Messages du forum par Polyvios Animations

Well, well, well, WEREWOKE, I must do say that your quick sketches; the 30 seconds, especially; are definitely on the right track.

Well, in the much nearer future, I must advice that your 30 seconds are getting almost enough of forces in the acting, actions, and feelings, but I really need to see more of them. Would you kindly exaggerate your C and S curves in your 150 minutes of 29 second quick drawings of figure studies? (150 x 60/29, 9000/29=310 doodles of figure drawings, all flipped horizontal or vertical)

The reason why you would and should do this little bitty suggestion is because, to reduce the stiffness in your C- and S-curves, and to really make them more dynamic, energetic, fluid, and lively. So, keep up the good job, and we hope you'll get to do some exceptionality.

Bravo, Htlaps.

Just for future reference, I love all of your animal pictures, but I'm not getting enough vitality and feeling in the edges. Would you please free up your lines to be just a little bit more cartoony and expressive, with 30 minutes of 44 second sketches, through our custom timer in the Animals drawing tool? (1800 seconds/44=41 pictures)

The reason why is as a result, like I said, less stiffer mammals, and more dynamic, energetic, and fluid edges and shapes and spaces of them.

So, good luck, cheers, and farewell.

I really think your detoid studies are getting on the right track, Legacy55, and I feel like you're getting there.

To answer your question, as far as the moving deltoids go, here is a YouTube video right down here:

Would you please watch and study this video? Oh, furthermore, could you please take screen shots of this one cropped on the video's size, just for reference??

The arguement is as a result, they are totally useful for your quick sketch studies, for 10 minutes of 30 second quick studies, all flipped horizontally and/or vertically, and/or grayscale, on your computer.

The other reason why is because, you'd be able to be more faster and confident in your muscle line quality and control, and consistency.

For some extra credit, should you please be sure to look at this link of Eliot Goldfinger Human Anatomy PDF: https://www.scribd.com/doc/106203113/Eliot-Goldfinger-Human-Anatomy-for-Artists-the-Elements-of-Form

So, good luck, and I hope you'll find these and you've found those completely and totally useful.

Well, Qbicc, I have to say something about your current work myself. I feel that your proportions are a bit on the stiff side, and think they are getting on the right track. Why don't you please draw out your proportions with loose, light, long, large, and lively lines of action and rhythm, through 147 more minutes of 30 second sketch warm-ups, for 6 days, all flipped vertically, on your drawing tools? (If you can have access) (147 x 60/30/6, 8820/30/6, 294/6=49 a day)

The reason why you could do this suggestion, is because of two things: First of all, to help you out on your observations, and second to aid you on getting your kissing the surface technique, with your charcoal and newsprint, or related things.

If you would be able to incorporate these into your current goal, then I'd allowed and encouraged you to go with these. Good luck, and I hope you've found these practical, encouraging, and concrete.

Welcome aboard, Wendigo.

Say, I must really love the amount of potential your quick drawings have to offer. Nice job on your stylized drawings.

Well, if I was to suggest you a critique, I must say that though the idea and energy are there, in the Office Space sketch, but the lines and shapes are a bit stiff for my tastes. Why don't you please, take the office space sketch, and practice loosening yourself up with that sketch, plus with 5 minutes of 30 second sketches? (10 practice drawings)

The reason why you would do this is because, of this video here:

?t=35

This is the video with Chuck Jones, WB Animator, Director, and Designer, on Getting Started. There, he talked about that teacher at Chouinard Art Institute (now Cal Arts) called Francois Murphy. Francois said, "every one of you birds has 100,000 bad drawings in you. The sooner you get rid of 'em, the better it'll be for everybody!"

Another reason why you could do this is as a result, your cartoon drawings will have less stiffness and more dynamism, vitality, and energy. Not to mention the fact that it's perfectly natural that your sketches will be all the more scribbly, but that's OK, you're just here to help yourself improve, innovate, and most importantly, have fun with it.

If you're new on this website, (if you haven't already) look at the link to this online drawing tutorial link here: https://line-of-action.com/learn-to-draw

Good luck to you, and I hope you've found these definitely useful and helpful.

Nicest job on all your hands, Majavhv, very well observed and felt.

I absolutely adore all of your quick sketches, especially your 30 and 60 second drawings, but if I was to critique them, it would be that a few of these hand poses are a bit too on the rigid side. Why don't you please loosen up the flow and organicness of those sketches, by going thru 145 minutes of 30 second warm-up hands, all on 18x24 newsprint or related pad, all for 5 days? (145 x 60/30/5, 8700/30/5, 290/5=58 scribble hands a day)

The reason is, as mentioned above, you'd be able to draw loosest, lightest. largest. longest, and liveliest lines of action and rhythm for your hands and feet.

Here is the video below.

And here's another, for inspiration:

Cheerio, and I hope you've found these generally useful and practical and detailed.

Nice try on your post, bugorama, but I really don't see any of your first ever images here on Line of, why don't you please put up all very clickable and downloadable images of what you're currently working on, please with sugar on it?

The reason why is because, the lot of us would and could be able to see what you're showing and telling.

good luck and cheers.

Majavhv, your quick sketches, 30 secs and 1 min are still amazing. Great work on 'em.

