Forum posts by Polyvios Animations

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  • #31000

    You know, Idon'tknow, fine, if you don't want us to tell you to by more books. But, judging from your latest branch of progress, I think you may be getting a lot better in terms of drawing the most force in terms of your figures, basically. You see, as Warner Bros. Cartoon Director Chuck Jones put it:

    We all have 10,000 bad drawings in us. The sooner we get them out, the best.

    Basically, by going for the most repetition, you can, you shall, and you will improve most sharply with time. So, if you don't believe us, please look into the PewdiePie drawing progress videos and see them for yourself. So, kindly keep up the strongest progress.

    #30983

    Hey, Kim, how are you?

    Say, I'm thinking about interactive drawing tutorials on drawing tools other than figure studies, such as animals, and more. So, what do you think? Can we go with those, please?? Thank you.😊

    #30959

    Hello again.

    Greater and more graceful job on your ballet and ballerina poses and attitudes. Please push yourself as far as you can go, and then go farther as you can. Consequently, I'm not getting enough of that stronger caricature and exaggeration in your lines' gestures,straights, and curves yet. Would you like to please just go with 6 minutes of 30 second poses? (all done from your non-dominant hand??) {12 drawings}

    The reason behind this argument is because, your lines of action will become lesser than boring, and more dynamic, gutsier, and sparkling with life. For more details, please look into Vol. 1 of the Walt Stanchfield on PDF rrrrrright here?

    My hat's off to you.

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    #30958

    Hello, and welcome to Line of Action, Clara. I'm Polyvios Animations, and how are you?

    Nice job on display of gesture sketches, for the strong use of lines of action in your really short figure studies. However, I'm not getting enough of that flow and life and energy in those poses. Why don't you please work more from your shoulders with 5 minutes of 30 second poses, all just to completely loosen you up?

    As a result, your figures' lines and shapes will become less stiff and more loose and more expressive. For further info, please look into the Shamus Culhane Gesture Drawing Book here?

    Thank you and happy sketching!

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    #30945

    Hello, Stvalentine14.

    I have seen your YouTube video, and I must say, you're getting to be on the right track and off to a greatest start. I love the flow, fluidity, construction, silhouette, 👤 and of course, line confidence and line quality. However, I'm getting too much of your stiffness in the drawings where I'm getting enough of your balooniest limbs from top to bottom in your poses entirely. Why don't you like to kindly go for just our interactive drawing tutorial on our site, with the cheapest notebook with the cheapest pens and eraserless ✏️?

    As a result, your line confidence and quality can and will improve millionfold, and the rest can and will follow. For most tips and tricks, please look into Action! Cartooning by Ben Caldwell on Amazon.com.

    My hat's off to you!

    #30933

    Hello, Kim Zanni.

    You know, I think you're doing the greatest job on making the prettiest face in the most interesting facial expression and angle. However, I'm still not getting enough of the most forceful expressive and emotional lines of action and rhythm in terms of the head and facial anatomy yet. How would you like to please go for our interactive drawing tutorial here on our site?

    The arguement behind this is to do this, gesture drawing is done to not only to draw as quickest as possible, but to capture or record the flexibility and elasticity of the facial expressions and others that you can draw.✍️ It's not to merely make a perfect drawing, but to just be able to record the motion and fluidity of your facial drawings and more. For most details, look into the Vilppu Drawing Manual here and the Walt Stanchfield books as free PDFs all here.

    Let's hope they've all helped you out.

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    #30932

    Hello.

    Nicer job on your recording of the really more basic lines and shapes of your ribcages. Greater job, but I'm not getting enough of how well you apply them into your figure drawing. How would you like to please do a 30 minute drawing class of figure studies, all with an emphasis of combining the ribcages with the poses, and all drawn with an underhanded position, and all drawn from your non-dominant hand?🤚

    The logical juxtaposition behind this thing is because it can and will help you loosen up your control and understanding of the bones by the neck. To do that, you can begin with the simpler gesture sketches and the lines of action, then you can go for the simpler, more geometric shapes and forms and spaces. Finally, you can and will try out going for measuring your relationships; or proportions and angles. For more than enough tips and details, kindly go for a Joseph Sheppard Human Anatomy Book on Amazon.

