Messages du forum par Polyvios Animations

Me, too!

Hello, Jangmyeongsoo, and welcome aboard to Line of Action, so how are you feeling today?

Say, if your goal is way far too vague, then I suggest that your goal could and should be to study the basics of rendering gesture drawings, through our interactive drawing tutorial on our website.

The absolute but accurate reason is because it's not just for any newbie who's really green in the art of figure drawing, but also you could and would teach yourself the very ideas of drawing gestures in figures and anything. For more info, please pick up a copy the the Bridgman book of Figure Drawing.



Good luck and my hat's off to you.



Polyvios Animations



PS.
Could you please post us some of your latest samples on your sketchbook here? Thanks.

Hello, Vyper, and welcome to Line of Action. My name is Polyvios, and how are you doing tonight? Say, I don't see your dead link from DeviantArt yet. Please reboot it now. Thank you.

Say, how about if you just try out working out your lines of action along with the gestural stick figures of your figures with 7 minutes of 30 second poses, so that you can help yourself on doubling up your quantity of scribbly drawings.

Good luck to you.

Hello, Lucien, and welcome to Line of Action, and how are you tonight? These gestures of the faces and expressions seem perfectly fine. Greatest job, but these seem too stilted but hairier. How would you care to please go ahead with 6 minutes of 30 second faces and expressions of males and females?

The reason why is because of a thing called quantity over quality, but you can and will be able to be most focused on the gestures of the heads and faces. For most details, look into the free PDFs of the Walt Stanchfield books right here.

Good luck from all of us.

Hello, Platospace, and greatest works on your figure drawings' gestures, silhouettes, and relationships (proportions and angles). But these poses don't look or seem caricatured or exaggerated enough yet. How would you like to go ahead with 12 minutes of 2 minute poses.

The reason is to make your poses lesser than stiff and lesser than boring, but more cartoonier but zanier and therefore energetic. For more details look at this video down there, and more. 👇

https://youtube.com/shorts/cMm3OcBCCAg?si=cXimTx1JlLD_htID



Good luck to you from us!

Typically, yes, @Colbaltist, but I think but feel that it's worth it! 😉😉😉

Greatest work on your figure drawing gesture sketches, Curiqus, but I love how much lightness but looseness you're getting into your lines, but before you move onto any actual anatomy stuff, but your lines are still not their liveliest but largest yet. Would you care to try out or interactive drawing tutorial here on this website?

The reason why is because, your forces and forms will be drawn the least awkward but least contrived, but the most confident but rapidest that I will ever see from your Imgur. For most information, please look into studying gesture drawing the torso here on this short.

https://youtube.com/shorts/RU1Q24MT8d0?si=yzzRvRFH2NtxOMaY



Hat's off to you.

Hello and welcome aboard, but today, greatest work on showing the boldness and readability of your quick poses, but they could use the most strength that's in you, out of you yet. Would you like to go ahead with our drawing tutorial on our website?

As a result, your lines of action will become even most craziest but direct-est. For most details, kindly look into the Walt Stanchfield PDF here on the Internet.

Our hats' off to you.

Greetings, SharpencilMaster, and welcome to Line of Action, I'm Polyvios Animations, I'm doing greater, but how are you? My hobbies are animating, posting, drawing, painting, sketching, acting, and cartooning, but what are your hobbies?

Say, your gesture drawings are well intuited but more simply sculpted in their organic drawing of shapes but forms of the figures, therefore, bolder choices of functional reference. Please keep on pushing yourself far, but then push farther. And yet, I think that your figural constructions all seem a bit too wobblier but rigidly to me yet, in terms of the appendages (like legs and arms). How would you kindly like to try out our interactive drawing tutorial RRRRRRight here on this website?

As a result of this tutorial, then your visual communication skills will increase thousandfold, but your solid constructions of the human figures and the like will be well articulated, but lesser than stiffer, but more fluider, and therefore, livelier.

For even more than enough details, please be sure to look into some YouTubes of quick sketching in gesture drawing available like this one,

https://youtu.be/-v6q4AdYQSA?si=cVqmIB3O602zn2uz

and this, https://youtu.be/Qxv2gayCzVs?si=n9Mbu5ia8US2vgN7



and more.

My hat's off to you and your very first goals.

Hello, Ken_Needs_Help, and welcome aboard. I'm Polyvios, Polyvios Animations, and how are you doing today. I think you're doing a nice job trying to draw out a scene from memory, but I really feel that your potential is really showing through, and therefore, your memoried poses seem too stiff but straight in the lines of action and rhythm. How would you like to please flex you hands and brains with some memory gesture drawing, with half the time looking at the model, while the other half is spent actually drawing from your head??

