This topic contains 9 replies, has 7 voices, and was last updated by Tx Williep 19 hours ago.
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October 16, 2020 6:23pm #26249
Hi I'm recent to gesture drawing (around 4 months? so maybe not that long), and I've been having problems approaching 2-5 minute poses. I think the time paralyzes me and I get extremely self-conscious. Usually I can only make limited marks in fear of contradicting myself. Any tips on approaching this issue or the drawings itself (it's a five-minute pose btw)? https://drive.google.com/file/d/1FoCWdfXtUWPbqapfJ1oVg4USIJb6P47y/view?usp=sharingOctober 16, 2020 9:38pm #26250
Nice job on your post, Siwead, that's very good. According to what I've seen there, then you're on the right start. If I was critiquing constructively, then you shouldn't erase your lines too much, in you next drawing, in 180 seconds. And do you know why?? As a result, your forces and edges will become even more boldest in strokes.
Hope it's been totally beneficial, cheers.1 1October 17, 2020 10:14am #26251
It's a very nice work, and you're right considering 4 mounths is not that long, evolution takes time! My advice is drop the eraser, draw with a pen if you have to.
You have to force your brain to make the decisions. You already have the limited time set to push you forward, but the safety provided by the eraser is keeping this limited time from making it's job. Don't worry, it's gonna be a real mess, but it's part of the process. So make many mistakes, but don't erase them, let them there staring at you so you try working on them the next time you practice. And remember, the less you erase the more you do with this 5 minutes.
And of course, studying anatomy helps to build the confidence to make this decisions.1 2October 17, 2020 12:46pm #26253
I agree with Jeshua with trying not to erase that much with quick scketchs. Although I have not try myself to draw with a pencil in five minute poses.
I have some general comments that have help me to approach 5 minutes sketches:
- Try to look at the major angles of the drawing: The angles of the legs, how the torso is moving, the relationshinp between the ribcage and the pelvis... if you don't know where to draw for example the right arm try to understand how that arm is located with relashionship to the things you have already drawn.
- Rely in your intuition of proportions: in five minute sketches there is not enough time to draw while being very accurate with the proportions. Try to keep the things in order but don't strees to much over it. In these sketches the fluidity of the poses is more important.
- It is useful to have a state of mind in which your are trying your best but you have dropped your expectations of how the final piece is going to look. This is a state of mind that can be difficult to invoke and sometimes it helps to warm up with really short poses (like 30 seconds).
In general, don't be afraid of doing ugly drawings. That is part of the process and a very necesary one.
There is a last thing I wanted to mention: there is a nice feedback loop between longer posese and short poses. While in longer poses you can try proportions and the like that huge amount of time can make your drawing stif. And as you saw in short poses the fluidity is more natural but the figure lack detail and proportions. It is a good advice to do both, some short poses and some longer poses. They improve together.
Hope this comments are helpful to you2 1October 17, 2020 5:00pm #26254Deleted user
Hi, i used to have the same problem, i think that it's important to embrace failure, there will be a ton of poses that won't look right and that it's the point after all, to make mistakes so you can recognise them and get better. When i started thinking like that i felt a lot more comfortable and realised i had enough time because i calmed down and even made less mistakes. Also, i actually started with 30 seconds poses, so when i went up to 2 min poses it felt like a lot of time, so maybe go for shorter periods and get used to that? ¯\_(ツ)_/¯1 1October 17, 2020 10:58pm #26255
Hi I dont know if this will reply to any user in particular - or just the forum but to anybody who contributed to this thread thanks a lot : ) I definitely have been playing it safe with my mark making and not thinking critically and sticking to a pattern of what I thought worked. Obviously, that's good for certain applications (e.g only making CSI curves) but it definitely felt like I was holding back but I can't thank you guys enough :D this is my first time posting my art online so I'm so glad I did so hereOctober 18, 2020 10:08am #26257
You're welcome!1October 19, 2020 2:45am #26258
so im not sure if your going up in time or down in time, but if accuracy is what you are worried about, try flipping the canvas upside down and horizontally when you are in a situation where your not sure if your making an error, it becomes much easier when seeing the image in a new light. sometimes i just draw pictures completely upside down for practice because it makes me draw the shapes a way im not use to and they usually come out better. dont worry too much about time because you can go back yo the picture again if you really want to. i dont think in life your really ever bound to 5 minutes for a client.2October 20, 2020 2:12pm #26259
You have a figure in front of you (photo, life, whatever). Quickly analyze it (quickly if timed). As an example my Figure 26. Look for things that are related (line up). On the right side of the figure, notice the head, elbow, knee, leg, and foot line up. The left side of the body forms a backward "C". In this "C" the head, left arm, hand, and leg line up. What I would do is make a stick figure to set up these relationships. In reference to the figure you are drawing, fill out the various items. Placing the items where they go and correct in shape (as a sketch with no real detail). Once you have this set up to your satisfaction, you can the for the shapes to correspond to the figure you are drawing. Continue to refine the figure until you are satisfied with it. You should make a study of human anatomy - both muscle and bone structure. Even if you are drawing a clothed figure, you need to know these subjects so you will know what is under the clothing. The internet has a lot of free information on these subjects. Do not think this will happen overnight. It will take a while -Remember: Practice makes better. I would recommend you use the Line-of-Action (L-o-A) hands & feet section & its faces/expressions section. For additional figures to draw, you can go to "On Air Video".
Also, date your works. Why? You date the works so you can go back through them to see your progress. If you practice, you will see progress.1