Forum posts by Polyvios Animations

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  • #30502

    Hello and good evening, Fai, and welcome to Line of Action, I'm Polyvios, Polyvios Animations, and how are you doing tonight? Greatest job on your range of gesture and clarity of muscles of the uppermost part of the torso. But when it comes to your problem with the insertion point, the shoulder masses all seem too stiffest to me yet. Would you like to please go ahead with 6 minutes of 2 minute shoulder blade studies, all drawn underhanded, and all drawn with your dominant arm?

    The reason why you could do this is because, your shoulder blades will be sketched the least stiffest, but the most dynamic, energetic, but fluidest but flowing. For most info, please look into the Burne Hogarth Dyanmic Anatomy and Life Drawing books on Amazon.

    My hat's off, and thanks.

    1
    #30492

    You know, Plot, to be honest, I think you're doing a great job on your first try, but I feel that your flow of your figures and their arms seem too stiff on the line side. Why don't you commence on our interactive drawing tutorial of figures, so that you can and shall get acquainted and reacquainted with the very ideas of gesture drawing, here on our website?

    The explanation behind this link is so that you can and shall and will begin with a link, then you can sculpt out the construction, and later, carve out the details. That way, your structures will become less wooden, but more flowing and fluid in their organicness.

    My hat's off to you!

    #30479

    You know, @Egusi Soup, I don't know what to say about drawing with your left hand other than to help you with two things: First of all, to loosen up your drawing lines and shapes, and second, to help you get mostly in synchronization with drawing from the right side of the brain.

    Let's hope these have answered your question, though I'm not much of an expert on drawing with the left non-dominant hand.

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    #30471

    Hello, Egusi Soup, welcome to Line of Action. I'm Polyvios, how are you doing tonight? Great work on your quickest gesture drawings for 30 seconds. But greatest works on your solidest constructions and lines of action from 60 seconds(1 minute)-10 minutes. Please push yourself as farthest as you can go.

    Yet, in the meantime, these lines of rhythm and action are not their fullest in their freedom yet. Why don't you do 31 minutes of 29 second poses, all using our custom class mode, using your underhanded position, and all using your left hand? (31x60=1860/29≈64 roughest stick figure sketches)

    The reason why you could do this request is because, if your first goal is to draw your lines of rhythm the least stilted, but the most boldest, powerful, and biggest in their freedom of action in drawn things. For most information, look into the 2 Drawn to Life PDFs(Walt Stanchfield, Don Hahn)here, please.

    Let's hope they've been helpful, supportive, and yet useful.

    #30460

    Hi, Galiciabalerica, and welcome to Line of Action, and great job on recording your edges of your cow. I like how you made it look like a bovine critter, edges-wise. However, your work on it still seems too symbolic but too stiff. How would you like to go ahead with 15 minutes of 5 minute blind contours of bovines, followed by our interactive drawing tutorial here on our website?

    As a result of the blind contours, as evidenced on the Nicolaides book The Natural Way to Draw, you can get more involved on drawing the subjects based on the senses of 'touching.'

    The reason why you can and will go with our drawing tutorial is because, it will help you drawing quickly and therefore loosely with fast warmups, followed by a slow but careful 5 minute study in the end. (For lack of a better way to say it)

    For more information, please be sure to pick up Drawing From The Artist Within, and Drawing From The Right Side of the Brain, The definitive 4th Edition and Workbook, and the former book I'd referenced. Please get these titles for the drawing exercises. They can and will be universally applied to your studies.

    I hope you shall find these materials completely and totally helpful and concrete.

    1
    #30445

    Welcome aboard, Antonalog. Greatest job on your static construction on your figural proportions, indeed. Way to go. But, the line quality seems too searching but sketchiest, to the point where you are trying your hardest to make the forces look too right.

    If you are looking to improve your economy of statement thru lines, then I'd like to recommend some freeest courses like Proko.com, Virtual Instructor and more. Oh, and this link here, too, so that you'd get the bestest sense on where and how to handle this exercise.

    Let's hope you've found these nicest but most helpful.

    #30441

    Bingo 1: Traffic Lights

    Bingo 2: Head Light

    Bingo 3: Mailbox

    #30432

    Sure thing, Aunt, but where is your study group? Please direct me to it, if I haven't joined but haven't really posted the link to me already??

    #30386

    Hello again, Icouldntthinkofaname, how are you? You know, to answer your question, what about reporting the spams to Kim of this website? Because, if you report those spams, then Kim and/or Sanne can help deal with those spams, if you just give them some time to deal with them. Or if that doesn't work, just report 10 more of them. Therefore, if that doesn't work, you can always report 100 more of them and so on, and so on, until spambots are NO MO'!

    Hope you've found this answer totally concrete, and happy thanksgiving!🦃🍽

    #30367

    Me, too, to totally warm up!🔥🔥🔥

    #30346

    Good evening, Geirskogul, how are you?

    Great job on your ranges of gesture, spaces, and proportions and angles, but I'm not totally satisfied with the rigidity of the poses yet. Why don't you just please loosen up most of your attitudes with 5 minutes of 30 second sketches?

    If you loosen up your hands for figure studies, then your figures will become less stiff, but more dynamic, energetic, and fluid.

    Hope this all makes sense,

    #30336

    Oh, Creativewitheliza, thank you.

    #30332

    Good morning, Tanner, and welcome to Line of Action. I'm Poly, and how are you doing today?

    Nicer job on your looser lines of action and rhythm on your figure drawings. But, I'm taking too much issue on the hairier and rigider lines yet. How would you like to please try out our interactive drawing tutorial HERE?

    The logic is as a result, your gesture drawings will become more looser but free-er but therefore observant for your myelins, or muscle memories.

    For more details, look into this one video 👇.

    ?si=JTZ7KNDnvEuo4BJp

    Please take these with a grain of salt.

    #30322

    Good morning, Vinrey, and welcome aboard. My name is Polyvios Animations, and how are you?

    You know, I really and totally think that your faces gestures and forces are all on the right track, but these all seem too stiffest, but farthest too rigidest yet. How would you like to please caricature and exaggerate your expressions for most expression with 5 minutes of 30 second facial expressions for most emotion in your lines.

    The reason why you could and should try this thing out is because to make your heads, faces, and expressions the least timidest but totally emotional but expressive.

    Take this with the littlest but smallest grain of salt.

    1
    #30287

    Oh, Icouldntthinkofaname, even though I've never actually owned and read a copy of Understanding Comics, I will buy myself a copy of that someday, but as for your suggestions, they could and should be worth a try.

    Thanks for the hints!