The reason why you could practice your drawing from memory is because, your poses from imagination will become two things: First of all, to actually observe your reference without actually drawing first, and second to make your pictures from your mind to be drawn less stiff but more fluid but lively, actually. For even more details, there is a YouTube video or two than can actually tell you about way differently than I can at this round, so please take my advice with a little grain of salt.

https://youtu.be/RnLQfQBbB7g?si=EJCA5dPM86ZKN-D0



Good luck with your progress.

Welcome aboard, Musical Squash. I'm Polyvios Animations, and how are you doing today?

Greater works on your range of forces over forms of your figure poses. Completely bold but powerful in terms of the gesture against anatomy, and therefore, just gonna say it out loud: All of the organic forms don't look or seem looser enough to me yet. How would you like to free up your dominant and non-dominant hands most with 30 minutes of 2 minute figures with each hand?(15 poses per hand)

The logic behind this littlest feedback is, if you go for loosening up your hand and shoulder muscles, then you can go for the right and left halves of your brain, but trying to go for more flowing but fluidest lines, rather than rigidest lines. For even more info, there are lots of gesture drawing YouTube videos for you to get inspired by, so here's this one!

https://youtube.com/shorts/tvKEGcjQTAQ?si=mRaUFdHJzT5aSdu5

Let's hope these have made most sense.

Good morning, SentientKarp, and welcome aboard. Thanks for posting your Imgur link. I really must say that your drawings are filled to the brim with direction, weight, solidity, and personality in most every image you've posted, so please do push yourself more harder.

So, if I was to suggest some feedback to improve or refine your poses and expressions, then I think or feel that these drawings all look or seem too timider to me. Would you like to please loosen up your lines shapes with our interactive drawing tutorial, even if it's all figure studies, here?



The reason why is because, your lines of action and exaggeration will be rapidly articulated lesser than stiffer, but more livelier, expressive but gutsier. If you really loosen up your poses and expressions that way, then your storytelling attitudes and emotions will be even more than entertaining. Also, kindly look into the Vilppu Drawing Manual PDF and The Little Book of Talent on Kindle, by Daniel Coyle.



Good luck from me to your works in progress.

Welcome to Line of Action, Akzafeld, my name is Polyvios, Polyvios Animations, and how are you doing this evening?

Say, your constructions, silhouettes, and the lines of action are bolder but more vital but more energetic than I've ever seen of all the others, but please push yourself more, therefore they, the lines are all seeming a bit too scratchier yet itchier in terms of outlines(or contours). Would you care to try out our proprietary interactive drawing tutorial RIGHT HERE??

As a result, your contours will be able to get a more looser but lighter quality in your rougher stages from 30 seconds to 5 seconds, while at 45s-5m, your relationships and constructions will be able to be visualized in a much more solidified but defined way. For even more information, kindly look into a free PDF of the 2 Walt Stanchfield books Volume 1 here, and Volume 2, here.

Good luck from all of us.



Bienvenue sur Line of Action, Akzafeld, je m'appelle Polyvios, Polyvios Animations, et comment allez-vous ce soir ?

Dis, vos constructions, vos silhouettes et vos lignes d'action sont plus audacieuses mais plus vitales mais plus énergiques que ce que j'ai jamais vu de tous les autres, mais s'il vous plaît, poussez-vous davantage, donc eux, les lignes semblent toutes encore un peu trop grattantes. plus irritant en termes de contours (ou contours). Souhaitez-vous essayer notre didacticiel de dessin interactif exclusif DROIT ICI ??

En conséquence, vos contours pourront devenir plus lâches mais plus légers. qualité dans vos étapes les plus difficiles de 30 secondes à 5 secondes, tandis qu'à 45s-5m, vos relations et constructions pourront être visualisées de manière beaucoup plus solidifiée mais définie. Pour encore plus d'informations, veuillez consulter un PDF gratuit des 2 livres de Walt Stanchfield [url=https://archive.org/details/drawn-to-life-20-golden-years-of-disney-master-classes- volume-1-the-walt-stanchfield-lectures/mode/1up]Volume 1 ici,[/url] [url=https://archive.org/details/drawn-to-life-20-golden-years-of -disney-master-classes-volume-2-the-walt-stanchfield-lectures/mode/1up]et Volume 2, ici.[/url]

Bonne chance de notre part à tous.

Good morning, Lebroskis, and welcome to Line of Action! How are you doing this morning? Say, you're doing a mighty finer job on your forms and forces of your figures, however, they all seem too geometric to me yet, so why don't you please make them even more organic but looser with 10 minutes of 2 minute pose sketches? (all flipped vertically, but flipped horizontally next, 5 sketches)

As a result, your poses will become less stiffer but more fluider but flowing in the organic shapes and forms. For more information, please look into the PDFs of the 2 Walt Stanchfield books here, and here!

My hat's off to you.