This topic contains 6 replies, has 6 voices, and was last updated by NCTiffanyArt 4 months ago.
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April 21, 2019 8:47pm #3775
So, my main goal is to learn the proportions of the body in a very flowy an natural way. These are my first attempts on gesture drawings and I just honestly feel like I have no idea of what I'm doing, I'm so insecure about it. Like, do my sketches have too many lines? Should I spend more time on them? (these were 60 seconds) Is the way I'm doing going to help me learn something If I pay attention to the anatomy proportions when I draw? Anyways, the ones with ticks are the attempts I personally think that captured the essence of the poses better. What do you think? https://photos.app.goo.gl/iMczTdM21XT24BkR9April 22, 2019 1:23am #3776
The point of gesture drawing is to capture the “feel” of a pose, not necessarily to be super accurate. What you seem to be doing is the stick figure method, where you do a lot of planning before fleshing out your figure. But in gesture drawing, you don’t want to do a lot of planning, instead working on showing motion and energy with faster lines.
You’re right though, you should practice more on anatomy. You may not want to be on a timer when you’re working on getting down proportions, however! Try using cylinders, circles, etc to block in the body (especially those limbs), at least until you’ve got the hang of it.
Good luck!1 2April 23, 2019 8:41am #3783
Good attempts Cecilia! I hope this feedback helps:1April 28, 2019 6:12pm #3794
I looked at your sketches, Cecibart. With all due respect, you really need and want to get the flow and natural quality of your figure studies. Why don’t you try to practice them in, first, 59 seconds, then 1 minute twice, please? Thanks, and the checked ones say you’re on the right track. And here’s some advice, the less time you spend on a drawing, the less lines you’ll put down in your drawings.
Polyvios Animations.1April 30, 2019 4:31pm #3797
Hi Cecibart......I think you are too focused on the outlines and details of the anatomy.....especially in such a short time frame ......you should try to focus on capturing the energy of the pose.....which would loosen you up and give you more fluid natural lines.....you cant think about it....it has to be instinctive .......dont think about itjust draw what you see and in some cases what you feel the pose embodies.....then with longer time frames you can you can study the details of the anatomy ....gradually build up the figure.1May 3, 2019 10:43am #3801
Hello, Celibart! Good morning!
I took a look through the photo gallery you supplied and considered your questions. Here are my thoughts: (please don't be intimidated by the wall of text! I tried to explain well since I don't have any photos for reference, sorry!)
-learning anatomy and proportions 'naturally' requires sitting down and doing focused studies on the body. May I suggest looking at a human skeleton and learn how to represent the major forms as shapes? For example, the head and ribcage are easily represented by circles (or, if you want to get more accurate, study how the ribcage is more of an elongated egg shape that has been carved away at the bottom). Muscle masses can also be represented by circles/half circles attached to bone: the glutes, hamstrings, calf muscle, deltoid (connecting the arm to the collarbone, creating the mass of the shoulder). The pelvis is quite tricky, as it looks very different from the side than the front and back. I use a squashed cube shape and that helps me more with the defined sides of the pelvis.
Once you do a few studies from various angles of the skeleton/muscles, you can start to represent them with loose shapes much more quickly. That way you know what information you're omitting when you draw gestures.
- I think you have too many lines in the wrong places. Build up the mass of the body by adding more and more to the underlying structure you've created (lines for limbs, circles for joints. You go a good job on that!). I see evidence of a lot of chicken scratch creating contours-- that makes it hard to really understand the different planes and forms of the body. A confident line flows much more than many short hesitant ones. If you make a bad line, just draw another! Doing continuous line drawings are great practice, and I find them quite fun!
- Finding the right time to work takes some practice. I suggest starting with 30 seconds and only focusing on the line of action (following the spine down through the legs to find the motion of the figure), and then a line for the top of the ribcage + collar bones for the tilt of the ribcage, and a line for the top of the pelvis. Doing that accurately will allow you to add lines for the limbs. If your proportions are good there, start adding muscle masses and increase the time you work.
If you choose a longer timer, really focus on making everything proportional and studying how the body parts relate to one another. Don't jump to details unless you are satisfied, otherwise, you are adding nice details to an incorrect sketch. As you confidence builds, shorten the time and see if you can capture the vital information of the pose in as few strokes as possible :). 'Loosening up' requires a lot more work than it appears. The simpler it is, the more economic and accurate your marks have to be. Give yourself the patience and time you need to learn something as complicated as human anatomy!
I hope that helped! Keep practicing, these look great! Your sketches have plenty of evidence of the thought you've put into them.2