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Well, Frita, thanks for the post, but great job on your very first attempt at drawing the poses while "kissing the paper" with your traditional pencil. What I do mean by "kissing the paper" means you can and have to draw very, really, really, light with your line quality as you feel the line pressure being pressed down on your paper, therefore, those lines and shapes all don't look and seem livelier, lighter, and looser enough to me yet. How would you like to free up your poses movements with 30 minutes of 2 minute sketches?

The idea is though your initial goal is to go for semi-realism, without bearing that exaggeration of movement in mind, then your attitude drawings all seem too stranger, but if you emphasize more, more, and more of that quick sketching exercise, then you'll go for most of that simplified, most essential cartoon-like feeling into your figures, gestures, and expressions. If you're very curious about quick sketching dynamic and energetic drawings, please look up "Action! Cartooning" by Ben Caldwell, and Volume 1 of the Walt Stanchfield Series, Drawn to Life.

So, keep up the great work, and let's all hope they've helped, supported, and benefited you.

Hello and good morning, Afro, and welcome to our site. How are you today. Say, great range of expression and gesture and anatomy in all of your poses, but these lines all look or seem too hard and stilted to my view, but how would you like to try out our interactive drawing tutorial here? The reason is because of two things: 1) To help you loosen and liven up your drawing and sketching styles. And 2) To help you refresh yourself on your gesture sketching, not rules, but ideas. For most info on straights against curves, kindly look into a Kindle of Mike Mattessi's "Force Drawing Human Anatomy." It's got tons of the most useful and specifically practical info on gesture and essential anatomy, like the pelvis in putting curves to offset the straights.

So, my hat's off to you, your learning curves, and your marches of progress.

Welcome to Line of Action, La Papa, I'm Polyvios, and how are you today?

Say, can we see some samples of your recent works, please?

Hello, Amarin, and welcome aboard, and how are you doing tonight? I may not be too much of an expert on this question, but to answer your question, in order to learn some new and different but exciting styles, you may need and want to take your learning of gesture drawing and apply them to learning how to draw different designs and styles with 5 minutes of 30 second gestures, 10 minutes of 29 second poses, and so on.

As a result, your signature style will become really more stronger as you have never had before. For most practice, please look into Pinterest app for some most inspiration and influences. Hope this has helped you out the most and my hat's off to you.

Nicest job on your first-ever tries to take the plunge in figural gesture drawing, cherry, please keep those up, but I'm not totally and completely getting enough of the strongest, loosest and liveliest lines of action and rhythm in your poses. Why don't you please go for the strengthening of those lines of action and rhythm with 5 more minutes of 30 second scribbly attitudes and expressions?

The reason or explanation behind this critique is because you can, shall, and will be able to make your lines of action and rhythm the most totally boldest and powerful in your poses. For most info, please pick up a copy of Kindle of the 2 Walt Stanchfield books on Amazon, which I haven't bought yet. Hope these have been completely, totally, and absolutely useful, helpful, and encouraging.

Good morning to you, Ferocious, and welcome aboard 🥳🥳🥳, I'm Polyvios and how are you doing today? Ya know, I think that your stick figures are most practically a great start, but great job on communicating your solid foundations with them, yet it's OK that you don't get expressive, in addition, solid results right away, furthermore, they are there for the very first step to designing and building a drawing. They all get improved with constant yet daily practice as it can and will myelinate your hands. Greater job on your first class modes, and therefore, please keep those up, yet, I'm still not getting enough of those mostly boldest yet powerful curves against straights, so how would you like to go for a whack at our interactive drawing tutorial?

The explanation behind this tutorial is so that you can refamiliarize yourself on the fundamentals of gesture drawing, as you can start out somewhat fastest, yet ending at somewhat slowest yet carefull. For most of the details, I suggest you recommend yourself the 2 Betty Edwards books for us beginners, regardless of age: Drawing on the Right Side of the Brain, 4th, and Drawing on the Artist Within, now available on all our Amazon affiliate links. Hope they've helped out, encouraged, and done you greater.

Love how much of the loosest and liveliest caricatures and colors and tones of your faces and expressions, but I think and feel that your abstractions and exaggerations could use the most intensity and insanity yet this morning, so how would you like to do 30 more minutes of 29 second quickest faces and expressions? As a result, your faces and expressions will be the most loosest and liveliest in your master studies, without fear of toning down the guts of the studies naturally.

Good luck practicing and remember, HAVE FUN with it!

Greatest job on your display of head and face movement, negatives, and relationships in your feedback, still it's not organic and flowing enough to me, so how would you like to do 31 more minutes of 60 second(1 minute) drawings? As a result, your facials and expressions will become less self-conscious and more dynamic, alive, and motivated from within. For most info, please kindly look into the PDF of the Andrew Loomis book, Drawing The Heads And Hands.

My hat's off to you, and hope it's informational.

• Polyvios Animations edited this post on April 30, 2023 10:41pm.
• Polyvios Animations edited this post on April 30, 2023 10:41pm.
• Polyvios Animations edited this post on April 30, 2023 10:42pm. Reason: Fix font
• Polyvios Animations edited this post on May 1, 2023 2:50am. Reason: Fix fonts again.

Hey there, JMIH, nice job on your Shinji study, but is that really your tracing of him? Yet, if it really is, then I think it's a pretty valid way to practice sketching to me, but there are lots of others to work with, furthermore, the lines all seem too flatter and farther too stilted to me, so how would you like to free up, and therefore liven up your line weights with 5 minutes of 29 second quick sketches, be it stylized or naturalistic?

