Messages du forum par Polyvios Animations

Hello, Touyaisms, and welcome to Line of Action, I'm Polyvios Animations. How are you doing this evening? Nice job on your range of loose gestures and more sculptural forms and details in the later drawings, but the gestures could use just a bit more work on being even more loose. How would you like to try out our only interactive drawing tutorial here on our site, while quickly sketching out the figures with your left non-dominant hand?

As a result, by working out your drawing exercises with your non-dominant hand, then you could and should be able to see your mark-making with newest eyes and hands. Let's hope they've helped you out so much, as you can polish and develop newer skills and older ones.

Hello, Anschi24, and welcome aboard. Say, a really far great job on your first ever attempt of the fundamentals of gestures in your first ever gesture drawing interactive drawing tutorial. But still, these quick sketches and long studies all don't seem too fluid, flowing, and energized yet. How would you like to retake the online interactive drawing tutorial here?

The reason why you could and should redo this online drawing tutorial is because, not only it can and will give you your tutorial achievement, you can, shall, and will be able to make your understanding of basic gestural rendering less rigid and more dynamic, vital, and furthermore, electrifying to do and look at.

Extra Tip:

If you are stuck for model practice, I would like to recommend you do some gesture sketches of really simple and really cartoony drawings in any style, so that you can better understand sketching out the forces, shapes, and forms. For even more tips and hints, I suggest you please look at this video.

Please take these things and more with a tiny, small, little grain of salt. Good luck and hat's off to you.

Hello, Stephgot, and welcome to Line of Action, I'm Polyvios, but I'm doing finest and how are you doing tonight? If you're looking for some help, then I recommend you kindly try out our interactive drawing tutorial, right here on this website. As a result, by drawing along with that tutorial, then you'll be the most aquainted with the ideas and fundamentals of gesture drawings from life and any and every reference.

Hope this has helped you out the best.

Polyvios Animations.

P.S. There are lots of gesture drawing apps available now on your iOSs.

Bonjour, Stephgot, et bienvenue sur Line of Action, je suis Polyvios, mais je vais très bien et comment vas-tu ce soir ? Si vous cherchez de l'aide, je vous recommande de bien vouloir essayer notre didacticiel de dessin interactif, ici même sur ce site Web. Par conséquent, en dessinant avec ce didacticiel, vous serez le plus au courant des idées et des principes fondamentaux des dessins gestuels de la vie et de toutes les références.

J'espère que cela vous a aidé au mieux.

Animations Polyvios.

PS De nombreuses applications de dessin gestuel sont désormais disponibles sur vos iOS.

Good afternoonn, Zzzzzzzeus, and welcome aboard, I'm Polyvios, but I'm fine, and how are you? Nicest job on your flow of forces, forms and shapes of all of your lines of action in your bodies and constructions, however, they all seem far too rigidest and farthest too stilted to me and my style. How would you like to please go for 6 minutes of 1 minute scribblest attitudes? Because if you go on board for that approach to your quick sketching, then your storytelling in graphics will become the least timidest and the most dynamic, peppy, and energetic. You would and should be able to be the most direct in getting to the points to your narratives. For most details, please look at these two videos down below.

But if you're absolutely stuck in the aforementioned video above, here's an added bonus video:

Kindly take these here videos with the even littlest grain of salt, and let's hope they've all helped, supported, aided, and encouraged you and your progress.

Good evening, Tworpish, and welcome to Line of Action, and how are you doing tonight?

Nicest job on your well articulated bones and muscles of your hand gestures and poses, but I'm not getting enough of the most boldest and most powerful gestures and movements. How would you please free up your range of fluidity and flow of your gestures and poses with 5 minutes of 1 minute hands and feet?

The reason why is as a result of your goal to make your hands and feet less rigidest, and the most spontaneous, fluid, and flowing, then I encourage and validate you to do that. If you're completely and totally curious of gesture drawing of hands and feet, then I suggest you look into the Andrew Loomis books, Figure Drawing for All It's Worth, and Drawing the Head and Hands.

Good luck, and my hat's off to you.

Good morning, Zsomi, and welcome to Line of Action, I'm Polyvios, and how are you?

Nicer job on your range of animal and figure motions, edges, and spaces. Very greater, but keep up the great work. Still, they all don't seem a bit too looser and too livelier yet. How would you like to loosen up and lighten up your lines of action with 5 minutes of 1 minute poses and animals? All drawn from memory, to help you develop and refine your muscle memory (myelin)??

The logic behind this criticism is because (no offence on that criticism work) your lines of action and rhythm will become lesser than stilted and the most convicted and clearer in your lines of rhythm and tempo in all of your gestures of any and every person or beast. If that helps, then how would you please pick a photo of any figure or critter, and draw it 5 times in a row, with 5 different time limits? The arguement is as a result, your memory drawings will become the more spontaneous and livelier, even if you have to do lots of blind contours of anything and everything.

Let's hope they've helped, and have a nicer day.

Good afternoon, Anoob, welcome aboard. I'm Polyvios Animations, and how are you doing today? You know, I think that by looking and rotating your figure sketches you've put out, you are certainly in the right direction, therefore I feel that you have the potential to learn from the best here when it comes to figure studies, but I think that the lines could use a bit more pushing, therefore, they need to be a little bit much dark and tight. How would you like to go over your light drawings in black graphite pencil, using your whole shoulder, while warming yourself up with 10 minutes of 2 minute pose sketches, please.

