Forum posts by Polyvios Animations

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  • #30203

    Greetings, SharpencilMaster, and welcome to Line of Action, I'm Polyvios Animations, I'm doing greater, but how are you? My hobbies are animating, posting, drawing, painting, sketching, acting, and cartooning, but what are your hobbies?

    Say, your gesture drawings are well intuited but more simply sculpted in their organic drawing of shapes but forms of the figures, therefore, bolder choices of functional reference. Please keep on pushing yourself far, but then push farther. And yet, I think that your figural constructions all seem a bit too wobblier but rigidly to me yet, in terms of the appendages (like legs and arms). How would you kindly like to try out our interactive drawing tutorial RRRRRRight here on this website?

    As a result of this tutorial, then your visual communication skills will increase thousandfold, but your solid constructions of the human figures and the like will be well articulated, but lesser than stiffer, but more fluider, and therefore, livelier.

    For even more than enough details, please be sure to look into some YouTubes of quick sketching in gesture drawing available like this one,

    ?si=cVqmIB3O602zn2uz

    and this,

    ?si=n9Mbu5ia8US2vgN7

    and more.

    My hat's off to you and your very first goals.

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    #30202

    Hello, Ken_Needs_Help, and welcome aboard. I'm Polyvios, Polyvios Animations, and how are you doing today. I think you're doing a nice job trying to draw out a scene from memory, but I really feel that your potential is really showing through, and therefore, your memoried poses seem too stiff but straight in the lines of action and rhythm. How would you like to please flex you hands and brains with some memory gesture drawing, with half the time looking at the model, while the other half is spent actually drawing from your head??

    The reason why you could practice your drawing from memory is because, your poses from imagination will become two things: First of all, to actually observe your reference without actually drawing first, and second to make your pictures from your mind to be drawn less stiff but more fluid but lively, actually. For even more details, there is a YouTube video or two than can actually tell you about way differently than I can at this round, so please take my advice with a little grain of salt.

    ?si=EJCA5dPM86ZKN-D0

    Good luck with your progress.

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    #30201

    Welcome aboard, Musical Squash. I'm Polyvios Animations, and how are you doing today?

    Greater works on your range of forces over forms of your figure poses. Completely bold but powerful in terms of the gesture against anatomy, and therefore, just gonna say it out loud: All of the organic forms don't look or seem looser enough to me yet. How would you like to free up your dominant and non-dominant hands most with 30 minutes of 2 minute figures with each hand?(15 poses per hand)

    The logic behind this littlest feedback is, if you go for loosening up your hand and shoulder muscles, then you can go for the right and left halves of your brain, but trying to go for more flowing but fluidest lines, rather than rigidest lines. For even more info, there are lots of gesture drawing YouTube videos for you to get inspired by, so here's this one!

    https://youtube.com/shorts/tvKEGcjQTAQ?si=mRaUFdHJzT5aSdu5

    Let's hope these have made most sense.

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    #30200

    Good morning, SentientKarp, and welcome aboard. Thanks for posting your Imgur link. I really must say that your drawings are filled to the brim with direction, weight, solidity, and personality in most every image you've posted, so please do push yourself more harder.

    So, if I was to suggest some feedback to improve or refine your poses and expressions, then I think or feel that these drawings all look or seem too timider to me. Would you like to please loosen up your lines shapes with our interactive drawing tutorial, even if it's all figure studies, here?

    The reason why is because, your lines of action and exaggeration will be rapidly articulated lesser than stiffer, but more livelier, expressive but gutsier. If you really loosen up your poses and expressions that way, then your storytelling attitudes and emotions will be even more than entertaining. Also, kindly look into the Vilppu Drawing Manual PDF and The Little Book of Talent on Kindle, by Daniel Coyle.

    Good luck from me to your works in progress.

    #30199

    Welcome to Line of Action, Akzafeld, my name is Polyvios, Polyvios Animations, and how are you doing this evening?

    Say, your constructions, silhouettes, and the lines of action are bolder but more vital but more energetic than I've ever seen of all the others, but please push yourself more, therefore they, the lines are all seeming a bit too scratchier yet itchier in terms of outlines(or contours). Would you care to try out our proprietary interactive drawing tutorial RIGHT HERE??

