Forum posts by Polyvios Animations

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  • #29639

    Hello, Covianta, and welcome aboard, I'm Polyvios, and how are you doing today? Nicest job on everything about your nude figure pose, which I already created a DA account for in order to see and download it, but it all seems too rigidest, stiffest, blandest, and furthermore, farthest too lifeless, so how would you like to go for our interactive drawing tutorial? As a result, the first beginner's point of anatomy in general is the strongest movement, vitality, and energy you get into any and every bone and muscle in our bodies. For most details, please pick up a digital copy of the 2 Walt Stanchfield books on Kindle or Archive.org.

    Good luck to you and your marvelous learning curves.

    #29630

    Good morning, wxnter, and welcome to line of action, and how are you doing this morning? I love how much of the greatest range of motion and spaces and staging of the poses and facial features and facial expressions, but you have tons of promise and tons of talent, yet I think that you learning curves are definitely and postively and absolutely on the rightest track, however, I feel that your lines and marks are defintely too rigidest and farthest too stilted. How would you kindly free up your gesture drawing skills with our interactive drawing tutorial right here.

    The reason why you would, should, and could do this tutorial is because it is the interactive tutorial for any and every newest member of our website, if they aren't already too familiar with gesture drawing before or since. And last but not least, if you start of anything with 30 seconds or less, then your range of animation and movement will dramatically and exponentially improve, the more you warm up, the best. For most improvement tips and tricks, please look into Andrew Loomis's Fun with a Pencil, Figure Drawing For All It's Worth, and many, many more. Hope these have helped you the most.

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    #29627

    Hello and welcome, narel, how are you doing this afternoon? So, I don't know how to show you this, but I'll try my best to show you an example or two, or three, or four, or more, yet, here they go.

    1)

    &t=50

    2) https://m.

    3) https://m.

    4) https://m.

    5)Last but not least, this link.

    These tutorials, be them video or web article, can and will show you how to draw different children types, though some are smaller than others. Let's all hope they have been completely nicer, helpful and more encouraging.

    Hola y bienvenido, narel, ¿cómo estás esta tarde? Entonces, no sé cómo mostrarles esto, pero haré todo lo posible para mostrarles un ejemplo o dos, o tres, o cuatro, o más, sin embargo, aquí van.

    1)

    &t=50

    2) https://m.

    3) https://m.

    4) https://m.

    5) Por último, pero no menos importante, este enlace.

    Estos tutoriales, ya sean videos o artículos web, pueden y te mostrarán cómo dibujar diferentes tipos de niños, aunque algunos son más pequeños que otros. Esperemos que todos hayan sido completamente más amables, serviciales y más alentadores.

    #29624

    Well, dilan, I don't think that you've lost all of your skills completely on your last 30 minute figure study class mode, though you've done the most consistently finest job, furthermore, the lines all look or appear to be too hairiest, but itchiest, yet scratchiest to my sensibilities, so how would you please do yourself a favor and do your first 10 minute blind contour drawing of a figure drawing study, all flipped horizontally?

    As a result, your observations and spatial awareness of the perceptions of edges will and can increase trillionfold and most exponentially in the most unprecidented way like never before, or since. And if you really thurst for the most knowledge, please be sure to pick up a copy of the three Betty Edwards books: 1) Drawing on the Right Side of the Brain, Definitive 4th Edition, Drawing on the Artist Within, and lastly but not leastest, Drawing on the Dominant Eye. These books are all gonna help you polish and refine your greatest drawing and observation (seeing) prowesses, in their own most special ways. For example, it can and will teach you about the merits of the L-Mode/R-Mode style of thinking in art and sketching, and many, most more. I recommend if you really don't have them in your physical/digital libraries already, then I encourage you to go purchase them for your most incredible marches of progress.

    Hope they've been completely and totally useful. Have the most nicest day.

    #29623

    Say, dilan, nicest job on your latest toned figure sketch in the longest, longest time, however, you're far too hardest on yourself for the longest time, so how would you care to kindly be the most patient with not just your drawing learning curves, but also yourself? As a result, you can, shall, and in the future, will have had the most to live for in your whole career and life. Any and every life is precious, including yours. Hope it's the most compassionate.

    When it comes to your quickest tone drawing, it seems a lot of too much fear has been put into it, so would you care to do your very-first-ever 2 hour class of figure sketches, in order to help develop and refine your forces, forms, and anatomies? Another arguement behind this constructive thing is because, your figure drawing tools and fundamentals will be the most masterful and second nature to you, when it comes to gestures, sillos, relationships, tones, and the wholes. And if you wanna expand your marches of the greatest of progress in action poses and attitudes, please look into the Ben Caldwell book, Action! Cartooning.

    Hope it's been the most absolutely morale-boosting to you and your self-education. Have the greatest day!!

    #29611

    Ya know, I just don't care. I love ALL of my models as if they were my own great-grandchildren! (As long as I can grey, flip, and rotate em, so that I can have fun with observations) Not to mention for very, so highly different reasons. Take for example, the bearded model (clothed or nude or anywhere in between) for I'd love to caricature the vitality of his beard lines and shapes.