The reason is because if you liven up your line weights, then your communication of storytelling thru proportions, anatomy, gestures, line weights and the like will become really bold and powerful. For even more info, please pick up a copy of Action! Cartooning by Ben Caldwell and the Bridgman Life Drawing book.

Practice Doesn't Make Perfect; Practice Makes Progress, and Progress Makes Perfect.

Daniel Coyle.

Have a nicer day.

Hey, moritzbludau, nicest constructions, gestures, and spaces of the facial sketches, but it all seems not too organic enough, but how would you like to go for 6 minutes of 2 minute sqwiggles of expressions and faces, all done with your pen held underhand. As a result, your faces and heads will become the least stilted and the most spontaneous, but alive yet solid. For most details, please also still try out the links you've sent us, for which they have be a complete and total help to us in their own ways. Please look into the Nancy Beiman animation book for the chapter on head shapes of people against animals.

Hope this critique has been completely and totally helpful, encouraging, and supportive.

Greatest than great job on clearly defining your forces and form of that facial sketch, but the forces all seem too stilted to me, so how would you like to go for 5 minutes of 30 second expression sketches, please? So that your facial anatomy will become the least timidest and the most broadest in terms of expression and movement. For most details and info, please pick up a copy of the Andrew Loomis book on Faces and Hands.

Have the nicest day!

Hello, Covianta, and welcome aboard, I'm Polyvios, and how are you doing today? Nicest job on everything about your nude figure pose, which I already created a DA account for in order to see and download it, but it all seems too rigidest, stiffest, blandest, and furthermore, farthest too lifeless, so how would you like to go for our interactive drawing tutorial? As a result, the first beginner's point of anatomy in general is the strongest movement, vitality, and energy you get into any and every bone and muscle in our bodies. For most details, please pick up a digital copy of the 2 Walt Stanchfield books on Kindle or Archive.org.

Good luck to you and your marvelous learning curves.

Good morning, wxnter, and welcome to line of action, and how are you doing this morning? I love how much of the greatest range of motion and spaces and staging of the poses and facial features and facial expressions, but you have tons of promise and tons of talent, yet I think that you learning curves are definitely and postively and absolutely on the rightest track, however, I feel that your lines and marks are defintely too rigidest and farthest too stilted. How would you kindly free up your gesture drawing skills with our interactive drawing tutorial right here.

The reason why you would, should, and could do this tutorial is because it is the interactive tutorial for any and every newest member of our website, if they aren't already too familiar with gesture drawing before or since. And last but not least, if you start of anything with 30 seconds or less, then your range of animation and movement will dramatically and exponentially improve, the more you warm up, the best. For most improvement tips and tricks, please look into Andrew Loomis's Fun with a Pencil, Figure Drawing For All It's Worth, and many, many more. Hope these have helped you the most.

Hello and welcome, narel, how are you doing this afternoon? So, I don't know how to show you this, but I'll try my best to show you an example or two, or three, or four, or more, yet, here they go.

1)

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2) https://m.

3) https://m.

4) https://m.

5)Last but not least, this link.

These tutorials, be them video or web article, can and will show you how to draw different children types, though some are smaller than others. Let's all hope they have been completely nicer, helpful and more encouraging.

Hola y bienvenido, narel, ¿cómo estás esta tarde? Entonces, no sé cómo mostrarles esto, pero haré todo lo posible para mostrarles un ejemplo o dos, o tres, o cuatro, o más, sin embargo, aquí van.

1)

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2) https://m.

3) https://m.

4) https://m.

5) Por último, pero no menos importante, este enlace.

Estos tutoriales, ya sean videos o artículos web, pueden y te mostrarán cómo dibujar diferentes tipos de niños, aunque algunos son más pequeños que otros. Esperemos que todos hayan sido completamente más amables, serviciales y más alentadores.

• Polyvios Animations edited this post on April 23, 2023 8:39pm. Reason: Español(Spanish)
• Polyvios Animations edited this post on April 23, 2023 8:40pm. Reason: Fix up of link
• Polyvios Animations edited this post on April 23, 2023 8:41pm. Reason: Another fixup
• Polyvios Animations edited this post on April 23, 2023 8:45pm. Reason: Fix Español link

Well, dilan, I don't think that you've lost all of your skills completely on your last 30 minute figure study class mode, though you've done the most consistently finest job, furthermore, the lines all look or appear to be too hairiest, but itchiest, yet scratchiest to my sensibilities, so how would you please do yourself a favor and do your first 10 minute blind contour drawing of a figure drawing study, all flipped horizontally?

As a result, your observations and spatial awareness of the perceptions of edges will and can increase trillionfold and most exponentially in the most unprecidented way like never before, or since. And if you really thurst for the most knowledge, please be sure to pick up a copy of the three Betty Edwards books: 1) Drawing on the Right Side of the Brain, Definitive 4th Edition, Drawing on the Artist Within, and lastly but not leastest, Drawing on the Dominant Eye. These books are all gonna help you polish and refine your greatest drawing and observation (seeing) prowesses, in their own most special ways. For example, it can and will teach you about the merits of the L-Mode/R-Mode style of thinking in art and sketching, and many, most more. I recommend if you really don't have them in your physical/digital libraries already, then I encourage you to go purchase them for your most incredible marches of progress.

Hope they've been completely and totally useful. Have the most nicest day.