freedom of lines in your half-a-minute sketches, but if you're new here on this site, they have a little bit of rigidity in the perception of edges. Why don't you please loosen up your hands, with Crayola crayons, on notebook paper, with 35 minutes of 30 second drawings?? (2100 seconds/30 secs=70 quick sketches of bodies, all with your whole shoulder, instead of your wrist)

The reason is because, it can and shall aid you in making visual communications, with the bold strokes, done very lightly first, and to spend less time of the details.

For more vital details, be sure to look at this drawing tutorial from Youtube.

https://youtu.be/Mm66LOQgz-o



This has some related info that's applicable to anything and everything.





My hat's off to you.

Nice work on your Lv. 1 study, indeed. I love how much you've used blocky forms to make the pelvis and ribcage perfectly read.

However, I've got one little idea: I am getting a little bit too much rigidity in the blocky spaces. Why don't you make these forms positively organic and natural in your next warm-ups, though 34 minutes of 30 second quick drawings, from Marc Brunet's video as reference. (2040/30=68 loose and scribbly sketches for anatomy)

The reason why is because, you'd be able to make your form drawings less undertured and more cartoony in your next round. I have don't have lots of time to tell you what underture is, but here is this link to help you get the big picture.

So, good luck, and cheers to your next studes.

Well, well, well, tt_taniel, I love how much range of expression and movement and emotion you've got in your figures, faces, hands, and feet.

However, I've got one tiny critique: I love how much range of action you've got in your gesture poses, but I'm not getting enough exaggeration in either one, especially in the hands and feet. Would you please free up your whole arm with 33 minutes of 30 second quick attitudes of hands, feet, heads, and bodies??? (1980/30=66 loose sketch exercises)

The reason why???? As a result, your lines of action and rhythm will become even more boldest.

For more information on sketching out your observations distinctly, here is a link to Nick Meglin's Drawing From Within

It's from Archive.org, and if you're very interested in seeing the pages, I recommend you to sign up and borrow that book.

Cheers, and I hope you've found this completely helpful.

Well, honestly, Legacy55, I really think you're on the right track in terms of your figure drawings.

Question: What is your recent goal?

Critique: I love the light touch of the feeling that comes across the life drawings, but I'm not feeling there's enough of the exaggerated humor and funniness in the poses. Why don't you please caricature the lines of action just a little bit the most? though 30 minutes of 30 second warm-up sketches of manners?? (60 drawings)

And you wanna know why??? It's because it can help make your drawings more funny, but with a light touch.

And if you wanna see more information and details, be sure to look up the digital copy of Nick Meglin's Drawing From Within. But, if you need to see it, also be sure to sign up for your account, or guest account on this book on Archive.org.

So, my hat's off to you, and cheers.

Nice work, sludge!

I suggest that some of the quick poses are a bit too rigid, and I really need to see a lot more life and fun to them. Why don't you please loosen yourself up and lighten your touch up, with 30 minutes of 29 second quick sketches???? (1800/29=62 quick light scribbles)

The reason why is because of this video right here:
https://youtu.be/NvjB0rj6yAc

And because, if you need a goal for getting the chance to kiss the paper or screen, then I encourage you to go with it.

Good luck to you.

Nice work on rendering your male figure standing attitude, Jason, that's a very technically good job.

Again, I really feel that it's a teeny bit too rigid and stiff there. Why don't you please liven yourself up with your line quality, by working out with 156 minutes of 30 second attitudes??? (156 x 60/30=9360/30=312 ruff poses/5 days a week=62 crude poses a day, in a week, all flipped horizontally and/or vertically, or normal, thru the special tools for our members on Line of Action; Or you can take a screenshot of each pose, so that you would flip them yourself)

The reason why you could and should go with this extremely and totally beneficlal critique is so, that you would be able to tap into your perceptions of the figures' edges, and the right side of the brain, even if it's through the quicker gestures. And that applies to your amazing head drawings. For more info, I encourage you look up for the PDFs or the books, or ebooks of the Loomis and Reilly figure drawing and head sketching books.

So, cheers, and hat's off to you.

Say, say, sjham, way to go on those 30 second sketches! And most importantly, way to go on those 30 minute class pictures!! I really love the amount of vitality and efficiency in those quick 30 sec scribbles.

Again, if I was to give you an extremely honest critique, it would be that the energy is really getting there, but I'm just not getting enough of the distortion of these lines of action of these sketches.