I just wanna say, I really need you to draw more broader and wider strokes in these faces for 60 minutes of 29 second quick sketches of expressions???? (3600 seconds/29 sec=roughly 124 quick studies of facial expressions and features)

The reason why is because, your hands will be able to help you visualize those faces and expressions much better and quickly.

Cheers, Majav!!

Nice work on your quicker 30-90 second poses, that's the way to go.

Again, I feel a little bit of rigidity in some of the LOA (Line of Action) quick gestures. Why don't you please work on giving your lines and forces more than enough freedom of organic lines and shapes, thru 60 minutes of 60 second poses??? (60 drawings)

The reason why is because, it can help you out on not only your drawing quality, but on the overall speed, and inherent output, you know?

If you wanna and need to see more of this, look at that link: https://www.google.com/books/edition/Animation/R3VYtdXCGTMC?hl=en&gbpv=1&bsq=quick%20sketch%20exercise It has an important exercise on one, that's extremely useful to your creativity and artistry.

So I say, good luck, and cheers to you.

Say, these quick sketches, 30 second, are totally striking, starwave. That's very spontaneous. (Even the 1 minute poses)

I've got one idea of improvement: I love how much freedom of lines in your half-a-minute sketches, but if you're new here on this site, they have a little bit of rigidity in the perception of edges. Why don't you please loosen up your hands, with Crayola crayons, on notebook paper, with 35 minutes of 30 second drawings?? (2100 seconds/30 secs=70 quick sketches of bodies, all with your whole shoulder, instead of your wrist)

The reason is because, it can and shall aid you in making visual communications, with the bold strokes, done very lightly first, and to spend less time of the details.

For more vital details, be sure to look at this drawing tutorial from Youtube.

This has some related info that's applicable to anything and everything.

My hat's off to you.

Nice work on your Lv. 1 study, indeed. I love how much you've used blocky forms to make the pelvis and ribcage perfectly read.

However, I've got one little idea: I am getting a little bit too much rigidity in the blocky spaces. Why don't you make these forms positively organic and natural in your next warm-ups, though 34 minutes of 30 second quick drawings, from Marc Brunet's video as reference. (2040/30=68 loose and scribbly sketches for anatomy)

The reason why is because, you'd be able to make your form drawings less undertured and more cartoony in your next round. I have don't have lots of time to tell you what underture is, but here is this link to help you get the big picture.

So, good luck, and cheers to your next studes.

Well, well, well, tt_taniel, I love how much range of expression and movement and emotion you've got in your figures, faces, hands, and feet.

However, I've got one tiny critique: I love how much range of action you've got in your gesture poses, but I'm not getting enough exaggeration in either one, especially in the hands and feet. Would you please free up your whole arm with 33 minutes of 30 second quick attitudes of hands, feet, heads, and bodies??? (1980/30=66 loose sketch exercises)

The reason why???? As a result, your lines of action and rhythm will become even more boldest.

For more information on sketching out your observations distinctly, here is a link to Nick Meglin's Drawing From Within

It's from Archive.org, and if you're very interested in seeing the pages, I recommend you to sign up and borrow that book.

Cheers, and I hope you've found this completely helpful.

Well, honestly, Legacy55, I really think you're on the right track in terms of your figure drawings.

Question: What is your recent goal?

Critique: I love the light touch of the feeling that comes across the life drawings, but I'm not feeling there's enough of the exaggerated humor and funniness in the poses. Why don't you please caricature the lines of action just a little bit the most? though 30 minutes of 30 second warm-up sketches of manners?? (60 drawings)

And you wanna know why??? It's because it can help make your drawings more funny, but with a light touch.

And if you wanna see more information and details, be sure to look up the digital copy of Nick Meglin's Drawing From Within. But, if you need to see it, also be sure to sign up for your account, or guest account on this book on Archive.org.

So, my hat's off to you, and cheers.

Nice work, sludge!

I suggest that some of the quick poses are a bit too rigid, and I really need to see a lot more life and fun to them. Why don't you please loosen yourself up and lighten your touch up, with 30 minutes of 29 second quick sketches???? (1800/29=62 quick light scribbles)

The reason why is because of this video right here:

And because, if you need a goal for getting the chance to kiss the paper or screen, then I encourage you to go with it.

Good luck to you.

Nice work on rendering your male figure standing attitude, Jason, that's a very technically good job.

Again, I really feel that it's a teeny bit too rigid and stiff there. Why don't you please liven yourself up with your line quality, by working out with 156 minutes of 30 second attitudes??? (156 x 60/30=9360/30=312 ruff poses/5 days a week=62 crude poses a day, in a week, all flipped horizontally and/or vertically, or normal, thru the special tools for our members on Line of Action; Or you can take a screenshot of each pose, so that you would flip them yourself)

The reason why you could and should go with this extremely and totally beneficlal critique is so, that you would be able to tap into your perceptions of the figures' edges, and the right side of the brain, even if it's through the quicker gestures. And that applies to your amazing head drawings. For more info, I encourage you look up for the PDFs or the books, or ebooks of the Loomis and Reilly figure drawing and head sketching books.

So, cheers, and hat's off to you.