    As a result, your contours will be able to get a more looser but lighter quality in your rougher stages from 30 seconds to 5 seconds, while at 45s-5m, your relationships and constructions will be able to be visualized in a much more solidified but defined way. For even more information, kindly look into a free PDF of the 2 Walt Stanchfield books Volume 1 here, and Volume 2, here.

    Good luck from all of us.

    Bienvenue sur Line of Action, Akzafeld, je m'appelle Polyvios, Polyvios Animations, et comment allez-vous ce soir ?

    Dis, vos constructions, vos silhouettes et vos lignes d'action sont plus audacieuses mais plus vitales mais plus énergiques que ce que j'ai jamais vu de tous les autres, mais s'il vous plaît, poussez-vous davantage, donc eux, les lignes semblent toutes encore un peu trop grattantes. plus irritant en termes de contours (ou contours). Souhaitez-vous essayer notre didacticiel de dessin interactif exclusif DROIT ICI ??

    En conséquence, vos contours pourront devenir plus lâches mais plus légers. qualité dans vos étapes les plus difficiles de 30 secondes à 5 secondes, tandis qu'à 45s-5m, vos relations et constructions pourront être visualisées de manière beaucoup plus solidifiée mais définie. Pour encore plus d'informations, veuillez consulter un PDF gratuit des 2 livres de Walt Stanchfield Volume 1 ici, et Volume 2, ici.

    Bonne chance de notre part à tous.

    #30172

    Good morning, Lebroskis, and welcome to Line of Action! How are you doing this morning? Say, you're doing a mighty finer job on your forms and forces of your figures, however, they all seem too geometric to me yet, so why don't you please make them even more organic but looser with 10 minutes of 2 minute pose sketches? (all flipped vertically, but flipped horizontally next, 5 sketches)

    As a result, your poses will become less stiffer but more fluider but flowing in the organic shapes and forms. For more information, please look into the PDFs of the 2 Walt Stanchfield books here, and here!

    My hat's off to you.

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    #30171

    Hello, Drawingbrocolli, and welcome to Line of Action! I'm Polyvios Animations, and how are you doing tonight? Say, great job on your movements, silhouettes, relationships, constructed forms, and of course the wholes. Way to go on your magnificent works, but I'm concerned on your sincere lack of fluidity of the (anime) animator's line yet. How would you like to please try out 10 minutes of 2 minute poses, all from your non-dominant hand?

    The reason why you could and should draw out really fast is because of two or more things:

    First of all, to get less involved on the details, but more into the broader gestures and poses of the ideas and energies. Second of all, to make your drawings the least stiffer but more fluidest. For most info, please look into a copy of the Vilppu Drawing Manual PDF right Here???

    Good luck to you, and thank you.

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    #30165

    Hello and welcome, Axelxan, to Line of Action, I'm Polyvios Animations, and how are you doing? Say, magnificent job on your movement over forms of your figure poses, but they still need even more motion and exaggeration. Would you like to go for 10 minutes of 30 second attitudes, using only your non-dominant hand? (20 drawings)

    The whole argument behind this feedback is because you can and will be able to differentiate yourself between looseness and care in your graphic edges. For more info, please look into Drawing on the Right Side of the Brain, and Drawing on the Artist Within, by Betty Edwards, though she's more of an art teacher than an artist, in my opinion, but her work does make us think, really. Thank you, but let's hope my advice makes true sense.

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    #30143

    Hello, Kane and welcome to our site, but these poses you've drawn out for us are completely but totally hands on in terms of the line quality, but the lines of action have too insufficient exaggeration and satire yet. Why don't you please sketch them out the most livelier with our interactive drawing tutorial here somewhere?

    The reason is as a result, you learn how to draw not just for the sake of art, but also for the thinking, not to mention the fact you could and should be more involved in the broadest gestures then the smallest details and forms.

    Good luck to you and your progress.