    #29606

    BTW, what kind of felt-tip markers do you use?

    #29595

    Nicer job on your totally and absolutely finished pieces, Thatcherart, but where are the rough gesture sketches? How would you like to go for our online interactive tutorial, if you please, here? As a result, as a newly self-taught drawing student, you may learn some all-new habits for sketching and drawing. You can start yourself off with some quickest gestures, thus finishing off with the slowest drawing poses. So, my hat's off to you, and let's hope they have helped and benefited you, for a longer run.

    #29594

    Good morning, Roscoe, and welcome to our website, and how may we help you? Thanks for your question, but if your pencils keep wearing out on you, yet I recommend sharpening them before and after your drawing session, therefore if you wanna be more bold and confident with your line quality, furthermore, I suggest you please try out our interactive drawing tutorial here on our site, and could you please show us your latest work, because we really need to see them to gauge your current progress?

    Plus, if you're completely curious about controlling your line confidence, kindly check out this tutorial here:

    and here:

    My apologies for the longer-winded critique way earlier here, so let's all hope they have rubbed off on you and your newer learning curve and march of progress.

    #29593

    Hello and good afternoon, Izzy Williams, so please, like Drunkenelf said, take what I say with a little grain of salt. I love how much of a great sense of spaces and forms you got, especially your 10-minute poses, but those lines, shapes, and forces could use just a little bit more pushing and pulling, yet how would you please go for 1.5 hour of 2 minute sketch poses, all done using a thicker, darker brush? (45 scribbles, all flipped vertically, if our website lets you)

    The two reasons are: 1) To help you be more bolder and confident with your lines and shapes, but to help yourself capture anything with as fewer lines as possible. 2) To help you see shapes and lines. For more info, please pick up a copy of Drawing on the Artist Within by Betty Edwards. And this video above the reply. Have fun practicing!!

    1
    #29570

    Nice way to ask, Zalamander, but in order to study your moving action poses, then you can just capture the movements of the poses' forces over forms by watching it in movement while you sketch them out blindly, while on tablets'/phone's timer app, but also you can just pause the video frame by frame to just capture the gestures, yet not just the forms and details. If you really need to loosen up your gestures and simple forces, then I'd recommend you do 5 minutes of 30 second poses, because if you do 30 seconds per pose, then your lines of action will become strongly looser for your simpler foundations.

    For even more details, please look into this video tutorial on how to study your Youtube videos frame by frame. Here:

    Hope these things have become completely, totally, truly and absolutely useful to your learning curves and marches of progress.

    #29569

    Say,Kly Kuu, nice job on your range of organic shapes and forms in drawing the bean shapes, but I'm not getting enough of that squash and stretch in exaggeration and staights vs. curves, but how would like to kindly go for the interactive drawing tutorial right here on our website?

    The reason why if you could do this tutorial interactively, then you could and would and should be able to apply that to your bean poses from 5 seconds-5 minutes. So please don't be afraid to fill up your canvas or page or two with your interactive drawing exercise. The more faster and funny your sketch them out, the more organic and satirized your bean-shaped bodies will become. Hope these things have become absolutely, completely and truly helpful, encouraging and supportive.

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    #29561

    Good afternoon, Calvinnyecomics, and nice job on your range of motion and lines of movement in your forms of the pose, but I'm not getting enough of the loose lines of action and organic pose, so how would you like to go for 32 minutes of 2 minute drawing poses? The reason why is because, your lines of action and rhythm will become less than rigid and the most bold, spontaneous, and alive. Be sure please to look at tons of instructions and inspirtations on gesture drawings form physical books, ebooks, video tutorials on YouTube, and many, many more. Good luck to you.

    #29559

    Greatest performance on your most trickiest pose, but kindly don't you get too hung up on the most complicated details in your attitude, so would you love to go for 2 hours of 30 second fastest and scrawliest poses, regardless of complication? The reason is as a result, your most complicated of attitudes will be the least hardest to do, and the most simplest and easiest to look at and sketch out, for you can and will be able to be the most easiest with your fluidest and flowing lines of action and rhythm. Look, I know it's the easiest to be too stiffest with your studies, so it's all alright that all artists hate all of their stiffest drawings, but the only best solution by far, is to do it another time or more, in order to get the best confidence in your sketching knowledge, and the knowledge of anything. For most details, please suggest yourself a copy of Andrew Loomis' Figure Drawing for All It's Worth, physically or otherwise. Good luck to you today.

    1
    #29558

    Good morning to you, Hyebinpark, and nicest works on your range of the simplest forms and forces of your hands and feet, but I'm not getting too much flow and fluidity of the shorthands of your hands and feet drawings, so how would you kindly like to go for 10 more minutes of 30 second hands and feet poses? As a result, your hands and feet will become somewhat least stiffest and the most boldest, confident and spontaneous in your memories, ideations, and executions for your character concepts, designs, and styles. My hat's off to you, and have the greatest day!!

    1