    My hat's off to you, and thank you.

    #30920

    Say, Aunt Herbert, greatest story on your traffic experience. Makes me want to even visualize it in drawing form. Please show me and us some of your ruffest sketches of the lights. Thanks.

    #30918

    Hello again, Heirloom.

    You know, greatest works on your brushpen sketches on your figure poses in terms of fluidity, flow, flexibility and movement in them. However, it's OK that your brushpen ink lines aren't always accepting of your paper type, because you're not here to make a slick, very pretty, and very perfect drawing all the time, every time. May I recommend you sketch more poses in notebook and memo papers? So that you can and get the most grind mileage in your lines of action and lightest lines of rhythm? For more and most all the tips and tricks, here is this oldest video from Alphonso Dunn:

    ?feature=shared

    Happy Drawing, and 😊!

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    #30917

    It's OK that you can't get the anatomy right instantly, Idon'tknow. All you gotta do is just be patient, practice everything ever day that you can, then your natural talent will and can follow. At least I and we know you've tried. Thank you.🙏

    #30913

    You know, Idon'tknow, I think you're being too harder on yourself.

    From what I'm seeing in your figural tracings, I feel that you're really and completely boiling down the more complicated musculatures and translating them visually into simpler, and more geometrical shapes and forms. And that's OK to start off drawing them that way. Because your eyes and brain are slowly, ever so slowly getting used to something more complex as the human anatomy of muscles. But still, these simpler, more mathematically drawn forms are still not getting enough of that organic flexibility, elasticity, and of course, the plasticity in your lines, shapes, spaces, and of course, the masses and forms, and I'm not getting enough of that looser confidence in your skeletal systems yet. How would you like to kindly go ahead with 5 minutes of 30 second figures, 5 mins of 30 secs skeletals, and 5 m of 30s musculars, as well? (10 drawings each)

    The reasons:

    1) To be the most totally self assured in your line and edge confidence, even in your muscles.

    2) To help yourself become more than selective in your bones and muscles

    3) To see your bones, muscles, nerves, and organs to be completely and more totally holistic.

    And if you're still curious and begging for more, please be sure to look into the Sarah Simblet book on Anatomy, the Joseph S. book on Artistic Human Anatomy, AND the Glenn Vilppu anatomy on how to get more quantity out of quality gesture drawing. Let's hope they've been completely and positively and absolutely inspirational and inspiring.

    #30907

    Hello, Heirloomtomato. How are you?

    Great job on verbally illustrating your universal skill affliction. In order to "attack" that skill atrophy, can I see your drawings, please?

    Thanks.

    #30892

    You know, as a follow up to what Kim just suggested, Gustave. The thing about charcoal and graphite is so that you can practice your drawing media and how much mileage you can get out of them. Please do keep on practicing drawing with graphite, charcoal, and more.

    #30852

    Hello again,

    Nicest job on your range of gesture, motion, and form on your figures. I love 'em. But going back to your figure and animal gesture drawing comment, but it can also be used for hands, feet, faces, expressions, cartoons, and more. The possibilities are yet to be explored. But, fast-foward to your form comment, I'm still getting too much mushiness in your basic construction. Would you like to go ahead with going for more weight and solidty in your construction with our 1 hour class mode of figures?

    The reason why is because you can and will be able to improve and innovate your figure and face construction, in order to better at drawing from memory and imagination, by starting off with the gesture warmups.

    My hat's off to you.

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    #30821

    Well, Strawberry, most strongest and greatest job on your face and expression construction drawing, using just the Reilly method. I love the sense of edges, spaces, and forms of that one. Yet, it looks too timidest in the organic drawing to me yet. How would you care to go for 17 minutes of 1 minute attitudes of expressions?

    As a result, your facial expression constructions from any angle will become the least stilted but the most bravest and therefore energetic in your delivery. And if you're still looking into all of the drawing practices on facial expressions, look into some drawing expressions from Action! Cartooning by Ben Caldwell, though Ben is still working on Manga Cartooning, but these fundamentals are worth it.

    Let's hope you've found these absolutely beneficial.