    #30142

    Good morning, Afro, and welcome back, but I'm so in love and enjoying your range of forces and forms of your figure poses and face attitides, from imagination and reference. What I really love about them is how much you've totally retained the forces while you're slowing constructing out the volumes and forms, therefore, you're completely having fun with yourself and trust in the drawing process, so more power to you. Yet, I'm still not getting enough of the bolder power and appeal in your drawings yet. Kindly loosen up your lines of action of your poses with our proprietary online drawing tutorial in our website, while you can and will loosen up but liven up your lines of rhythm in your faces with 10 minutes of 30 second sketches, but with looking at the refs 15 seconds each, then quickly ruffing them out in the last 15 seconds each.

    The reason is because of the two truer arguements: 1) To make your visual memories more sharper but varied, as you can benefit you memory drawings.

    2) To make you faces and poses the least rigidest, but the most emotional, vital, but energetic. For most details, kindly look into a PDF of the Walt Stanchfield books on Volumes 1 And 2.

    So, my hat's off to you and your amazing march of progress, while I hope these have all made sense.

    #30141

    Well, Sap.un, you're line quality is phenominal, absolutely phenominal! Phenominal when it comes to loose poses and attitudes.

    So if I could give you some pointers, it could be for example is that the broad gestures don't seem too exaggerated enough to me yet.Why don't you kindly exaggerate your attitudes with 11x29 second poses?

    As a result, of two reasons:

    1) To use your caricatures and exaggerations to your really full ability.

    2) To make your loose lines of action and rhythm less stilted, but the most dynamic, felt, but energetic.

    For most details, look into Volume 2 of the Walt Stanchfield book here, along with a copy of the Daniel Coyle book on Talent rrrright here.

    Good luck to you, but let's hope they've all helped you out even better.

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    #30133

    Hello and welcome aboard, Reddish, and good morning. Say, you're doing a powerful job on exaggerating and caricaturing the gestures of the poses of your figures, from Proko, which I haven't gotten onto yet, but these poses all seem a bit too rigider in terms of the curves against straights. Will you kindly free up but lighten up your lines with our interactive drawing tutorial rrrright here?

    The reason why you could and should do this tutorial is as a result, you could draw not just for art's sake, but for the thought systems from within. For most details, kinldy look into Drawing from the Artist Within and DRSB from Betty Edwards right there on Amazon.com.

    My hat's off to you, so let's hope these make perfect sense.

    #30120

    Good evening, and welcome aboard, and I'm Polyvios Animations, but how are you doing?

    Say, you're doing a mighty fine job on all of your subjects from figures to faces. I love how much agony, pain, passion, power, and animation you've gotten into your curves. Keep up the great works. But these curves still need much more exaggeration and emotion yet. How would you like to please try out our interactive drawing tutorial right HEEERE??

    As a result, your curved lines of action and rhythm will be quicky drawn less stiffer and more vital and energetic, but spontaneous. For most details and tips, please look into the recent livestream from Mike Mattessi on YouTube.

    This is actually from 8 months ago, so please take what you will from that.

    Hope this has helped you out on your current goal more. My hat's off to you.

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    #30105

    Good morning, AfroExtensions, and welcome back again. I'm Polyvios Animations and how are you doing this morning?

    Nicest job on your range of expressions and movement on your faces and figures, but they don't seem to have the most specific goal for you in mind yet. Why don't you please try out our interactive drawing tutorial HERE?

    As a result, by being the most concrete in your current goals, then you can and will be the least plateaued in your learning curves and progresses. For most details, please look into the Mike Mattessi Drawing Forces Kindles(which I already have free samples of). My hat's off to you.

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    #30085

    Hello and good afternoon, Loon Ar, and welcome aboard, and I'm Paul, but how are you doing today?

    Say, you're doing a mighty powerful fine job on your range of edges, gestures, and spaces, and angles of your poses. Keep up the great work, but I'm not getting enough of that strong personal style yet, so how would you like to draw really flowing straights against curves and shapes with our interactive drawing tutorial RIGHT here?

    The reason why you could and should try that link is because your angles, proportions, and spaces will be the least stilted but more fluid but flowing. For most info, please look into some more tips and tricks from Daniel Coyle's The Little Book of Talent.

    Good luck to you.

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