Forum posts by Polyvios Animations

Hello again, Emi K P.

Again, greatest job on your range of gestures and constructions of your figure poses. I really think that you need a particular goal, but I feel that you need to loosen up and lighten up your lines of action and rhythm with 5 minutes of 30 second pose sketches?

The reason is because if your goal next up is to make my gestures and poses less stiff and even more fluider, flowing, but liveliest, then go for it. Yet, to help make your lines of action and balance farthest least stiffest and most dynamic, energetic, and fluidest but plasticky.

My hat's off from me to you.

Good evening and welcome, Emi K.

I really think you've done the greatest work on your figures' range of gestures and poses. I feel that these drawings need the most elasticity and putty-like quality in the poses. Would you care to go ahead with our interactive drawing tutorial RIGHT HERE?

As a result of that tutorial, there shall be two things:

1) To help you refresh yourself in the basics of gesture drawing in general, even if this is all figures.

2) To help you start off with the fastest in lines of rhythm and action, but end the most with the slowest yet carefulest 5 minute pose.

If you're completely, utterly, therefore totally curious about the most figure drawing practice, look into the website, Quickposes for extra practice in gesture drawing.

Good luck to you.

Hello and welcome aboard, Nick Laze, and how are you doing? I'm Polyvios, Polyvios Animations, and again, how are you??

Nicest job on your range of movement and organic shape drawings of your nudest figure drawings. I think that your goal is completely spot on, but I feel that these flowing lines need even more flow. Why don't you please try out our 30 minute class mode of the nuder figure drawings?

As a result, if your goal is to clearly push your gestures even much more to make them least stiff, and the most dynamic, energetic-er, and fluidest. For most info, please look into a copy of the Sheppard Anatomy book available on our Recommended Books list.

My hat's off to you.

Good afternoon, Kermittz, welcome aboard, I'm Polyvios, Polyvios Animations; how are you?

Greater works on your range of twists and turns, but squash and stretch on your torsos, pelvises, and ribcages. I think they have tons enough potential, but I feel that these need a more stronger solidity, but fluidity, therefore liveliness of attitudes. How would you love to try out our interactive drawing tutorial, right here?

As a result of trying out our tutorial, you can, shall, and will be able to learn how to make use of the drawing fundamentals, so that you can and will become a stronger draftsman/artist. Not to mention, to help make your solid forms less rigider, and more than dynamic, flowing, and fluider. If you're curious about gesture drawing, kindly look into the Nicolaides book on drawing exercises, including blind contours. You don't always have to follow his plans too literally, you can be free-er to warm up to the schedules. My hat's off to you and your current and future goals, to give the pelvises and ribcages real squash and stretch. Good luck.

Good morning, Sadjersh, and welcome aboard to our website. I'm Polyvios, Polyvios Animations and how do you do this morning?

Congratulations! You've now recently made your first ever topic on your web account.

So, I think your movements of your stick figures in gesture form are anything but static, but I surely feel that your motions are loaded with tons of organic life and vitality, but there's definitely not enough of energy in the poses. Why don't you please try out our interactive tutorial here, but it only does figure studies, even if you did them already right now?

As a result, then your ability or talent to understanding the basics of rendering of figure studies will increase hundred-fold, but if you work with your shoulder and/or your elbow, while saving the wrists for your details, then your strokes will become more broad and long. Good luck to you.

Good morning, Drab Green Rabbit, and welcome to our website! I'm Polyvios Animations. How are you doing this morning?

Say, I love how greatest a job you're doing on these quickest poses. I think that your edges and spaces are positively but absolutely on the rightest tracks. I feel that your relationships(proportions and angles) all look or seem a bit farthest too blandest but stiffest, so you needn't be concerned about your longest studies too soon. What you need is to please try out our drawing tutorial, therefore we can provide that for you on behalf of our site. Why don't you care to try it out for yourself?

The logical explanation behind this is because if you need and/or want to pay most attention to the motions and guts over aesthetics of your figures and whatever, then your proportions and others will become most easiest to you, if you just be most concerned about your sketches mostly holistically like never before. For most info on the basics of gesture drawing, check out this:

My hat's out to you, and hope they've been educational but informative.

Welcome abaord, Noku.

Say, you're doing a mighty swell job on your fluid poses and gestures, but these forms and relationships and spaces, in my mind all seem a bit too rushed, because you seem a bit too impatient with yourself and your poses. How would you like to please do your first ever 1 hour class mode, therefore, on the longer drawings, please measure out the head lenghts with your pen and fingers?

As a result, your understanding of relationships will become more masterful with each new attention paid to each proportion and angle of your figure bodies.

Good luck to you.

P.S. Please pick up a copy of Andrew Loomis' Figure Drawing for All It's Worth as a free PDF here!

Whoever marked my reply as discouraging, then let me say, excuse me.