And as for another one, it would be that the proportions and silhouettes of those 5 and 10 minute rough poses are really falling into place, and my totally and extremely sincere advice, then why don't you please loosen up those edges and perception of spaces even more than further on your next goal.

For only the first critique, why don't please relax and grease up your action and movement of your doodles with 155 more minutes of 29 second quick attitudes of the figures?? (155 x 60/29 second, 9300/29=321 scrawls/4 days a week=80 rough and crude sketches a day, in one week) 29 seconds is thru our custom timer on the figure drawing sessions.

The reason why is because of two excuses: First to make your figure poses less rigid, and second to make your bodies more organic, flexible and plastic, and greasy-looking and -feeling in terms of your lines of action and rhythm.

If you wish to make this your current goal, then allow yourself to make that.

Good luck, and have fun with it!

Whymaple, thanks for the great job on your observational gestures and forces.

Nice work, but I've got one honest critique, I love the forms and anatomy, but I really want to see more cartoony shapes, like Emery Hawkins, which you will now see:

https://youtu.be/nxaYDs06cyU



And while you're at it, why don't you please find a way to download this video for your current studies, right away;go to any video downloading site, or get a video downloader for your computer, and download this video into your hard drive, then play it on Quicktime, or any frame-by-frame player; go frame by frame with each force sketch, by going thru 11 minutes of 30 second poses?? (660 seconds/30 second=22 quick sketches of the poses)

The reason why you could do this is because, if your custom goal is to get more appealing squash and stretch into your animations, plus getting more organic cartooniness, then so be it.

So, good luck to you, and happy sketching!



Polyvios Animations

P.S. I just joined LoveLifeDrawing

Well, yangrc, I totally love how gestural your drawings have become, so far, so good.

Again, if I would provide you a totally sincere flak, I suggest that some of the figure bodies are just a little bit to rigid, and there's not enough squash-and-stretch. Why don't you please do more of that, with 15 minutes of 30 second warm-up bad writings? (900 seconds/30 secs=20 sketches)

The reason why you could use this suggestion is because, to reduce stiffness in your gesture poses, and to give them more of that dynamic, energetic, vital, and fluid quality.

To see more of what I mean, be sure to check out this link right here:http://sevencamels.blogspot.com/2011/10/squah-and-stretch-part-two.html

And this image of what I mean:





Thanks for reading, and good luck to you. Cheers.

Well, march, that's a very great work of performance of the 10 minute sketches. Very amazing work on the foreshortening. Incredibly dynamic job on the proportions and perspecitve on the human forms, indeed.

So, if I was to give you a postively and completely truthful suggestion, I'd say, I feel a bit of rigidity in most of the 10 min bodies, here. I've got two pieces of advice: 1) Please use a timer, or timer app on your iDevice or Android, to discipline yourself in your drawing warm-ups. (2) If you want more faster, and more than confident strokes, then I encourage you to please use your whole entire shoulder and arm, instead of just your wrist. The reasons are because: First of all, it could be useful and encouraging to your learning curve in anything(and everything, I mean it), if you'd get a whole lot better with practice, and more; second, to be able to use lesser and less muscles to co-ordinate, because it can and shall be able to get your much more broad strokes down pat.

For more details, here is a link: https://buffer.com/resources/why-practice-actually-makes-perfect-how-to-rewire-your-brain-for-better-performance/

BTW, good luck, cheers to you, and I hope you've found these completely and totally beneficial, useful, helpful, and informative.

Well, JJArtStar, way to go on your very first (?) 30 minute class drawings and sketches. What I love in your drawings is how slow and careful your 10 minute study, and how bold and dynamic your 30 second and 1 minute scribbles are for these poses. If I should be able to give you a completely and totally critique, it would be able to suggest that your ideas and energies are, to be honest- I don't feel enough animation and boldness, and broadness in the lines of action and rhythm. Why don't you please crank out more quick scrawls with 157 minutes of 29 second quick attitudes? (157 x 60/29, 9420/29=325 quick sketches to crank out for exercise)

Confidentially, I know that it's gonna be a lot of long work, but it's gonna be totally worth it, in the end...!

The reason why you would and could do this suggestion is as a result, you'd be able to reduce your drawing design's stiffness and rigidity, and to make it more dynamic, vital, and energetic, in making your cartoons more exaggerated in the fluidity of the poses.

To really get you going on this, here:



JJ, this is an image from Animation Resources (animationresources.org)

And so, my hat's off to you and your current goal, and I hope you'll find these definitely and totally useful, practical, and encouraging.