The logic behind this constructive critique is because if you loosen up your dominant shoulder and non-dominant shoulder, then you'd see your edges more differently than you're used to. Furthermore if your first goal is to be more specific but concrete with your looser drawings, please bring it on. Let's hope this helps and benefits.

Well, Frita, thanks for the post, but great job on your very first attempt at drawing the poses while "kissing the paper" with your traditional pencil. What I do mean by "kissing the paper" means you can and have to draw very, really, really, light with your line quality as you feel the line pressure being pressed down on your paper, therefore, those lines and shapes all don't look and seem livelier, lighter, and looser enough to me yet. How would you like to free up your poses movements with 30 minutes of 2 minute sketches?

The idea is though your initial goal is to go for semi-realism, without bearing that exaggeration of movement in mind, then your attitude drawings all seem too stranger, but if you emphasize more, more, and more of that quick sketching exercise, then you'll go for most of that simplified, most essential cartoon-like feeling into your figures, gestures, and expressions. If you're very curious about quick sketching dynamic and energetic drawings, please look up "Action! Cartooning" by Ben Caldwell, and Volume 1 of the Walt Stanchfield Series, Drawn to Life.

So, keep up the great work, and let's all hope they've helped, supported, and benefited you.

Hello and good morning, Afro, and welcome to our site. How are you today. Say, great range of expression and gesture and anatomy in all of your poses, but these lines all look or seem too hard and stilted to my view, but how would you like to try out our interactive drawing tutorial here? The reason is because of two things: 1) To help you loosen and liven up your drawing and sketching styles. And 2) To help you refresh yourself on your gesture sketching, not rules, but ideas. For most info on straights against curves, kindly look into a Kindle of Mike Mattessi's "Force Drawing Human Anatomy." It's got tons of the most useful and specifically practical info on gesture and essential anatomy, like the pelvis in putting curves to offset the straights.

So, my hat's off to you, your learning curves, and your marches of progress.

Welcome to Line of Action, La Papa, I'm Polyvios, and how are you today?

Say, can we see some samples of your recent works, please?

Hello, Amarin, and welcome aboard, and how are you doing tonight? I may not be too much of an expert on this question, but to answer your question, in order to learn some new and different but exciting styles, you may need and want to take your learning of gesture drawing and apply them to learning how to draw different designs and styles with 5 minutes of 30 second gestures, 10 minutes of 29 second poses, and so on.

As a result, your signature style will become really more stronger as you have never had before. For most practice, please look into Pinterest app for some most inspiration and influences. Hope this has helped you out the most and my hat's off to you.

Nicest job on your first-ever tries to take the plunge in figural gesture drawing, cherry, please keep those up, but I'm not totally and completely getting enough of the strongest, loosest and liveliest lines of action and rhythm in your poses. Why don't you please go for the strengthening of those lines of action and rhythm with 5 more minutes of 30 second scribbly attitudes and expressions?

The reason or explanation behind this critique is because you can, shall, and will be able to make your lines of action and rhythm the most totally boldest and powerful in your poses. For most info, please pick up a copy of Kindle of the 2 Walt Stanchfield books on Amazon, which I haven't bought yet. Hope these have been completely, totally, and absolutely useful, helpful, and encouraging.

Good morning to you, Ferocious, and welcome aboard 🥳🥳🥳, I'm Polyvios and how are you doing today? Ya know, I think that your stick figures are most practically a great start, but great job on communicating your solid foundations with them, yet it's OK that you don't get expressive, in addition, solid results right away, furthermore, they are there for the very first step to designing and building a drawing. They all get improved with constant yet daily practice as it can and will myelinate your hands. Greater job on your first class modes, and therefore, please keep those up, yet, I'm still not getting enough of those mostly boldest yet powerful curves against straights, so how would you like to go for a whack at our interactive drawing tutorial?

The explanation behind this tutorial is so that you can refamiliarize yourself on the fundamentals of gesture drawing, as you can start out somewhat fastest, yet ending at somewhat slowest yet carefull. For most of the details, I suggest you recommend yourself the 2 Betty Edwards books for us beginners, regardless of age: Drawing on the Right Side of the Brain, 4th, and Drawing on the Artist Within, now available on all our Amazon affiliate links. Hope they've helped out, encouraged, and done you greater.

Love how much of the loosest and liveliest caricatures and colors and tones of your faces and expressions, but I think and feel that your abstractions and exaggerations could use the most intensity and insanity yet this morning, so how would you like to do 30 more minutes of 29 second quickest faces and expressions? As a result, your faces and expressions will be the most loosest and liveliest in your master studies, without fear of toning down the guts of the studies naturally.

Good luck practicing and remember, HAVE FUN with it!

Greatest job on your display of head and face movement, negatives, and relationships in your feedback, still it's not organic and flowing enough to me, so how would you like to do 31 more minutes of 60 second(1 minute) drawings? As a result, your facials and expressions will become less self-conscious and more dynamic, alive, and motivated from within. For most info, please kindly look into the PDF of the Andrew Loomis book, Drawing The Heads And Hands.

My hat's off to you, and hope it's informational.

• Polyvios Animations edited this post on April 30, 2023 10:41pm.
• Polyvios Animations edited this post on April 30, 2023 10:41pm.
• Polyvios Animations edited this post on April 30, 2023 10:42pm. Reason: Fix font
• Polyvios Animations edited this post on May 1, 2023 2:50am. Reason: Fix fonts again.