Good evening, Karsaether, and welcome aboard. My name is Polyvios and how are you doing tonight?

Say, you're doing a finer job on your face of your OC's edges, spaces, and facial relationships. I think it's completely getting there but I feel that these could use more bold expressions and caricatures. How would you like to please loosen up your expressive drawings with 5 minutes of 30 second faces and expressions sketches?

As a result, your understanding of how to render the faces and expressions will increase billionfold. For most details, please look up a copy of Andrew Loomis' book on how to draw faces and hands, though your real focus for the day is faces and facial expressions. Good luck and my hat's off to you.

• Polyvios Animations edited this post on July 15, 2023 9:51am. Reason: Fixing spelling

Hello Bean Just, and welcome to Line of Action, I'm Polyvios, and how are you doing this morning?

Say, by answering your question, I'd say I'd like to recommend you be a little bit more concrete to your goal, because, just saying "improve my painting level" sounds a bit too discreet to me. So how would you like to suggest a goal, how to make my painting figures less stiff and more fluid?

The reason why is because, deep down you can and will be able to tap into the inner thoughts and emotions of your figured models, especially in your paintings, but in your drawings.

Hope this thing helps you out better.

Good morning, Tanner, and welcome to Line of Action, I'm Poly, and how are you doing this morning?

Say, your fluidity of the poses. I think you're having fun, fun, fun, fun with gestural figure drawing, but I feel that the mark making could be even more expressive. Why don't you please try yourself out our online drawing tutorial?

As a result, by practing our tutorial, you can, shall, and will be able to refresh your own knowledge of gesture drawing in general, particularly figure poses. Even if you start off with some rapidly done 30 second pose sketches, you can go faster into the 5 second scribbles, then work your way back up to 5 minute sketches, all just to build and design some vague but particular anatomy in the very end, all just to finish up your mini-tutorial. For most details, kindly look into the PDF of gesture drawing HERE!

Good luck, therefore my hat's off to you.

Hello, Blue Dovey, welcome back to our website! I'm Polyvios Animations, and how can we help you?

Say, upon looking at your progress from your last 2 weeks this year, recently, I see some very major improvements going on in terms of how you've perceived your forces and spaces of your figures in varieties of undress. I think that you've got the stronger feeling for pushing your foreshortening of your left and right legs and feet in gesture form, but I feel that they could use the most work in how expressively but well in how you push them to their limits. How would you like to care for speeding up your progress with 32 minutes of 2 minute sitting & kneeling attitudes?

The reason is because, truly deeper down, your understanding and intuition of expression and exaggerations of foreshortening of any appendage will improve more better and more quite faster. Hope these have completely and totally shifted but benefited you and your current but future goals.

Hi, Meijiisconfused, and good morning.

Greatest work on your range of fluidity of the poses, greatest jobs on your construction of the poses, and their positive and negative shapes and spaces, which I really think you've totally got them all down in just one time. I feel that your gestalt of your poses could use a bit most caricature and exaggeration in your balance of drawing fundamentals, including gestures. Kindly loosen up your draw your longest lines of action and rhythm with 32 minutes of 30 second pose sketches?

As a result of your latest warm-up period, then your fluidity of the poses and flow of their lines will become the least rigidest and the most loosest but liveliest.

For most details, please look into the Tonika Pantoja videos on YouTube about gesture drawing.

My hat's off to you, and happy sketching morning!

Good morning, Tropical Bird, and welcome aboard to line of action, I'm Polyvios Animations. How are you doing?

Nice job on your range of line weights on all of your faces, expressions, and figure studies, even your quick sketches of hands, because of the range of expression and emotion of the lines and the storytelling and acting possibilities. Please kindly keep them going! But, I totally also love how really great a job on analyzing your anatomy of the bone structure of your hands. Please do keep on pushing yourself as far as you can go.

Go as far as you can go, and then go farther; Know what you're gonna draw is actually gonna work the first time.

However, these lines in their looseness of all these subjects and fan arts are totally and completely not loose enough to me yet. Why don't you please free up your range of storytelling drawings of those thingies with 5x5 minutes of figures, 5x5 minutes of faces and expressions, and a 10 minute warm up of a hand? ((5x5)+(5x5)+10) (50+10)=1 hour of drawing practice.

The reason why you could and should, and would go ahead with this deliberate practice is because your storytelling poses and expressions, and gestures will become less mechanical and much, much, MUCH dynamic, fluid, flowing and organic in your graphic narrative uses.

Don't be really half-hearted, learn a new move by exaggerating it.

The Little Book of Talent, Daniel Coyle.

(Confidentially, it was just a paraphrasing.) For more info, please look into a book or Audible of the book with the same name. Hope these have helped you out so much.

Hey, Vilma, you invite link had been expired. Would you please send us a new one? Good morning.