Messages du forum par Polyvios Animations

Good evening, Jerber, and welcome aboard to line of action, I'm Polyvios Animations and how are you? I must do say that your shortest and longest studies are looking like you've done the greatest job as you could, but you're definitely have lots of room for improvement.

Just as what Ontevreden, then if you are looking forward to some of the most highest standards that you could and would reach, then you can and will look into this link on head shapes here. It's from John K. Stuff, the oldest blog for artists, animators, cartoonists and creatives and entertainers available. For example, there's some of Basil Wolverton (MAD) who did the funniest but ugliest faces and the zaniest abstractions featured in that link there, because we could use those for gesture drawing inspiration. If you could warm-up to those sketches, then I suggest you give them all you've got.

Hope this thing helps you out so much.

I would.

Hello Tannaysart, and welcome aboard to line of action, and how do you do tonight? Greatest job on your range of human proportions, anatomy, and most importantly the organic lines of action. But, I'm not getting enough of the organic proportions and shapes and sizes. How would you like to do 30 minutes of 2 minute poses? As a result, your relationships will become the least stiffest and actually spontaneous like the real rubber hose cartoons of the oldest.

Hope this helps out, but please look into some Milton Knight drawings and Bill Nolan Animaiton reels to study from. So, hope this has totally helped and inspired you and good night to you.

Good evening, Yokurt and welcome aboard to our website, I'm Polyvios Animaitons and how are you doing tonight?

OK, listen, I'm here for two reasons, first of all, greatest, greatest job on rendering your feet and legs in terms of form and perspective with the fewest amount of lines, and second that most of them look or seem alright, except for the first drawing, as the first pair of feet in the first standing nude of the first sketch appears to be floating in the least dynamic way. Kindly free up your hands with 2 59 second drawings of figures and feet with a custom timer. The reason why is because to make your observation and caricature of feet the least stiffest, and the most solidest, fluidest, most alive, and the most motivated from the soul in dynamics. For most info, look into a PDF set of images of the Eliot Goldfinger human anatomy book in Archive.org.



Hope this helps out and my hat's off to you and good night and have the greatest week.

Hello Chromatic, and welcome aboard to Line of Action, and I'm Polyvios Animations and how are you? Say, where can I see your latest drawings and sketches and paintings, so that you can document where you're shooting off from? Good night, and have the greatest thanksgiving.

I'd love to join! 😀

Good morning, Elixinator, and welcome aboard to Line of Action (Formerly Artists.Pixelovely.Com), I'm Poly, and how are you today?



I've looked and studied all of your sketches and it seems or looks that the gestures read completely and totally on the right track. (And so are some silhouettes and proportions and angles) Great job on your first Imgur post! Yet, I'm not getting enough of those warmed-up lines of action and rhythm in those attitudes. How would you like to go for 4 minutes of 30 second attitude sketches? As a result your lines of action and rhythm and balance will become even more loosest and lightest, if you'd cut down the brush opacity to 30-40% tops, tops!



Great luck to you, and I hope this trick helped you out in the longest run! 😉

Say, Platospace, those drawings are doing a great job on show force, form, weight, balance, and asymmetry in lines, shapes, and spaces indeed! You know what I'd love to recommend? Loosening up your lightest lines, shapes, and spaces to strengthen up your drawing appeal and balance.



As a result, for instance, if you'd offset the high points of your angles and curves, then your eyes will be forced to see through them in your designed pose.

Hope you've found this very tip extremely encouraging.



Polyvios Animations

P.S. For more details, look into the Disney Sample Portfolio PDF online and the Kindles and PDFs of the two Walt Stanchfield books.

Good evening, Sydney, and welcome back to LOA, and how are you today?

So, in order to help you out into your transition to your figure drawing session, I'd suggest you could do 5 minutes of 30 second quick poses, so that 1, you could go for the strong gestural lines, and 2, you'd go for more into the spirit of the forces, forms and attitudes.



Good luck to you and your transition, and have a swell afternoon.

Good morning, Eunlan, and welcome back to Line of Action, I'm Polyvios Animations and how are you?



My is your Tumblr post of images dead and gone? Please repost them on your Imgur account.



Let's hope you found this concrete and helpful.

Hey matthew, and welcome aboard, I'm Polyvios and how are you? I just can't have any access to your images you've posted in 2014. Please post them all on Imgur.



Hope this has been concrete,



Polyvios Animations

Good evening, Bonita, I'm Polyvios Animations and how do you do? Greatest job on your range of exaggeration of poses and gestures, kinda like WB Animator, Manny Gould.

However, there's still not enough of the exaggeration and satire in the graphically organic shapes, spaces and lines in the poses in those links. Why don't you please free up your shoulders and elbows with 10 minutes of 2 minute poses of figures from photos, life, and of course, the video to Manny Gould's animations, which I haven't studied yet, but I could.

https://youtu.be/leUmatX3ieY



As a result, if you could do frame-by-frame in this video here, then you'd get an idea on how Manny made his drawings move for that studio before and after, in scenes for guys like McKimson and Clampett. 1) You could analyse for mechanics, you could analyse for performance. 2) You could go for both at the same time.

Funny thing, too, but originally Manny was gonna be interviewed by animation historian Milt Grey, but he up and died on Milt & us. Bummer, but he had such an incredible wealth of knowledge and experience, but we'll never know, unless we can and will study every and any scene he'd done in his whole, entire career to figure them out for ourselves, see?

Getting back to the effect of the suggestion, if you do these suggested above, your lines, shapes, poses and gestures will become less stiffer and more caricatured and pushed.

Good luck to you and your progress.

Hi there, 1996musiclover, I'm Polyvios and how are you doing tonight? Looking forward to having a great equal partnership because I'm looking forward to expand into drawn animated filmmaking.

Currently, I'm finding some spare time to work on my two personal films of mine. The book trailer for my picture book, and my student film from Haverhill, MA and Salem, MA.

I'm doing fine, and how are you?

I see the work you've done so far, Parmilla, and I see that you've got the flow and rhythm and tempo going in those graphic shapes and lines of these figures. Keep going.

Yet, I'm still not getting enough of the exaggerated and caricatured, and satirized grace and flow of the shapes and lines. Would you also kindly free up your poses and lines of action and acting with 1 hour of 30 second scribbly poses, and 1.5 hour of those drawings? As a result, your poses will become the more dynamic, lively and spontaneous acting and animation, whether or not you dream of being an animator, then I'd recommend it. (so that you don't pay too much attention to the details, and more into the straghts and curves) Practice makes better progress and the best. If you really need some more inspiration, watch here.



https://youtu.be/u4VM6jWLkxE



Cheers to you, and good night on your progresses.